Geschichten aus dem Gimli Hospital

If you are looking for something unorthodox and bizarre and very arty, you should look into this. Guy Maddin turned his obsession with silent movies, surrealism, Luis Bunuel, David Lynch and god known what else into...something. I probably don't possess enough movie knowledge to competently judge this one or grasp everything that's going on, but I suppose that Maddin has something going here. Not that I had a lot of fun watching it. This is for an exquisite taste only. Nonetheless, it still left me curious about Maddin's other works.

Guy Maddin is a truly unusual filmmaker.His movies are black comedic and supremely bizarre excursions into silent black-and-white cinema."Tales from the Gimli Hospital" is possibly his most famous and creepiest work to date.This is a wonderfully strange and puzzling movie filled with haunting and disturbing imagery.The action takes place in the small fishing town of Gimli,Manitoba, in some indeterminate time in the early part of the 20th Century.Einar and Gunnar,two men afflicted with the deadly smallpox virus,are housed in the small Gimli Hospital,their bodies covered with the scars of disease,their minds slowly slipping into paranoia and fear.Much of the film is silent,only archaic soundtrack is used regularly.The film is shot in equisite black-and-white and looks terrific.Give it a look,if you enjoy watching surrealist cinema.8 out of 10.

Guy Maddin's "Tales from Gimli Hospital" is a surreal locomotive of a film that never for a second pretends to make a lick of sense. Characters and events lack logic and motivation, leaving the proceedings within an oddball world of duck feathers, Indian burials, and mute men (some in blackface). The result is intriguing yet pretentious and too deliberately ambiguous (while "Eraserhead" made less narrative sense, its 'clues' were more meticulously assembled), but shows promise from writer-director Guy Maddin, who successfully invokes the classic styles of German Expressionism and even "Hour of the Wolf"-era Ingmar Bergman.

I picked up this movie since I live in Gimli, and have heard interesting things about Guy Maddin. Though certainly a strange and surrealist film, it is also a monument and critique of Icelandic culture, and Gimli, where he had a summer cottage. If you know the history of Gimli, and are familiar with Icelandic culture, certain parts of the film do not seem strange at all. I would be interested in knowing how people not knowing these things interpreted things like the marriage across the river, or the food served at the hospital. I am in love with the aesthetics of it. He has been able to capture the exact look of early films, right down to actors and costuming, yet this doesn't seem to take over the film. Though I am personally a bigger fan of Maddin's short films, I enjoyed trying to work my way through this.

As strange and surreal as this movie is, I just love it. Shockingly enough I seem to be quite fond of this strange, art-house type of movies.

It's a very surreal movie, that is shot in 1920's/1930's style. It means that the entire movie is black & white and even old fashioned looking, with all of its sets, costumes and make-up effects but also its style of acting and the way some scene's are being set up and executed. It's also a throwback to old European surreal and more stylish type of movies, from the '50's and '60's. Movies that were not just style over substance but also ones that had a good effective story in it, no matter how well it got hidden all underneath its surreal images and strange moments.

And yes, this movie as well has a very strange but fascinating story, set at a strange hospital, about patients with a strange disease, in a strange time, in a strange far off place. It's apparently set in Gimli, Canada, which is also know as the capital of New Iceland, despite it being a very small town. It also explains some of the strange Scandinavian names and accents the characters have.

If you just happen to stumble upon this movie somewhere and decide to watch it, without knowing anything about it, you would not believe that this movie got actually released in 1988. It's that good looking in its very old fashioned way. It's amazing the amount of detail they spend on this movie and director and writer Guy Maddin truly managed to capture an unique, old fashioned, grainy type of atmosphere. But it's also thanks to the casting of some old fashioned type of looking persons, that makes the movie and its story work out convincing as an old one.

Clearly, it's a movie that will not appeal to every person and some mind find it just a bit too strange and not fascinating enough. This movie is really a matter of taste, more than anything else but if you're fond of some surreal type of films (like David Lynch movies), European type of old films (lets say Ingmar Bergman type of movies), or some of the movies from the 1920's and 1930's, this movie is really worth a watch and changes are you might end up really liking it.

8/10

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