Die Models einer Agentur werden vom Inhaber der Agentur, Alex, zu einer Party eingeladen. Während der Party spielt Alex Spiele in seinem Computer und es sieht so aus, als hätten die Mädchen ... Alles lesenDie Models einer Agentur werden vom Inhaber der Agentur, Alex, zu einer Party eingeladen. Während der Party spielt Alex Spiele in seinem Computer und es sieht so aus, als hätten die Mädchen das Haus für sich allein, aber es gibt noch einen weiteren Gast.Die Models einer Agentur werden vom Inhaber der Agentur, Alex, zu einer Party eingeladen. Während der Party spielt Alex Spiele in seinem Computer und es sieht so aus, als hätten die Mädchen das Haus für sich allein, aber es gibt noch einen weiteren Gast.
- Leslie
- (as Norhana Arrifin)
- Sylvia O'Neal
- (as Gioia Maria Scola)
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Set in the glossy world of fashion models, Dario Piana's Too Beautiful To Die is a slick and sexy giallo, full of stylish imagery, but totally vacuous, the director exploiting his female stars' gyrating hard bodies in raunchy video-shoots before bumping them off. I have no problem with the film's objectification of women who make a living from their looks, but I do object to the film's lacklustre death scenes, which are bereft of creativity and decent gore. This kind of film lives or dies on the strength of its kills, and the relatively bloodless and mundane murders in Too Beautiful To Die are instantly forgettable, making this a mediocre effort overall.
Director Dario Piana creates a really good atmosphere for the film and clearly has a good understanding of what the Giallo genre is all about. There's a blue tint that features throughout and the director makes good use of the post-apocalyptic style of the music video at the centre of the film. It's also very much a product of the time it was made; the film features that 'trashy eighties' style throughout and the director is not afraid of implementing some extremely tacky eighties music as well. Of course, it's the murders that will have most viewers tuning in; and while they're not on par with the goriest of the genre, they are none too shabby either and plenty of the red stuff gets spilled in inventive ways. It has to be said that the film is a bit messy and certain moments can drag more than a little bit; but there's always a tense chase scene or gory murder just around the corner to keep things exciting. It all boils down to a well thought out and somewhat surprising ending that has the added advantage of actually making some sense! I can't say that this is an absolute must see for genre fans, but it's certainly well worth tracking down. Recommended.
The plot - Fashion models are invited to a party by the owner of their agency and during the party one of the models Sylvia (Gioia Scola) is raped by a powerful businessman, with the help of the other models. Afterwards she runs away and is found dead and soon everyone involved starts getting killed one by one.
The movie is mildly entertaining but what it could have done with is a tighter pace and better execution as there's only so much having beautiful women and stylish visuals can do as everything else is severely lacking and this is definitely one of those cases of style over substance.
The 70s were the heyday for the Italian giallo. So it's always nice to discover one made in the 80s, nevermind the late 80s, that's actually good. Too Beautiful to Die is a solid example of a latter day giallo. An unknown killer, a fantastically gruesome murder weapon, artistic touches (tracking shots and blue lighting), a boatload of beautiful women, and plenty of atmosphere - this one has all the elements you expect to find in a giallo. Too Beautiful to Die also features some of the best (or worst) of the 80s. The music, clothing, and hair - all from the 80s. The ad campaigns and music videos the women are working on are incredibly reminiscent of a Robert Palmer video. It's a visual straight out of the 80s. In fact, much of the movie is a bit like watching a string of 80s-era music videos strung together into a film. Plenty of style. Another plus for Too Beautiful to Die are the plot twists and turns you expect to find in a good giallo. There are plenty of clues and red herrings sprinkled throughout that will keep you guessing to the end. With about 20 minutes to go, I was sure I had things figured out. And while I was partially correct, the movie had one more curveball up its sleeve. Very nice. If it weren't for the poor explanation of the killer's motivation, a couple of slow spots in the screenplay, and some questionable acting, I could have easily rated this one higher. Still, it's a nice giallo that fans of the genre should seek out.
Wusstest du schon
- WissenswertesIn the "Porno Game" Conti plays on the computer, with each key tap good for one pelvic thrust, as he taps frenetically, the line marked "Piacere" (pleasure) grows, while the one for "Potenza" (potency) shrinks.
- PatzerDuring the rape scene, Sylvia manages to free her arms from the girl who was holding them, but, rather than use her free hands to fend off her attacker, she just throws them back over her head, straight into her captor's grasp.
- Zitate
Model: Go on, Sylvie. You'll enjoy it!
[all models laugh as Achitze rapes Sylvia]
- VerbindungenFollowed by Sotto il vestito niente - L'ultima sfilata (2011)
- SoundtracksWarriors of the Wasteland
Written by Peter Gill, Holly Johnson, Brian Nash and Mark O'Toole
Performed by Frankie Goes to Hollywood
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- They Only Come Out at Night
- Drehorte
- Duomo, Mailand, Italien(set up shot for the day after)
- Produktionsfirmen
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- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1