Rikky and Pete

Hollywood has never known what to do with Asian actresses. It took an Australian woman director to bring out the full potential of the lovely Tetchie Agbayani as Pete's girlfriend in this gentle Aussie comedy. The scene where she is negotiating to get a rise out of her boss (double entendre intended) shows her to be a highly talented comic actress.

I actually saw the film because of Tetchie's participation in it, and was pleasantly surprised by the movie as a whole. It delivers quiet chuckles rather than belly laughs, but leaves you feeling good. It deserves to be more widely appreciated.

A sister and her younger brother from a rich family in Melbourne flee to the Outback for a much-needed break. Ricky is a minstrel with a geologist degree while Pete is a subdued mechanical genius and inventor, albeit penniless. They find sanctuary in a desert mining town.

This decent Australian production from 1988 is not a comedy as touted; it's a semi-offbeat drama with some amusing touches. It's reminiscent of flicks like "Joyride" (1977) with Anne Lockhart & Melanie Griffith about youths fleeing the big city and their misadventures trying out a new life in the vast wilderness (not to be confused with the 2001 road rage flick "Joy Ride").

Nina Landis comes across as a plain Jane at first, but grows more alluring as the movie proceeds, particularly when she's in tight jeans later in the story (just kidding, not really). Tetchie Agbayani is also on hand on the feminine front, a kinda cute Asian. The guy who plays Pete looks like an Aussie version of Charlie Sheen.

At the end of the day, "Rikky and Pete" may not be great, but it ain't bad either, particularly if you're in the mood for a quirky misadventure flick like "Joyride" (1977).

The movie runs 1 hour, 42 minutes and was shot in Australia (New South Wales, Victoria and Queensland).

GRADE: B-/C+

Like most Americans, I think I have a deep respect and even envy for all things Australian. I think it reminds us of us of the days before we became politically correct. Australia is not only an original, but an aboriginal. We long for the rough and ready good old days, and the Aussies remind us of them.

This movie is no exception. Pete is a loose screw who has a grudge against the local plod, and a genius for building indescribable gadgets that seem to do the impossible. Rikky, his sister, is the only family member that either understands him or cares about him. When Pete gets himself in a fix, she hustles him off in the family Bently and heads from the big city to the great Outback. Their adventures and misadventures along the way, as well as the breathtaking location scenery rounds out the story. Some of this stuff is really hilarious but not silly. This movie has a heart.

Rikky, played by a very appealing Nina Landis, is an aspiring country and western singer who becomes a troubadour to help finance the trip out to the wilderness. They arrive at a desolate mining camp hoping to hide out from the coppers till the heat dies down and hook up with a bunch of losers in a mining venture.

The country music was terrific tho I was a little disappointed to find that Rikky's voice was dubbed by a pro named Wendy Mattews. Just when I was falling in love too. Nina Landis made this movie, and I was sorry to find that I was 15 yrs late in discovering her. My chances of finding another Nina Landis movie are slim at best. Take my advice. If you find one - don't miss it.

I have especially enjoyed Rikki and Pete for reasons difficult to analyze. Just as a skilled writer can engross and hold an audience with what may appear to be simple prose, this film, too, with its simple and wacky story line maintains an artful and absorbing balance in its dramatic elements: a panoply of "unique", interesting characters, a comical clash of modern suburbia with desert mining town ethos, the clash of inventive slacker minds in the face of both, and a lively rhythm accented by Rikki's C&W barroom singing. What serious social messages it may contain - if any - are handled lightly. After all, nothing's new under the sun - certainly not male chauvinism or sexual abuse in the workplace or generational gaps. This film concentrates on its wacky characters and mining town setting, not on such hackneyed subjects.

A masterpiece it isn't, and I won't deny it succumbs to excess toward the end, but compared to the usual empty-headed commercial stuff hyped in papers and video rental box-backs by critics of dubious loyalty (certainly none to the purchaser or to intellectual integrity) I find it nonetheless a superior piece of entertainment - deserving perhaps a 7 out of 10. Back in the 1980s when I first saw it, I would possibly have rated it higher. Despite the years, I still carry with me visions of the dart-throwing Swede, the mining boss bargaining for "lays" he'll never get, and the wild contraption R & P construct with the help of their friends to automate the mining of their own semi-fraudulent gold claim.

Two wealthy Australian siblings — one an attractive geologist, artist, and country-western songwriter, and the other an unmotivated mechanical whiz kid in trouble with the law — borrow their crippled mother's Bentley and leave their uptown Melbourne mansion to 'go outback', enjoying several adventures along the way, none of which amounts to much. The same writer/director team tries to repeat the luck they had with their 1986 feature 'Malcolm', but the results this time around are too relaxed and unfocused, to say the least. The travelers stop to perform some music (with support from ex-members of the Down Under pop group Split Enz), try their luck at gold mining, and build several clever mechanical toys, but like the outback itself the script ranges all over the map without arriving anywhere. The film isn't exactly pointless, but it's not exactly brimming with purpose either. There's a token crisis involving a vengeful backwoods sheriff, but with no real conflict there's no need for resolution, and the film disappears from memory almost as soon as the end credits finish rolling.