Rejuvenator - Gib dem Teufel nie die Hand

A scientist is tasked to create a 'rejuvenating' serum with a huge investment from a has-been star. When a break in the development was discovered, a youth obsessed star tries it without care AND discover a much more scarier after-effect AND pushed to insanity.

That was ok.

I really watched this simply because I want to watch see the comparison against the Substance. Its practically similar in that an aging star drinks a somewhat untested product that has out-of-this-world repercussion to its host. Its rife in similarity but fundamentally it differs in how it tells its story.

This film is very focused on the Monster of it all. Its more interested how awful she is as a monster and loses any kind of satire or commentary that the Substance really succeeds on. I mean this has a great make-up special effect too BUT the only characterization the star has is that she wants to be young again and work - which is fine but she uses her new found youth to be able to hang around the youth of time. Its quite a weird disjunct to her original position.

I also think that this solidly putting the blame towards her is sad. Initially, I posit the lack of a male antagonist is the reason I did not like how this story is told BUT the more I think about it, I just felt that there is something missing in how this film put blame. I felt that it was more complicated and there's no easy pass for everyone involved. I think it condemns the star far too much for my own liking.

And ultimately, i think it did not fully just developed certain characters to make us care for their plight. Its not bad AND I see where it succeeds but it clearly flawed.

Soft Recommendation.

An aging actress employs a scientist to make her younger and it comes with drastic side effects. Whenever the potion wears off, she turns into a monster and needs human blood to rejuvenate. It's a fun concept that well executed with excellent special effects.

Would you risk everything to be young again? Would you willingly be a guinea pig in an experiment to reverse ageing? Juvenatix's answer to this is yes. And the result is a Jekyll and Hyde type tale where the guinea pig in question keeps changing from a young female into a hideous monster with an urge to kill. The special effects in this movie are well worth seeing , especially the part were she transforms for the last time. Lowlight : Attractive lab assistant gets the top of her skull knocked off.

Dr. Gregory Ashton (John MacKay) and his assistant, Dr. Stella Stone (Katell Pleven), are on the verge of finding a serum extracted from dead human brains that will restore youth. However, the envious and arrogant director Dr. Germaine (Marcus Powell) wants to jeopardize his research. The wealthy sponsor Ruth Warren (Jessica Dublin) is the main donor of the research fund that supports Dr. Aston's experiments. Ruth is an aging actress that wants to return to her glorious days and forces Dr. Ashton to use her as human guinea pig of his experiments. Dr. Ashton exposes that it would be unethical and dangerous to her since his trials are limited to rats and is not concluded, but Ruthe threats to call off her donations. Ruth's operation is successful and she rejuvenates, becoming a beautiful young woman. She names herself Elizabeth Warren (Vivian Lanko), who would be Ruth's niece, and rejoices to party every night. Dr. Ashton has not synthetized his serum yet and needs more cadavers to extract the fluid from the brain to inject Elizabeth. But soon there are side effects, and Elizabeth needs more and more serum when she turns into a monster. But soon she has the lust for human brains and begins a crime spree to get the brains.

"Rejuvenatrix", a.k.a. "The Rejuvenator" (1988), is a great horror B-movie about the side effects of a research to find the fountain of youth. The screenplay is well written and, despite the low-budget, has great make-up and special effects. Dr. Ashton is hurried in his experiment by the lead donor of his funds and is forced to test his serum in her, despite his warnings. The conclusion is gore and gruesome, with a hook for a sequence. My vote is seven.

Title (Brazil): "Rejuvenator"

"The Rejuvenator" is a pleasantly old-fashioned horror film, while still integrating today's requisite dose of elaborate makeup effects and gore. It is variously known as "Rejuvenatrix" (title displayed on print) and for foreign markets, "Juvenatrix".

Premise is the old reliable use of a woman seeking to regain her youth: former movie star Ruth Warren (Jessica Dublin), who funds the research of Dr. Gregory Ashton (John MacKay). He discovers the part of the brain controlling aging, and via lab experiments with rats, comes up with a serum to reverse the aging process.

Warren eagerly volunteers to act as a human guinea pig and is turned into her younger self (actress Vivian Lanko taking over the role in second reel), dubbing herself Elizabeth Warren, her own fictitious niece. Problem is that she turns into a hideous monster, requiring increasing dosages of the serum to be brought back to normal youth.

Ashton breaks the law to acquire numerous cadavers to prepare the serum, derived from human brains. In her monstrous state, Warren takes to killing innocents in order to survive, ultimately discovering how to get the same rejuvenation effect directly from a victim's brain (for lunch) without resorting to the doc's serum. He eventually develops a synthetic serum but by then it is too late.

Low-budgeter works because it is played absolutely straight, with campy elements, such as the obvious references to "Sunset Blvd." (Warren even has a Stroheim-like butler from the old days), allowed to blossom unforced. Adroit casting has Jessica Dublin and Vivian Lanko physically matched in the central role, each playing it in an appropriately florid and meanie manner. John MacKay and the Sandy Dennis-like Katell Pleven as his assistant are utterly earnest and believable as the scientists, while James Hogue plays Warren's butler/former lover with panache.

Highlight of the production is Edward French's elaborate makeup effects, moving from the routine expanding bladders under the skin to an original design of Medusa-like proportions as her head expands to monster scale. Tightly directed by Brian Thomas Jones, pic is designed to appeal to B-movie connoisseurs who can tolerate the explicit violence of contemporary horror efforts.