Der Vater des egoistischen Yuppies Charlie Babbitt hat seinem autistischen Bruder Raymond ein Vermögen und Charlie selbst nur ein Almosen vermacht. Beide begeben sich auf eine Reise quer dur... Alles lesenDer Vater des egoistischen Yuppies Charlie Babbitt hat seinem autistischen Bruder Raymond ein Vermögen und Charlie selbst nur ein Almosen vermacht. Beide begeben sich auf eine Reise quer durch das Land.Der Vater des egoistischen Yuppies Charlie Babbitt hat seinem autistischen Bruder Raymond ein Vermögen und Charlie selbst nur ein Almosen vermacht. Beide begeben sich auf eine Reise quer durch das Land.
- 4 Oscars gewonnen
- 27 Gewinne & 26 Nominierungen insgesamt
- Dr. Bruner
- (as Jerry Molen)
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When the selfish yuppie Charlie Babbitt hears that his father has left behind a fortune after his death, but that he won't get it, he is furious. He has never had a good relationship with his father, who threw him out as a teenager, but he sure hoped for more than a now antique convertible. And to make things worse for Charlie, he hears that all the money goes to Raymond, an autistic man who he has never seen before in his life, but who appears to be his brother. And if that shock isn't yet big enough, the man also appears to be able to calculate complicated mathematical problems in his head with great speed and accuracy, but doesn't even understand what money can be used for. Enraged by all this 'injustice', Charlie kidnaps Raymond from his residential home, but then finds out how difficult it is to live with a man who only can live with his fixed routines...
This wouldn't have been a typical eighties movie if there hadn't been a selfish yuppie in it of course, but I must say that it didn't bother me this time. The main reason for that is because it accentuates the contrast between the two men even more. Charlie has nothing else but money on his mind, while Raymond doesn't even know what money is. That's without any doubt a very smart idea which makes this movie work. And that's not the only good thing about this movie. The acting for instance is also very good. Especially Dustin Hoffman is excellent, but that has of course much to do with the role that he is playing. Still, his performance is very believable and remarkable. And even though I'm not a huge Tom Cruise fan, I must say that he was really very good in this movie. The role he was playing seemed to be written for him.
All in all this is a very good movie that sure deserves to be seen. The acting and the story are far above average and give a good idea of what it must be like to live with an autistic person. I'm convinced that this movie certainly doesn't deserve a rating lower than 7.5/10.
8/10
Brilliant Oscar-winning Best Picture film about quick-tempered exotic car salesman Charlie Babbitt (superlatively played by Cruise) who finds himself bilked out of his estranged father's inheritance and discovering an older brother, Raymond, (Hoffman flawlessly brilliant, Best Actor), an institutionalized autistic savant, and 'kidnaps' him in their dad's Buick Roadmaster for a cross-country odyssey of self-reflection and genuine sibling bonding. Poignant, funny, and moving character study with expert direction by Barry Levinson (Best Director and appears as a mental health envoy). Ethereally Oscar nominated haunting score by Hans Zimmer. Best scene: Cruise learning why Hoffman was "sent away." Life-affirming.
Barry Levinson presented the movie in a way that manages to generate emotion in their audience without ever feeling melodramatic. That's because Levinson avoided many clichés, the most important one of them is the typical way of storytelling. Instead of making a movie that relies on drama, he made road-trip movie that produces a catharsis of emotions more than you would ever imagine.
As a matter of fact, the movie feels as if it has a character-driven story, except it's actually not. And the result is a movie that has a very restricted and bound plot, but it never feels that way. While watching the movie, I felt that I can't expect anything. I felt as if I was watching a movie with a picaresque tale, but it's actually far from being that. Unlike Wag the Dog, Rain Man has a lot of memorable moments that will stay with you forever. In other words, Barry Levinson made Rain Man feels more cinematic than Wag the Dog. But I'll say it again, the movie never feels overly sentimental.
Dustin Hoffman gave one of the Best Performances in his career, but I really can't say if he had deserved the Oscar more than Tom Hanks in Big or not. Tom Cruise's performance is really what stands out in my opinion. I think he gave one of, if not his best performance ever. I don't want to spoil anything for who haven't watched this wonderful film yet, but there are a lot of scenes that show Cruise's acting abilities, and prove that he is underappreciated as an actor who really can deliver some exceptional dramatic performances, not just doing incredible stunts and running. I think he deserved to be nominated for an Oscar at the least.
That being said, I have some issues with Rain Man. The first one is that the beginning was a bit rushed and very fast-paced for its own good. Specially because the drama kicks off very early, and the movie should have taken its time to represent it.
The entire message of the movie has been literally revealed near the end by Tom Cruise, so that's an obvious, and a bit annoying problem.
Also, the ending could have been a little bit shorter. However, the last 15-20 minutes has some of the smartest, and most powerful dialogue ever written. And it also has the most intense and moving moments in the movie.
The moments that show Raymond math prowess were very hilarious and funny at the beginning, then they became kinda overused, but after that they were taken advantage of very cleverly.
Overall, I loved Rain Man so much, and I really don't know why there are many people who think it didn't deserve the Oscar for Best Picture. It's meticulously written, impressively directed, beautifully shot, superbly acted, engaging, moving, touching, and above all that, it's very enjoyable. Also, Zimmer's score is electrifying!
(8.5/10)
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
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- WissenswertesFor in-flight viewing, several airlines deleted the sequence in which Raymond Babbitt reels off statistics on airline accidents, except Qantas. They even promoted one of the movie's writers to first class once when he travelled on their airline.
- PatzerThroughout the movie, several cars are seen tailgating the Buick trying to get into the shot, and their positions vary from scene to scene.
- Zitate
Charlie: Who took this picture?
Raymond: D-A-D.
Charlie: And you lived with us?
Raymond: Yeah, 10962 Beachcrest Street, Cincinnati, Ohio.
Charlie: When did you leave?
Raymond: January 12, 1965. Very snowy that day. 7.2 inches of snow that day.
Charlie: Just after Mom died.
Raymond: Yeah Mom died January 5, 1965.
Charlie: You remember that day. Was I there? Where was I?
Raymond: You were in the window. You waved to me, "Bye bye Rain Man", "Bye bye."
- Crazy CreditsThroughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits.
- Alternative VersionenAll the home media releases released between 1997 and 2001 feature the 1994 United Artists logo as the sole opening logo.
- VerbindungenEdited into 5 Second Movies: Rain Man (2008)
- SoundtracksIko Iko
Written by Rosa Lee Hawkins, Joe Jones, Barbara Ann Hawkins (as Barbara Hawkins), Sharon Jones, Joan Marie Johnson (as John Johnson), Marilyn Jones, and Jessie Thomas
Performed by The Belle Stars
Courtesy of Stiff Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Cuando los hermanos se encuentran
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 172.825.435 $
- Eröffnungswochenende in den USA und in Kanada
- 7.005.719 $
- 18. Dez. 1988
- Weltweiter Bruttoertrag
- 354.825.435 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1