Das Halloween Monster

I will be the first person to stand up and admit that Pumpkinhead is, in some ways, as silly as it's name, but there's something there. It's just enough to elevate this above much of the other "Dead Teenager" dreck that was thrown at us in the glorious eighties.

First off, the monster is a doozy. Stan Winston was up to his usual standard of excelence and creativity, and he created a creature that, while not actually convincing, is alot scarier and easier to enjoy than most. Pumpkinhead is no Freddy or Michael Meyers, but he delivers.

Second of all, the plot is more intelligent than I have come to expect from slasher flicks. The "Kids" are more thought out than most disposable teens, and their motives are more understandable. They accidently take the life of a child, but most want to do the right thing and go to the authorities. Even the Jerk who doesn't is eventually persuaded. And Harley, the father who is the real hero AND villian of the film is much more human than his actions would suggest.

There is also a good twist at the end which I will not reveal here, only say that surprised me with it's subtlety, which is something you rarely see in a horror film that is more than 2/3 done.

Bottom line, I was pleasently surprised with Pumpkinhead. People who don't like horror films are unlikely to be impressed with it, except on a technical level because the effects and atmosphere are superb, but horror fans looking for a harmless new thrill may find it better than expected. It's smarter, wittier and deeper than the norm.

Pumpkinhead gets 6 out of 10 for technical expertise, great atmosphere and an above average story.

Pumpkinhead is a criminally overlooked 80's horror movie that stands up there as one of my favorites of the entire decade. It is exceptionally well made by first time director Stan Winston who shows more skill behind the camera than one might expect from someone primarily known for special effects. Most of the lead actors do a very good job, with a few exceptions, however Lance Henriksen brings an enormous amount of credibility to the whole thing. I have great respect for character actors such as Lance and this is some of his best work. The creature itself is well conceived however it is hidden in shadows throughout most the picture which allows the actors and the story to take center stage, much to the film's benefit. Overall this is one of the best Halloween movies ever made as that is the perfect time of year to watch this movie. It's dark, it's Gothic, and it's damn cool.

This film stands as one of the most underrated I have seen. It has a compelling story of a father's love and the powerful grip of vengeful desires. It is well acted, has amazing creature affects, and takes the road less traveled by most horror films. It takes no easy ways out. The plot prefers to turn slowly into a gnarled tale of battling with an inner demon. The lighting in the fog and the mere visual presence of the witch, Haggis, with her wispy hairs in the fire light, are genuinely creepy. I think Lance Henriksen gives one of his best performances in this film. Definitely give it a look if you haven't yet.

The Good: I remember visiting the Canadian side of Niagara Falls as a kid, and going through Madame Tussaud's Wax Museum, and every single time, being utterly terrified of the "horror section" of the museum. Of all the wax figures, Pumpkinhead always scared me the most.

Since then, I guess childhood fear and literally thousands of other options meant I never ended up watching Pumpkinhead. Now that I have, I can say this movie really surprised me. I really liked the folksy, dark fantasy aesthetic, I think it begs for the movie's universe and lore to be expanded on. I left the movie wondering about how many other human dramas Pumpkinhead intervened in. I wonder about where he came from and how the townsfolk knew about him. That's the sign of a great horror concept.

Lance Eriksson is phenomenal here; he grounds the movie in a sort of realism and pathos that you don't often get with these types of movies. The relationship between his character, Ed, and his son, Billy is sweet and effective; you understand the man from the first 5 minutes, and can immediately understand the depth of his pain. Which, makes his summoning of the demonic avenger Pumpkinhead at least seem...understandable.

I also liked the tension generated by the tragic incident, where a group of (mostly) insufferable teens accidentally kill Billy. I like how there's another layer of the story, namely, how these people are going to figure it out and what they're going to do to fix the situation. Maybe I expected them to be a bunch of bodies for Pumpkinhead to kill or something, but I found the film way more interesting because of how their story develops.

But of course, Pumpkinhead himself. He has such screen presence, viewed so terrifying by everyone around him, there's no way you don't buy into him and get a little spooked yourself. He's treated as all powerful, unstoppable, and I can totally see why he's a key figure in the horror pantheon.

The Bad: Stan Winston's weaknesses as a director do kind of show here. There's some truly baffling acting at times, a lot of bad editing, and the first portion of this movie just feels...off. There are moments that end unexpectedly, where the music is too loud and inappropriate...just little aesthetic things that annoyed me throughout the movie. It definitely gets better as the movie goes on though.

I also felt the music needed a more ethereal and fantastical than it ultimately was. I couldn't help but feel the Hellraiser music would work super well here.

I also hate to say this, but as cool as Pumpkinhead is, the technical limitations the filmmakers had in 1988 means that we often can't or don't see Pumpkinhead kill anyone. He often seems like he's standing above or around people, but clearly not interacting with them, if that makes sense? I know it's not really fair, but being so used to contemporary CG, where you see fantastical creatures interact with regular people all the time, it's just kind of distracting.

This movie has the longest opening credit sequence I've seen in a long time. It's not only long, but it's really bad too.

The Ugly: Pumpkinhead, as I mentioned before, should've been a bigger and better franchise than it ended up being. The studio, MPCA, did not have confidence in the film and literally released it the same weekend as another film THEY PRODUCED, called...Child's Play. One became a major horror franchise that continues today, and the other never really got a chance to be.

Instead, Pumpkinhead has a direct-to-video sequel and two TV movies. All, i have been told, are pretty trash. It sucks because there's a lot of potential with this franchise and I wish there was more to it, honestly.

But it's also a testament to this film's quality that despite having ONE good (if imperfect) film to its name, Pumpkinhead is still considered by horror nerds to be one of the most iconic movie monsters ever.

"Keep away from Pumpkinhead, Unless you're tired of living, His enemies are mostly dead, He's mean and unforgiving, Bolted doors and windows barred, Guard dogs prowling in the yard, Won't protect you in your bed, Nothing will, from Pumpkinhead."

So goes the poem by Ed Justin. I've never heard of it previously. I'm assuming it's more of an American pop culture thing.

Stan Winston may be the man behind many of todays horror icons and creatures but how exactly does he hold up as a director? Not that great I'm afraid to say. But let's be reasonable. This film is almost 20 years old (it was completed in 1987) and Winston has no doubt improved in many ways since. But what he lacks in style he makes up for in enthusiasm.

The ever-brilliant Lance Henrikson (the man with THE coolest voice in the world) is Ed Harley, a backwoods shopkeep who's Milky-Bar Kid-lookalike son is killed by reckless dirt-bikers. After this surprising sad and touching scene, Ed visits the house of a mysterious old hag who has ties with the forces of darkness. Wishing vengeance upon the bikers he is sent on a mission to dig up the remains of a demon buried in a pumpkin patch. With his blood thrown into the mix of an evil spell, the demon is soon resurrected and goes about his usual mission of killing people who deserve it.

And so begins a series of scenes you've seen many times in numerous Friday the 13th films and the subsequent rip-offs. Only instead of a masked killer you get a very tall, weird looking creature that looks a lot like the Xenomorph from the Alien series. Despite Winston's usually awkward framing and cutting, he does pull off a couple of good scares and generates a decent amount of atmosphere. But the constant unnatural lighting, floodlit woods and fog effects get a bit annoying.

Pumpkinhead is, essentially, a tribute to urban legends and ancient scary stories told for generations before TV and mass-communication came along. In that sense, Pumpkinhead ranks alongside other mythical characters such as Spring-heeled Jack, the Skunk-Ape, Shadow People and El Chupacabra. Many of these characters are in the public subconscious, but like I said, perhaps the Pumkinhead myth is too uncommon outside of America to make that kind of impact.

Plus, there is good amount of story going untold. The whole idea of Harley and Pumpkinhead being connected through blood and bloodlust isn't developed too well and the film should have had a stronger showdown between them. The mysterious old hag could have had a bigger part too.

But if you're in the mood for undemanding horror, with slight irony, mild mythology, an interesting killer and one of the coolest actors ever (Mr Henrikson, take a bow) then go for it. Don't expect anything groundbreaking or memorable.