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IMDbPro

Frauen am Rande des Nervenzusammenbruchs

Originaltitel: Mujeres al borde de un ataque de "nervios"
  • 1988
  • 12
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,5/10
49.365
IHRE BEWERTUNG
María Barranco, Carmen Maura, Rossy de Palma, and Julieta Serrano in Frauen am Rande des Nervenzusammenbruchs (1988)
Women On The Verge Of A Nervous Breakdown: Life Is Not A Bed Of Roses
clip wiedergeben1:18
Women On The Verge Of A Nervous Breakdown: Life Is Not A Bed Of Roses ansehen
1 Video
99+ Fotos
FarceSchwarze KomödieDramaKomödie

Eine Fernsehschauspielerin trifft auf eine Vielzahl von exzentrischen Charakteren, nachdem sie sich auf eine Reise begeben hat, um herauszufinden, warum ihre Geliebte sie plötzlich verlassen... Alles lesenEine Fernsehschauspielerin trifft auf eine Vielzahl von exzentrischen Charakteren, nachdem sie sich auf eine Reise begeben hat, um herauszufinden, warum ihre Geliebte sie plötzlich verlassen hat.Eine Fernsehschauspielerin trifft auf eine Vielzahl von exzentrischen Charakteren, nachdem sie sich auf eine Reise begeben hat, um herauszufinden, warum ihre Geliebte sie plötzlich verlassen hat.

  • Regie
    • Pedro Almodóvar
  • Drehbuch
    • Pedro Almodóvar
    • Jean Cocteau
  • Hauptbesetzung
    • Carmen Maura
    • Antonio Banderas
    • Julieta Serrano
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    49.365
    IHRE BEWERTUNG
    • Regie
      • Pedro Almodóvar
    • Drehbuch
      • Pedro Almodóvar
      • Jean Cocteau
    • Hauptbesetzung
      • Carmen Maura
      • Antonio Banderas
      • Julieta Serrano
    • 90Benutzerrezensionen
    • 71Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 22 Gewinne & 24 Nominierungen insgesamt

    Videos1

    Women On The Verge Of A Nervous Breakdown: Life Is Not A Bed Of Roses
    Clip 1:18
    Women On The Verge Of A Nervous Breakdown: Life Is Not A Bed Of Roses

    Fotos108

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    Topbesetzung35

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    Carmen Maura
    Carmen Maura
    • Pepa
    Antonio Banderas
    Antonio Banderas
    • Carlos
    Julieta Serrano
    Julieta Serrano
    • Lucía
    Rossy de Palma
    Rossy de Palma
    • Marisa
    María Barranco
    María Barranco
    • Candela
    Kiti Mánver
    Kiti Mánver
    • Paulina Morales
    • (as Kiti Manver)
    Guillermo Montesinos
    Guillermo Montesinos
    • Taxista
    Chus Lampreave
    Chus Lampreave
    • Portera Testiga de Jehová
    Eduardo Calvo
    Eduardo Calvo
    • Padre de Lucía
    • (as Yayo Calvo)
    Loles León
    Loles León
    • Secretaria
    Ángel de Andrés López
    Ángel de Andrés López
    • Policía I
    • (as Angel de Andrés-López)
    Fernando Guillén
    Fernando Guillén
    • Iván
    Juan Lombardero
    • Germán
    José Antonio Navarro
    • Policía II
    Ana Leza
    • Ana
    Ambite
    • Ambite
    Mary González
    • Madre Lucía
    Lupe Barrado
    • Secretaria Paulina
    • Regie
      • Pedro Almodóvar
    • Drehbuch
      • Pedro Almodóvar
      • Jean Cocteau
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen90

    7,549.3K
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    Empfohlene Bewertungen

    7rbowles-2

    Tight as a drum

    What I like most about this movie is the economy of it's writing and directing. There really isn't a wasted moment, nothing extraneous and that is what keeps the pace crackling and makes the movie watchable in every moment. It also has one of the GREAT ensembles ever. Carmen Maura as Pepa keeps herself on that verge for an hour and a half without ever really falling off the edge, it is a beautifully modulated performance. Maria Barranco as Candela is another performance that teeters on the edge of falling off into an emotional rubble but somehow manages to keep it together. Those two are delightful in every moment they are on screen. We can't forget Julieta Serrano as Lucia, the one truly crazy, post-breakdown woman in the story who brings a quality of self-awareness to her role that makes it a bit heartbreaking. She knows she is nuts and can't do a damn thing about it. And then there is VERY strangely attractive Rossy de Palma as Marisa, a virgin who needs nothing so much as she just needs to get laid to mellow her out. These women are all superlative, but Guillermo Montesinos as the Taxi Driver nearly steals the movie out from everyone and gives certainly the best male performance in the film. You have to see him to believe him.
    tvce

    Outstanding in Spanish, however...

    I have seen several Almodovar films and this is far and away my favorite. The acting is marvelous in the original Spanish, especially Maria Barranco as Candela, and a young Antonio Banderas in his pre-US fame days. However, if you obtain the DVD version of this movie, resist the temptation to use the English-dubbed soundtrack. Sadly, the English version is just not funny. The readings are flat and uninspired, and the translation is not always accurate; too literal in some cases, just missing the point in others. It appears that the English dialog was written more for a close match with the lip movements than for precise translation. Instead, use the Castilian Spanish audio track and savor the beautiful performances. If you don't understand the language, read the English subtitles, which are more appropriately translated, and still enjoy the original.
    7Mitch-38

    Very funny farce

    Wickedly funny movie of actress who gets dumped by her lover, and how she responds. Full of zany characters and richly applied satire, and some great plot twists. Very offbeat and comical, your time will be well rewarded. This is an excellent movie for Americans to get acquainted, if you're not familiar already, with foreign films or directors. Directed by Pedro Almodovar. Highly recommended.
    8Laitue_Gonflable

    Absurdism brought beautifully to the screen

    "Women on the Verge of a Nervous Breakdown" is the first in hopefully what will be a long line of Almodovar films, I just watched it today at a free film screening when I was supposed to be seeing Fellini's 8 1/2 until the tape messed up. This was a very fine substitute.

    The film contains all the elements of an absurdist play by the likes of Beckett, Stoppard or Ionesco. From its bizarre and essentially alienating dialogue, to its disjointed plot brought somewhat together by the end, it is an absolute delight to see such films around today.

    All the characters are wonderfully developed and, like in a play, the narrative is light in plot but heavy in characters. It makes you think, not about the story it is telling since the story itself is ludicrous, and not about what is said for the same reason, but just about the way the characters interact with each other and how this can be applied to everyday life.

    There are also some wonderful performances contained within. Each of the actors and actresses are so gutsy and alive inside this strange para-universe that Almodovar has created. It really is a treat to watch, with the persistently wry and often wildly ironic humour extracted to its full potential by the deadpan mock seriousness plastered across each character's face. It gives us a good laugh, not just at the film itself but at ourselves and the elements of us we can see in it. Plus the mambo cab is a dead-set winner.

    After seeing this film, I am currently desperate to see another Almodovar. From this one piece I can see he is definitely a director worth celebrating and admiring and I will try to encourage many others to discover him for themselves. ****1/2 / *****
    8sol-

    My brief review of the film

    An interesting Spanish comedy, the film's humour is derived mostly from the events being so absurd. Some aspects are overly ridiculous, but it is still very entertaining stuff, executed in a lively manner with an appropriately fast pace and suitable music choices. It is constantly interesting on a visual level, with vibrant colours, creative camera angles, and a lot of framing and close-up shots. The action is a bit frantic and the plot is a little too convoluted, but the film maintains an almost fantasy-like atmosphere, in which it feels like anything is possible, and this quality makes it an enjoyable, unique watch. It is hard to say if Almodóvar is trying to say anything at all here, as there are some ideas raised about consequences that are not explored in much depth. Still, the originality of it all keeps it afloat, and it is certainly quite an unusual (in a positive sense) cinematic experience.

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Pedro Almodóvar and Carmen Maura's personal relationship was seriously damaged during the shooting, which Maura even defined as a "living hell". It took 18 years for them to work again, on Volver - Zurückkehren (2006).
    • Patzer
      Candela, while giving Pepa's rabbits water, comments to Carlos about how the rabbits love the turnips they're eating (in the English and French subtitles as well as in the original Spanish audio), but the only vegetables in the cage are leeks, and the rabbits aren't eating them.
    • Zitate

      Pepa: Hello. I'm the mother of the notorious Crossroads Killer. When my son comes home after one of his famous crimes, his clothes are just filthy.

      [Pepa holds up a bloody shirt. The police arrive]

      Policía I: Where are the clothes your son wore...

      Policía II: At the time of the murder?

      [Pepa takes a clean shirt out of the dryer]

      Pepa: Right here. Sparkling clean.

      Policía I: No trace of blood.

      Policía II: Or guts.

      Policía I: Unbelievable!

      [Pepa holds up a box of detergent]

      Pepa: Ecce Homo. It's unbelievable.

    • Verbindungen
      Featured in Final Cut: Hölgyeim és uraim (2012)
    • Soundtracks
      Soy infeliz
      Written by Ventura Romero

      Performed by Lola Beltrán

    Top-Auswahl

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    FAQ20

    • How long is Women on the Verge of a Nervous Breakdown?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 23. Februar 1989 (Westdeutschland)
    • Herkunftsland
      • Spanien
    • Sprache
      • Spanisch
    • Auch bekannt als
      • Women on the Verge of a Nervous Breakdown
    • Drehorte
      • Estudios Barajas - C/ de Campezo, 3, Madrid, Spanien(Studio)
    • Produktionsfirmen
      • Laurenfilm
      • El Deseo
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 700.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 7.251.740 $
    • Eröffnungswochenende in den USA und in Kanada
      • 13.399 $
      • 13. Aug. 2006
    • Weltweiter Bruttoertrag
      • 7.305.816 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 28 Min.(88 min)
    • Farbe
      • Color
    • Sound-Mix
      • Ultra Stereo
    • Seitenverhältnis
      • 1.85 : 1

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