Moving Target

I liked the 80s vibe here, because I like 80s movies.

Don't expect much, but I was impressed with Jason Bateman and he went on to do a lot of stuff.

It's your typical teen comes home to find family gone movie, if there is such a genre. Some OK action.

Plot is about what you expect from an 80s action movie, turn your brain off or go MST3K on it. But it serves the purpose.

Dialog is the weakness here I think, there's no imagination here, no flair.

Music is pretty standard 80s synth pop, but hey they actually show the girl playing a Yamaha DX7 synth, one of the most important 80s synthesizers. I would bet that the music in the movie used this same synth as the E Piano sound in one of the songs sounds like the DX& e piano.

By today's standards, this would be a decent feature.

It's solid and very engaging. Bateman is solid as is Skerrit. It won't stand out as the best of the 80's as a feature, but it does stand out as a strong lesser offering.

All these kids feel very real.

It's not perfect, of course. Jason Bateman does feel a bit old for the rebellious self centered kid he is playing. But, whatever, yes it isn't perfect, but it gets far more right than it gets wrong. The kids he deals with do feel very real, even the one with obvious moral shortcomings. Obvious as an adult, but kids as convincing kids. And this obvious kid with obvious kid failings pays a very real price, which he certainly as a dumb kid does not deserve.

The film has a decent enough plot which keeps concentration and is in places interesting and exciting, being a TV film. The reasons behind the main plot is slightly disappointing and the film fails to deliver at intervals, but overall it is a reasonably enjoyable TV movie.

Moving Target is basically the epitome of the term of 'enjoyable thriller'. It offers no substance and you won't remember much of it for long after it finishes; but it's fun to watch, and that's the important thing. The film is a made for TV movie, and so doesn't feature any spectacular stunts or heavy violence; and instead relies on the story and suspense to pull it through...which unfortunately doesn't always pay off as director Chris Thomson doesn't succeed in ensuring that the film is always interesting. Anyway, the plot focuses on Toby Kellogg; a teenage kid that gets sent to music school during the summer. He doesn't enjoy it much while he's there, and when he finds out that his band has enjoyed some success in his absence; he leaves the school and sets off home. However, he's surprised when he gets there and finds that his parents have shipped out...along with all the furniture. The next thing Toby knows, he's been hunted down; by both the cops and a mean assassin that drives a Ferrari. Toby struggles against his pursuers while trying to find out what happened to his family.

The film very much feels like a product of it's time; and a low quality eighties vibe runs throughout it. This isn't helped by the lead actor. Jason Bateman cuts a rather irritating figure in the central role. He tries to play it as the typical disrespectful kid; but looks too old and comes off looking a bit silly. The film is not overly suspenseful either, and there were many times that I found myself not really caring what was going to happen next; and this is not good in a film that relies on suspense to keep itself afloat. Perhaps most disappointing of all is the way that the chase aspect of the plot is handled; the lead character never really seems to be in a lot of trouble and Jack Wagner's Ferrari-driving villain is more hilarious than imposing. It's all pretty predictable too; and only a rather dark scene that sees a kid killed in cold blood offered any sort of surprise. Still, despite all the negative elements; Moving Target simply offers the viewer a chance to switch their brain off for ninety minutes and enjoy...and it does at least work as light entertainment.

It's not a feature film, it's a solid TV so see it that way.

And it's pretty good. Bateman was great, it seemed pretty real.

Very not perfect- no way the Feds would have one agent with this kid to not have attention- that's silly.

Really, it does fall apart in the third act, like so many movies.

But in this case, as a TV movie it works, especially when the lead calls the Feds for help. It does feel like infuriating red tape in a crazy urgent situation.

What this movie does well, it does REALLY well.

The third act thing where the Big Bad does moronic things- yes, that's here in glorious 80's stupid, but hey, it's an 80's flick, ;).