Bei uns liegen sie richtig

I saw this film for the second time recently and realised how lucky I was to get that chance. I picked it up in a crummy second-hand shop amongst layers of crap and paid 50p - bargain I'd say!

The film is about the brothers Grim who will inherit a mortuary if they pass there mortuary exams(!), unfortunately for them the current owners (Paul and Mary) don't feel like leaving anytime soon and plot to fail the brothers Grim however good they do in class. Oh yeah, Paul is a closet Necrophilliac, and Mary is an out-of-the-closet whore.

There are some really fun parts in this film; mainly the classroom scenes where we get to meet the other classmates including that guy who always plays a psycho, if you get to see this you'll know who I'm talking about. In this film he plays a psycho.

It's sad to note that many have passed away since the making of this film, especially Wolfman Jack who will be sorely missed.

I recommend this film to any lover of cheese, and eighties type movies. If you are broadminded and don't dismiss films such as 'Porky's' and 'Nerds' as trash (which they surely are not!), then you'll do alright with this.

My review was written in May 1988 after a Cannes Film Festival Market screening.

"Mortuary Academy" is a genuinely amusing feature, getting a lot of laughs from black humor involving necrophilia. Specialized nature of this poor taste material naturally will limit audience saturation, but pic works very well on its own terms.

The "Eating Raoul" acting team of Paul Bartel and Mary Woronov adapts quite comfortably to similar roles as the manage and top lecturer at Grimm Mortuary and Academy, which has just been inherited by brothers Sam and Max Grimm (Perry Lang, Christopher Atkins) on the condition they graduate as morticians.

Rambunctious group of oddball students gets up to antics that would do the "Carry On" team proud, climaxing in the mechanical whiz in their midst (deadpan Tracey Walker) reanimating a dead heavy metal band to perform one last gig with the aid of animatronics, and thereby earn enough money to save the academy, which Bartel has bled dry.

Hilarious running gag has Bartel falling in love with a young cheerleader who choked on popcorn at a drive-in movie (corpse played by Cheryl Starbuck). This love affair goes far beyond the reaches of bad taste, but is a hoot, climaxing with an indescribable scene of the students using Tracey's mechanics to blackmail Bartel as he makes love to Starbuck. Coda has Bartel and his corpse honeymooning on a cruise ship with grotesque results and a tagline homage to "Some Like It Hot".

Aided by a very funny romantic score by David Spear, director Michael Schroede and writer William Kelman deliver fresh, uncensored material. Pacing is just right and Bartel's unctuous delivery (a la Vincent Price) hits just the right note of campiness without exaggeration.

Woronov's arch delivery again is the perfect foil for Bartel, supported by a solid ensemble. Of special note is the familiar saturnine-faced Anthony James, getting maximum laughs out of some of the script's best lines in his role as a parolee on a rehab program at the academy.

One thing I never thought I'd see was Paul Bartel having passionate sex with a corpse. Thanks to this film, that which I thought impossible has become reality and I don't think I'll ever be able to close my eyes again without seeing the sight of a topless pot-bellied Bartel atop a beautiful dead teenage girl on the beach with his lips locked onto hers.

Believe me when I tell you that this sounds funnier than it really was. This movie is one long, tasteless, and painfully unfunny necrophilia joke. However, there are some sporadically amusing moments

A great cast is mostly wasted. Perry Lang continues (after The Hearse) his lustful pursuit of older women, only this time with more success, while Christopher Atkins tries hard and fails to fully explain why he's even in this movie. Caesar Romero and Wolfman Jack are here to collect a paycheck. Tracy Walter, Mary Waronov, and the rest do try hard.

The best performance is that of Stoney Jackson as the token black guy, who manages to be the funniest thing in this movie despite his lamentable rapping skills.

I'll give Mortuary Academy some credit though. I didn't hate it and it has perhaps the strangest Bar Mitzvah scene ever attempted in a motion picture.

This is pretty much the standard "boys are forced to attend school, school is in danger due to closing due to malicious incompetence, band saves the school" story. The acting is sub-par to serviceable, the comedy is debatable, and the special effects are just above what you would expect from a college freshmen project. Worse, the story seems to be written as they went and the dialogue rarely gets above forgettable.

It feels like they wanted to make a sex comedy centering on necrophilia, but they forgot most of the sex and all of the comedy. The only reason this movie is rated "R" is because of one scene; the rest is aggressively vanilla.

Just forget this movie; only if you're a fan of certain actors will it hold any interest. It's not even good as a movie you'd get drunk and make fun of it.

MORTUARY ACADEMY is another wacky movie starring the irrepressible duo of Mary Woronov and Paul Bartel. Their running the titular establishment, while Bartel's character attempts a love affair with an overripe cadaver.

Meanwhile, two new enrollees stand to inherit the academy if they graduate. Bartel and Woronov do whatever they can to stop this from happening.

This is a humorous look at the funereal arts with heavy doses of goofy dialogue and zany characters. If you enjoy deceased, robotically resurrected rock bands, and aren't offended by the lighter side of necrophilia, then this movie will set in on you like rigor mortis. In a good way...