IMDb-BEWERTUNG
4,7/10
511
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.A plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.A plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.
William Morgan Sheppard
- Pa
- (as Morgan Sheppard)
Philip Arthur Ross
- Ike Jr.
- (as Phillip Arthur Ross)
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Portly nice guy falls for a luscious blonde; she likes him, too...in a way. Little-seen black comedy from writer Pat Proft features very good performances by Joe Alaskey and Donna Dixon, yet it makes no lasting impact. It's just a pop-crack quickie helmed by Norman Bates himself, Anthony Perkins. Even on the level of B-comedies, the somewhat-similar "Eating Raoul" is a better bet. There's definitely an amusing set-up here; unfortunately, the picture has nowhere to go in its second act. An interesting try, but it misfires. *1/2 from ****
LUCKY STIFF is probably one of the most unworkable comedies I can remember watching. The story is about an all-American nuclear family who just so happen to be cannibals. Hungry for their next feast, they send out their attractive daughter to hunt for suitable villains, and she soon discovers one in the form of the obese and loathsome Ron Douglas.
For most of the running time, LUCKY STIFF plays out as a ridiculous romantic comedy with all manner of lame situations and bizarre interludes. The aim is to deliver something quirky and humorous, but the effect is excruciating; I can't imagine anyone would have found this funny at the time, let alone now. Joe Alaskey's hammy turn as the lead is embarrassing and at no point do any of the cast members try any form of restraint.
Yes, there's a little macabre humour here and there, and some action at the climax, but for the most part LUCKY STIFF is as dull as it is unfunny. Believe it or not, PSYCHO star Anthony Perkins directed this, which was my main reason for watching; sadly he has about as much interest in the material as the viewer does. Watch out for THE WALKING DEAD actor Jeff Kober (he played the lead Claimer in the hit zombie show) in an early role.
For most of the running time, LUCKY STIFF plays out as a ridiculous romantic comedy with all manner of lame situations and bizarre interludes. The aim is to deliver something quirky and humorous, but the effect is excruciating; I can't imagine anyone would have found this funny at the time, let alone now. Joe Alaskey's hammy turn as the lead is embarrassing and at no point do any of the cast members try any form of restraint.
Yes, there's a little macabre humour here and there, and some action at the climax, but for the most part LUCKY STIFF is as dull as it is unfunny. Believe it or not, PSYCHO star Anthony Perkins directed this, which was my main reason for watching; sadly he has about as much interest in the material as the viewer does. Watch out for THE WALKING DEAD actor Jeff Kober (he played the lead Claimer in the hit zombie show) in an early role.
I immediately love the delightfully playful score composed between Tom Jenkins and Michael Tavera, and it's very noteworthy that practiced writer of spoofs Pat Proft also penned this picture. That Anthony Perkins directed, of all people, is itself a small joy. Humor alternately cheeky and dark is always clever (if also at times a little crude), and greets us from the very start. Joe Alaskey impresses right away as he embraces the readily sympathetic lead role, and all of hapless Ron's heartbreak, excitability, and pep, with fantastic delivery and comedic timing. Though perhaps a little too over the top at times, and even juvenile as it bears elements of slapstick, 'Lucky stiff' is nonetheless generally funny and entertaining.
It needs to be said, there's a content warning on hand for suggested incest, and fatphobia. Less critically but also inelegant, there's some green screen shenanigans at play in the production. But the screenplay is broadly smarter than its lowest moments, and a tiny tad of tawdry trifles are less prevalent than fine attention to set pieces, hair and makeup, costume design, props, and other such details. Dialogue, characters, and scene writing, all built for comedy, are strong in their own right, and feed well into an engaging and well considered narrative. And renowned as Perkins is for his acting, he nonetheless demonstrates an able hand as director in realizing Proft's screenplay; one rather regrets that more projects didn't come to him in that capacity, that he could continue to grow.
Alaskey steals the show, but the rest of the cast is just as capable. Donna Dixon portrays beautiful and conniving Cynthia with admirable grace and allure, and Barbara Howard is charming as Frances. Meanwhile, all the actors rounding out the Mitchell clan are duly creepy and subtly threatening in their portrayals, with William Morgan Sheppard a great anchor as the patriarch of the family.
I'm not sure that all the jokes quite land - especially whenever the film leans into the utmost cartoonish ridiculousness - nor the entirety of the narrative as it presents. Still, for whatever problems there may be with the picture, it only ever aims to be a silly, fun romp, and it succeeds to a much greater extent than not. More than that, the strength of Alaskey's lead performance, and adept scene writing, help to elevate the feature above its weaker instances. Not necessarily an essential must-see, 'Lucky stiff' is a good time all the same. Don't go out of your way, but this is enjoyable and worthwhile if you come across it.
It needs to be said, there's a content warning on hand for suggested incest, and fatphobia. Less critically but also inelegant, there's some green screen shenanigans at play in the production. But the screenplay is broadly smarter than its lowest moments, and a tiny tad of tawdry trifles are less prevalent than fine attention to set pieces, hair and makeup, costume design, props, and other such details. Dialogue, characters, and scene writing, all built for comedy, are strong in their own right, and feed well into an engaging and well considered narrative. And renowned as Perkins is for his acting, he nonetheless demonstrates an able hand as director in realizing Proft's screenplay; one rather regrets that more projects didn't come to him in that capacity, that he could continue to grow.
Alaskey steals the show, but the rest of the cast is just as capable. Donna Dixon portrays beautiful and conniving Cynthia with admirable grace and allure, and Barbara Howard is charming as Frances. Meanwhile, all the actors rounding out the Mitchell clan are duly creepy and subtly threatening in their portrayals, with William Morgan Sheppard a great anchor as the patriarch of the family.
I'm not sure that all the jokes quite land - especially whenever the film leans into the utmost cartoonish ridiculousness - nor the entirety of the narrative as it presents. Still, for whatever problems there may be with the picture, it only ever aims to be a silly, fun romp, and it succeeds to a much greater extent than not. More than that, the strength of Alaskey's lead performance, and adept scene writing, help to elevate the feature above its weaker instances. Not necessarily an essential must-see, 'Lucky stiff' is a good time all the same. Don't go out of your way, but this is enjoyable and worthwhile if you come across it.
So let me start off by saying that I saw this movie as part of a bargain. I was really bored one fine 1997 day and so I biked over to the movie rental store. I asked the clerk what the worst movie he had in stock was. Without hesitation he walked me over to "Lucky Stiff." He told me that he'd waive the $1 rental fee (he said it would be wrong to charge more) if I promised to watch the whole movie. So watch it I did, for free...
This movie is terrible. God-Awful even. I don't need to go into plot details, read the other reviews. The jokes make no sense. The acting was terrible. I know it was supposed to be a comedy, but the stupidity of the main character was exhausting. You might try to watch it as something to laugh at, but it's so bad that it isn't even funny in that way. Avoid!
This movie is terrible. God-Awful even. I don't need to go into plot details, read the other reviews. The jokes make no sense. The acting was terrible. I know it was supposed to be a comedy, but the stupidity of the main character was exhausting. You might try to watch it as something to laugh at, but it's so bad that it isn't even funny in that way. Avoid!
Donna Dixon as always looks sexy, Joe Alaskey is funny, Morgan Shepard and Fran Ryan look tough as the parents of Donna, Jeff Kober looks creepy and menacing and Barbara Howard looks scared, but at the same time she is as lovely as Ms Dixon. The story is about sexy Donna inviting Joe to her hometown where her parents and the rest of her family are craqzy and eat human flesh, there Joe meets Barbara who married one of Donna's many brothers and together they must fight and run for their lives if they don't want to be the main course. Rent it, you'll laugh a lot.
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- WissenswertesAfter Psycho III (1986), this was the second and final film directed by Anthony Perkins.
- SoundtracksChristmas Time Is Here
Written by Tom Jenkins & Gary Falcone
Sung by Tyler Jenkins & Francesca Falcone
Publisher Charted Course Music (ASCAP)
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