IMDb-BEWERTUNG
5,9/10
6263
IHRE BEWERTUNG
Ein F.B.I.-Agent arbeitet daran, eine allamerikanische Familie als sowjetische Schläferagenten zu enttarnen, und wird in eine Freundschaft mit ihrem ahnungslosen Sohn verwickelt.Ein F.B.I.-Agent arbeitet daran, eine allamerikanische Familie als sowjetische Schläferagenten zu enttarnen, und wird in eine Freundschaft mit ihrem ahnungslosen Sohn verwickelt.Ein F.B.I.-Agent arbeitet daran, eine allamerikanische Familie als sowjetische Schläferagenten zu enttarnen, und wird in eine Freundschaft mit ihrem ahnungslosen Sohn verwickelt.
Robert Madrid
- Sergeant Leathers
- (as Robb Madrid)
Billy Stevenson
- Tony
- (as Bill Stevenson)
Thomas R. Zak
- Brett
- (as Tom Zak)
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On one level, "Little Nikita" is just another silly action movie. But strong performances and some interesting turns keep this one afloat. FBI agent Roy Parmenter (Sidney Poitier) interviews teenager Jeff Grant (River Phoenix), who is trying to get into the Air Force Academy. But while reviewing Jeff, Roy discovers the most surprising thing of all: Jeff's parents are Soviet "sleeper" spies who fled to the United States and never told him about their history. Moreover, there's renegade Soviet agent Scuba - who murdered Roy's partner many years earlier - looking for Jeff, while the USSR has sent someone to capture Scuba! Yeah, it's beyond convoluted, and - quite frankly - improbable. But director Richard Benjamin knows how to to do it. There isn't a dull moment anywhere in the movie. Pretty interesting. And playing Jeff's dad is Richard Jenkins, aka Nate Sr on "Six Feet Under".
The renegade wants $200k... in 1988. Ten years before Austin Powers, this movie one ups it. Or one downs it. At least the renegade isn't greedy. Or intelligent.
The plot is all so whacky, nearly defies belief. Inexplicable motives by the bad guy, and hilarious incompetence by the US and USSR.
Considering there was literally only one FBI guy assigned to this case- involving over half a dozen Russian agents in the US- , they probably didn't want you to sweat the plot too much. Like a lengthy sequence where a pickup truck struggles to chase a commuter train. Hmm, where might that train be going? Gee, maybe farther down the track?
The Russian agent hangs out in the FBI agent's house so that he can capture Phoenix's character to use as leverage to force Phoenix's sleeper Russian agent parents to give the money to the renegade. Good thing the FBI agent didn't show up a few minutes earlier! It's a painfully glaring example of a script needing to move some characters somewhere else but can't think of any plausible way to make it happen.
And why exactly did the Russian agent keep Phoenix hostage after the handoff went south? Was he really trying to sneak him off to Russia? Despite Phoenix (who IS American) ultimately rebelling... oh, and the fact the FBI WOULD KNOW?
Of course not. Once again, it's painfully clunky script mechanics to get the characters together. Ugh.
Then there's a shootout/hostage situation on a pedestrian bridge at the San Ysidro border crossing, but nobody seems to notice. Yup.
What throws it for a loop is that most of the script would have played better as comedy or satire, but almost all the actors are playing it like a hard core drama. And the acting is really quite solid. Poitier and Phoenix have great chemistry here.
You could practically make a drinking game from how many times Poitier looks at the photos of the parents.
The script is just unbelievably ridiculous. The core of the sleeper agents with an unknowing son was nifty, as well as how this was discovered, by the kid applying to the Air Force without his parents knowing, triggering a background check. But wow did it go south from there.
Considering the renegade Soviet agent is killing people left and right, you'd think there would be some behind the scenes coordination between the US and Russians to solve the problem.
The plot is all so whacky, nearly defies belief. Inexplicable motives by the bad guy, and hilarious incompetence by the US and USSR.
Considering there was literally only one FBI guy assigned to this case- involving over half a dozen Russian agents in the US- , they probably didn't want you to sweat the plot too much. Like a lengthy sequence where a pickup truck struggles to chase a commuter train. Hmm, where might that train be going? Gee, maybe farther down the track?
The Russian agent hangs out in the FBI agent's house so that he can capture Phoenix's character to use as leverage to force Phoenix's sleeper Russian agent parents to give the money to the renegade. Good thing the FBI agent didn't show up a few minutes earlier! It's a painfully glaring example of a script needing to move some characters somewhere else but can't think of any plausible way to make it happen.
And why exactly did the Russian agent keep Phoenix hostage after the handoff went south? Was he really trying to sneak him off to Russia? Despite Phoenix (who IS American) ultimately rebelling... oh, and the fact the FBI WOULD KNOW?
Of course not. Once again, it's painfully clunky script mechanics to get the characters together. Ugh.
Then there's a shootout/hostage situation on a pedestrian bridge at the San Ysidro border crossing, but nobody seems to notice. Yup.
What throws it for a loop is that most of the script would have played better as comedy or satire, but almost all the actors are playing it like a hard core drama. And the acting is really quite solid. Poitier and Phoenix have great chemistry here.
You could practically make a drinking game from how many times Poitier looks at the photos of the parents.
The script is just unbelievably ridiculous. The core of the sleeper agents with an unknowing son was nifty, as well as how this was discovered, by the kid applying to the Air Force without his parents knowing, triggering a background check. But wow did it go south from there.
Considering the renegade Soviet agent is killing people left and right, you'd think there would be some behind the scenes coordination between the US and Russians to solve the problem.
It's easy to look back now at this film as a very average Cold War thriller, but that is with the benefit of hindsight. It's difficult for today's generation, those of the age that the Phoenix character plays, to appreciate that the world really was living with a possible Nuclear destruction if there had been an accident or serious misunderstanding.
The action and drama is really primarily psychological, with the heart of the film hinging on the Poitier and Phoenix performances. It's easy now to pass off the whole thing as a trivial character piece, but, then, the stakes were sky high and the Cold War themes were progressive and unusual. In our post Cold War world where Gorbachev and Reagan slowly recede into the mists of history it would be a shame to write of this movie without understanding the atmosphere it was made in.
The action and drama is really primarily psychological, with the heart of the film hinging on the Poitier and Phoenix performances. It's easy now to pass off the whole thing as a trivial character piece, but, then, the stakes were sky high and the Cold War themes were progressive and unusual. In our post Cold War world where Gorbachev and Reagan slowly recede into the mists of history it would be a shame to write of this movie without understanding the atmosphere it was made in.
The fact that the basic plot of this movie is ridiculous fails to ruin it. FBI agent Roy Parmenter (Sidney Poitier) is interviewing Jeff Grant (River Phoenix) for his possible entrance into the Air Force Academy. While reviewing Grant's file he discovers that his parents Richard (Richard Jenkins) and Elizabeth (Caroline Kava) are not who they seem to be. They turn out to be dormant Soviet spies, `sleepers', who have come to the United States and started a life with their son, who has no idea they are spies.
I won't even go into how silly it is the way Parmenter discovers this, as if computers REALLY work that way. Suffice it to say, when he finally tells an incredulous Jeff about his parents, several other sleepers have already been murdered by renegade double agent Scuba (Richard Lynch). Scuba wants money from the KGB and if he doesn't get it, he will kill every sleeper on his list, the Grants included. The former boss to all these agents is Constantine (Richard Bradford), who is sent to San Diego to collect Scuba and take him back to Russia for punishment.
Scuba is finally captured, by Parmenter, whose partner was murdered by Scuba some 20 years prior, so he has a personal reason for wanting Scuba too. The aforementioned characters wind up on the trolley going towards the Mexican border and an exchange between Parmenter and Constantine, who has abducted Jeff, occurs. However, once at the border, Scuba makes a run for it and all hell breaks loose.
As I said earlier, as implausible as the plot is, the movie is actually quite enjoyable and somehow suspenseful. While you may find yourself rolling your eyes at certain points, you'll also find yourself chuckling at some of the dialog and situations the characters find themselves in. Loretta Devine, as Jeff's teacher Verna McLaughlin, is hilarious in the scene where she is caught in bed with Parmenter by Jeff. `No problem,' she says when Parmenter apologizes, `I'll just go topless for the whole student body!'
Despite the fact that Scuba is the ultimate enemy I found myself cheering him on because Lynch is such a powerful actor. You want to see him on the screen more, no matter what he's doing. The fact that he's not in the film enough is my only other complaint about it.
I won't even go into how silly it is the way Parmenter discovers this, as if computers REALLY work that way. Suffice it to say, when he finally tells an incredulous Jeff about his parents, several other sleepers have already been murdered by renegade double agent Scuba (Richard Lynch). Scuba wants money from the KGB and if he doesn't get it, he will kill every sleeper on his list, the Grants included. The former boss to all these agents is Constantine (Richard Bradford), who is sent to San Diego to collect Scuba and take him back to Russia for punishment.
Scuba is finally captured, by Parmenter, whose partner was murdered by Scuba some 20 years prior, so he has a personal reason for wanting Scuba too. The aforementioned characters wind up on the trolley going towards the Mexican border and an exchange between Parmenter and Constantine, who has abducted Jeff, occurs. However, once at the border, Scuba makes a run for it and all hell breaks loose.
As I said earlier, as implausible as the plot is, the movie is actually quite enjoyable and somehow suspenseful. While you may find yourself rolling your eyes at certain points, you'll also find yourself chuckling at some of the dialog and situations the characters find themselves in. Loretta Devine, as Jeff's teacher Verna McLaughlin, is hilarious in the scene where she is caught in bed with Parmenter by Jeff. `No problem,' she says when Parmenter apologizes, `I'll just go topless for the whole student body!'
Despite the fact that Scuba is the ultimate enemy I found myself cheering him on because Lynch is such a powerful actor. You want to see him on the screen more, no matter what he's doing. The fact that he's not in the film enough is my only other complaint about it.
Little Nikita is a well done thriller. I found it entertaining and well acted. I am extremely glad that the lovely Loretta Devine (who played Reese in Urban Legend 1 and 2) had the honour of working with River Phoenix before he died. For fans of River Phoenix and taut thrillers, check this one out.
Wusstest du schon
- WissenswertesWhen new Columbia Pictures chief David Puttnam first watched this movie, he told Director Richard Benjamin that it was one of the worst movies he had ever seen, according to Editor Jim Clark, who was drafted in to see if he could rescue it.
- PatzerKarpov says to Grant when he first meets him: "Call me 'tovarishch', which means 'friend'." Tovarishch is the Russian word for comrade, while Droog is the word for friend.
- Zitate
Jeff Grant: Shove this up your bladder Boris.
- SoundtracksSleeping Beauty
Music by Pyotr Ilyich Tchaikovsky (uncredited)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Espías sin identidad
- Drehorte
- San Diego, Kalifornien, USA(Location)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.733.070 $
- Eröffnungswochenende in den USA und in Kanada
- 866.398 $
- 20. März 1988
- Weltweiter Bruttoertrag
- 1.733.070 $
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