IMDb-BEWERTUNG
6,9/10
6033
IHRE BEWERTUNG
Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Glenn Close
- Ambisextra
- (English version)
- (Synchronisation)
Christopher Plummer
- Metamorphis
- (English version)
- (Synchronisation)
Pierre-Marie Escourrou
- Sylvain
- (Synchronisation)
Catherine Chevallier
- Airelle
- (Synchronisation)
Georges Wilson
- Métamorphe
- (Synchronisation)
Anny Duperey
- Ambisextra
- (Synchronisation)
Jean-Pierre Ducos
- Blaminhor
- (Synchronisation)
Christine Paris
- Porte-parole
- (Synchronisation)
Zaïra Benbadis
- Voix Enregistrées
- (Synchronisation)
Claude Degliame
- Voix Enregistrées
- (Synchronisation)
Olivier Cruveiller
- Homme-métal
- (Synchronisation)
Jean-Pierre Jorris
- Transformés
- (Synchronisation)
Dominique Maurin
- Transformés
- (Synchronisation)
- (as Dominique Maurin-Collignon)
Jean-Jacques Scheffer
- Transformés
- (Synchronisation)
Jean Saudray
- Transformés
- (Synchronisation)
Frédéric Witta
- Transformés
- (Synchronisation)
Philippe Noël
- Transformés
- (Synchronisation)
Philippe Duclos
- Transformés
- (Synchronisation)
Empfohlene Bewertungen
French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
Even though the story was not originally from Asimov, for those who have read most of Asimov's classic science fiction (as a friend says, Asimov's Science fiction written in the 40's will always be science fiction even in 2006), the world 'Gandahar' represents an Asimov' Utopia-not in our galaxy- just like in the books, "The Gods Themselves", and "Foundation's Edge" (Gaia). The movie is very surreal and artistic but compared to other contemporary science fiction animations, it is not that technically sound. Some of the ideas I liked in the movie are: Before the beginning credits, one sees a fisherwoman using music to catch flying fish, the illustration of banished deformed people, and the use of genetically modified creatures in transportation, war and reconnaissance (one- eyed "mirror birds"). I also really liked the idea of a society leaded by a matriarchal system. This movie receives a rating of 8 out of 10 from me.
I noticed this movie at a local rental place the other week and thought, 'What on Earth is THIS?'
My dad has a book with 17,000 movie reviews--just reviews ranging from a sentence to a couple of paragraphs--and they gave it 2 1/2 stars--3 being good--so it was almost good (to them). They chastised the almost non-existent characterizations, which I agree; we're given a character, we're given about half a minute background on them, and then this is what the character has to do. I was surprised that they didn't mention the almost non-existent voice "acting" (note the quotes), as everyone just pretty much mumbled their lines...even such a big talent as Glenn Close (playing the queen) didn't help.
However, please note these are VERY minor gripes. I would've given the movie three stars myself. It's not the typical sci-fi, with the stupidity of childhood geniuses and robots with feelings abound (and I don't think the stereotypes of "oh no, it's sci-fi AND a cartoon!" help either). It's very imaginative, but pretty dark and apocalyptic; probably not for kids under the age of 6, if not 8.
And on a side note, there was some pretty good music in it, too, and a lot of it.
My dad has a book with 17,000 movie reviews--just reviews ranging from a sentence to a couple of paragraphs--and they gave it 2 1/2 stars--3 being good--so it was almost good (to them). They chastised the almost non-existent characterizations, which I agree; we're given a character, we're given about half a minute background on them, and then this is what the character has to do. I was surprised that they didn't mention the almost non-existent voice "acting" (note the quotes), as everyone just pretty much mumbled their lines...even such a big talent as Glenn Close (playing the queen) didn't help.
However, please note these are VERY minor gripes. I would've given the movie three stars myself. It's not the typical sci-fi, with the stupidity of childhood geniuses and robots with feelings abound (and I don't think the stereotypes of "oh no, it's sci-fi AND a cartoon!" help either). It's very imaginative, but pretty dark and apocalyptic; probably not for kids under the age of 6, if not 8.
And on a side note, there was some pretty good music in it, too, and a lot of it.
It's not an outstanding movie by any means, but it gets the job done and entertains. One has to remember that when viewing sci-fi often the plot takes precedence over character. Most plot driven films and stories are like that: We're given the bare bones of our protagonist, and watch him or her weave their way through a story.
Such it is with "Light Years." The animation is certainly above the quality of your typical commercial studio, but is not as dazzling as say a Japanese Anime space opera, nor a Disney Production feature; but it does have a certain quality unto itself. Even so the movie could've used more shots (cutaways and general coverage) to help move the story and highlight the characters more. As it stands more the shots are rather static, and the animation in them shifts gears a little too often. In some scene the animation is very smooth, where other times is seems very long and drawn out, or just not well staged.
The film itself has action, but some of the it is stilted and painfully slow, where other times it moves quite well. The dubbing is adequate, though, like all dubbed films, one gets the sense that it doesn't quite catch the tones and inflections of the voices from the original French cast.
Technology and regimented existence are pitted against the organic and under-dogs of Ghandahar in a typical sci-fi theme. The film's worth a night's rental, and if you like collecting rare sci-fi this might be one to add to your collection. Otherwise it may only be worth a single viewing.
*EDIT* French Region 2 DVD review, Jan 3, 2010
Well, I finally saw the original French film in all its entirety. As an American I have to say that I appreciate the additional footage, and can nod at the more subtle pacing, but I do have to say that I think the Americanized version has some pluses going for, namely in the music. The original French score underlines the basic theme of what is being presented. There are no heroics on the battlefield nor purely desperate moments as would be conveyed by the American musical score. The other subtleties are apparent, and I think I better understand why the American producers did what they did by sexing up what they could. The French film is more prosaic and "European" (for lack of a better term) in its presentation of a world in crisis. There's an emotional malaise characteristic of European cinema as a whole that comes across in the original French version. There's a subtle (and not so subtle) nihilistic quality here. Perhaps there's a bit of Nazi occupation still resonating within this film.
All I can really say is that it's a different film from the American version. I'm not sure I prefer one too much over the other. There's a lack of celebration in the French film. There's a kind of fatalistic quality to that is twisted but still present in the American version. Whereas the French version of this film emphasizes weathering the storm and completing the objective, the American version emphasizes confronting the challenge in a way that we Americans have always done. There's a lack of ambient depression that seems to hang and mildly envelope European art, film included. A kind of ethereal drawn out emotionalism that you'd never see in an American film, but is fairly strong in Russian and Swedish cinema, and hits French and Italian films in a less powerful vein.
I would be interested in seeing a DVD of the American version to make a more thought out and proper comparison. But I guess that'll have to wait.
Such it is with "Light Years." The animation is certainly above the quality of your typical commercial studio, but is not as dazzling as say a Japanese Anime space opera, nor a Disney Production feature; but it does have a certain quality unto itself. Even so the movie could've used more shots (cutaways and general coverage) to help move the story and highlight the characters more. As it stands more the shots are rather static, and the animation in them shifts gears a little too often. In some scene the animation is very smooth, where other times is seems very long and drawn out, or just not well staged.
The film itself has action, but some of the it is stilted and painfully slow, where other times it moves quite well. The dubbing is adequate, though, like all dubbed films, one gets the sense that it doesn't quite catch the tones and inflections of the voices from the original French cast.
Technology and regimented existence are pitted against the organic and under-dogs of Ghandahar in a typical sci-fi theme. The film's worth a night's rental, and if you like collecting rare sci-fi this might be one to add to your collection. Otherwise it may only be worth a single viewing.
*EDIT* French Region 2 DVD review, Jan 3, 2010
Well, I finally saw the original French film in all its entirety. As an American I have to say that I appreciate the additional footage, and can nod at the more subtle pacing, but I do have to say that I think the Americanized version has some pluses going for, namely in the music. The original French score underlines the basic theme of what is being presented. There are no heroics on the battlefield nor purely desperate moments as would be conveyed by the American musical score. The other subtleties are apparent, and I think I better understand why the American producers did what they did by sexing up what they could. The French film is more prosaic and "European" (for lack of a better term) in its presentation of a world in crisis. There's an emotional malaise characteristic of European cinema as a whole that comes across in the original French version. There's a subtle (and not so subtle) nihilistic quality here. Perhaps there's a bit of Nazi occupation still resonating within this film.
All I can really say is that it's a different film from the American version. I'm not sure I prefer one too much over the other. There's a lack of celebration in the French film. There's a kind of fatalistic quality to that is twisted but still present in the American version. Whereas the French version of this film emphasizes weathering the storm and completing the objective, the American version emphasizes confronting the challenge in a way that we Americans have always done. There's a lack of ambient depression that seems to hang and mildly envelope European art, film included. A kind of ethereal drawn out emotionalism that you'd never see in an American film, but is fairly strong in Russian and Swedish cinema, and hits French and Italian films in a less powerful vein.
I would be interested in seeing a DVD of the American version to make a more thought out and proper comparison. But I guess that'll have to wait.
Well, I have to admit that I hunted this particular movie for 10 years. I've seen it for the first time when I was in my early teens (12 or 13, not sure), and I was really impressed by the animation and the plot. Besides, I didn't have a chance to see a lot of sci-fi movies (let alone animated movies) back then.
Now, that I've been able to see it again, I find it really outdated (or "old-skul") - pretty much, it felt like Kubrick's "Space Odissey" animated, only that "Gandahar" came out in late 80es, when "Akira" set a new industry standard. The plot is more or less predictable, the sci-fi backgrounds looked like something from mid-70es, and the battle scenes are even worse than those of cheap Japanimation TV series.
Despite all the bad things above, this movie got a touch of a master. First, I have to admit that movement animation feels highly original (I can't think of anything similar) and is done with a lot of skill. Second, the voices (in French) are much better than anything I've heard. Finally, I find character design very good.
To sum up, I don't think that this is quite the right movie to see "just for fun", but for those who are interested in animation it is definitely a must.
Now, that I've been able to see it again, I find it really outdated (or "old-skul") - pretty much, it felt like Kubrick's "Space Odissey" animated, only that "Gandahar" came out in late 80es, when "Akira" set a new industry standard. The plot is more or less predictable, the sci-fi backgrounds looked like something from mid-70es, and the battle scenes are even worse than those of cheap Japanimation TV series.
Despite all the bad things above, this movie got a touch of a master. First, I have to admit that movement animation feels highly original (I can't think of anything similar) and is done with a lot of skill. Second, the voices (in French) are much better than anything I've heard. Finally, I find character design very good.
To sum up, I don't think that this is quite the right movie to see "just for fun", but for those who are interested in animation it is definitely a must.
Wusstest du schon
- WissenswertesThe film is based on the 1969 novel "Les Hommes-machines contre Gandahar" (The Machine-Men versus Gandahar) by Jean-Pierre Andrevon.
- Alternative VersionenThe Miramax Dubbed version is edited from the original French release. Most of the editing is from the first 36 minutes from the film. In the Miramax cut there is a new introduction of a quote by Issac Asimov, and an extended ending using footage from earlier in the film. The French cut ends with the head floating through the air. The French version contains roughly 6 minutes and 37 seconds more footage than the Miramax version(not including the Opening Titles and Credits). A lot of this is dialogue and more intimate scenes between Sylvain and Airelle in the nest and on the ship to Métamorphe. There is also a sequence cut of the black robots which is also shown in a montage inside Métamorphe later in the film.
- VerbindungenEdited into The History of the Hands (2016)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 370.698 $
- Eröffnungswochenende in den USA und in Kanada
- 48.665 $
- 31. Jan. 1988
- Weltweiter Bruttoertrag
- 370.698 $
- Laufzeit
- 1 Std. 18 Min.(78 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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