IMDb-BEWERTUNG
6,9/10
6040
IHRE BEWERTUNG
Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Glenn Close
- Ambisextra
- (English version)
- (Synchronisation)
Christopher Plummer
- Metamorphis
- (English version)
- (Synchronisation)
Pierre-Marie Escourrou
- Sylvain
- (Synchronisation)
Catherine Chevallier
- Airelle
- (Synchronisation)
Georges Wilson
- Métamorphe
- (Synchronisation)
Anny Duperey
- Ambisextra
- (Synchronisation)
Jean-Pierre Ducos
- Blaminhor
- (Synchronisation)
Christine Paris
- Porte-parole
- (Synchronisation)
Zaïra Benbadis
- Voix Enregistrées
- (Synchronisation)
Claude Degliame
- Voix Enregistrées
- (Synchronisation)
Olivier Cruveiller
- Homme-métal
- (Synchronisation)
Jean-Pierre Jorris
- Transformés
- (Synchronisation)
Dominique Maurin
- Transformés
- (Synchronisation)
- (as Dominique Maurin-Collignon)
Jean-Jacques Scheffer
- Transformés
- (Synchronisation)
Jean Saudray
- Transformés
- (Synchronisation)
Frédéric Witta
- Transformés
- (Synchronisation)
Philippe Noël
- Transformés
- (Synchronisation)
Philippe Duclos
- Transformés
- (Synchronisation)
Empfohlene Bewertungen
'Light Years' is a work of sci-fi animation that really stands apart from the pack. In order to enjoy this film, one must have an appreciation of science fiction altogether. For those individuals such as Leonard Maltin, whom dismissed this movie as a pretentious 'talky' cartoon, you must understand that 'Light Years' tells a very human story about irresponsible inventions and ignorance in a completely ALIEN setting; this is the true magic of the film! I thought the dialogue was creative and the story was fascinating. The creatures and characters are beyond description, and the ending will blow you away. True sci-fi fans I think should dismiss Leonard Maltin's review and rent this one!
French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
GANDAHAR is an imaginative little science fiction feature from Rene Laloux, who directed the acclaimed FANTASTIC PLANET. I haven't seen that one but I did enjoy this one; I saw the version showing on Prime which had been dubbed into English with the voices of Christopher Plummer, Glenn Close et al. Intriguingly, the animation (which I like a lot) was handled by a North Korean studio. The story gathers together many familiar themes from 20th century science fiction including time travel, eugenics and technology, weaving them into a satisfying story involving rebel characters battling against a merciless robot army. Put it this way, it has far more heart, soul and insight than any film in the STAR WARS franchise made since the original trilogy.
10Irbis
about time and utopic realities. The animation is wonderful and detailed. Everything serves perfectly the telling of the story. And the hand of Asimov is not only in the novel, but also in the adaptation to the screen, so that is faithful to his representation of life. Worth watching a few times.
It truly is a shame that no one's ever heard of this breathtakingly beautiful piece of animation. It's also a shame that animation is not usually employed in America as an adult art form. Animation shows us lifeforms and landscapes the likes of which cannot be seen on this Earth. Anyway, this is an amazing film that should be checked out by all anime fans as well as fans of films like Heavy Metal, or master animator Ralph Bakshi's works. Light Years is one of the most enlightening animated works on this planet.
Wusstest du schon
- WissenswertesThe film is based on the 1969 novel "Les Hommes-machines contre Gandahar" (The Machine-Men versus Gandahar) by Jean-Pierre Andrevon.
- PatzerAt 9 minutes and 30 seconds, as Sylvain's flying mount crashes into the ground, its right eye appear unharmed, while both in the previous and following shots it is injured.
- Alternative VersionenThe Miramax Dubbed version is edited from the original French release. Most of the editing is from the first 36 minutes from the film. In the Miramax cut there is a new introduction of a quote by Issac Asimov, and an extended ending using footage from earlier in the film. The French cut ends with the head floating through the air. The French version contains roughly 6 minutes and 37 seconds more footage than the Miramax version(not including the Opening Titles and Credits). A lot of this is dialogue and more intimate scenes between Sylvain and Airelle in the nest and on the ship to Métamorphe. There is also a sequence cut of the black robots which is also shown in a montage inside Métamorphe later in the film.
- VerbindungenEdited into The History of the Hands (2016)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 370.698 $
- Eröffnungswochenende in den USA und in Kanada
- 48.665 $
- 31. Jan. 1988
- Weltweiter Bruttoertrag
- 370.698 $
- Laufzeit
- 1 Std. 18 Min.(78 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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