IMDb-BEWERTUNG
7,0/10
6025
IHRE BEWERTUNG
Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.Eine böse Macht aus 1000 Jahren Zukunft beginnt, ein idyllisches Paradies zu zerstören, in dem die Bürger in perfekter Harmonie mit der Natur leben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Glenn Close
- Ambisextra
- (English version)
- (Synchronisation)
Christopher Plummer
- Metamorphis
- (English version)
- (Synchronisation)
Pierre-Marie Escourrou
- Sylvain
- (Synchronisation)
Catherine Chevallier
- Airelle
- (Synchronisation)
Georges Wilson
- Métamorphe
- (Synchronisation)
Anny Duperey
- Ambisextra
- (Synchronisation)
Jean-Pierre Ducos
- Blaminhor
- (Synchronisation)
Christine Paris
- Porte-parole
- (Synchronisation)
Zaïra Benbadis
- Voix Enregistrées
- (Synchronisation)
Claude Degliame
- Voix Enregistrées
- (Synchronisation)
Olivier Cruveiller
- Homme-métal
- (Synchronisation)
Jean-Pierre Jorris
- Transformés
- (Synchronisation)
Dominique Maurin
- Transformés
- (Synchronisation)
- (as Dominique Maurin-Collignon)
Jean-Jacques Scheffer
- Transformés
- (Synchronisation)
Jean Saudray
- Transformés
- (Synchronisation)
Frédéric Witta
- Transformés
- (Synchronisation)
Philippe Noël
- Transformés
- (Synchronisation)
Philippe Duclos
- Transformés
- (Synchronisation)
Empfohlene Bewertungen
Even though the story was not originally from Asimov, for those who have read most of Asimov's classic science fiction (as a friend says, Asimov's Science fiction written in the 40's will always be science fiction even in 2006), the world 'Gandahar' represents an Asimov' Utopia-not in our galaxy- just like in the books, "The Gods Themselves", and "Foundation's Edge" (Gaia). The movie is very surreal and artistic but compared to other contemporary science fiction animations, it is not that technically sound. Some of the ideas I liked in the movie are: Before the beginning credits, one sees a fisherwoman using music to catch flying fish, the illustration of banished deformed people, and the use of genetically modified creatures in transportation, war and reconnaissance (one- eyed "mirror birds"). I also really liked the idea of a society leaded by a matriarchal system. This movie receives a rating of 8 out of 10 from me.
French animator Rene Laloux of "Fantastic Planet" renown, attempted to make another surreal sci-fi adventure with the 80's "Ghandar" or as Isac Asimov and Harvey Wienstien decided to call it for those of us in the states "Light Years", which since no... space travel takes place, and since the movie is about a fictional country called "Gandahar" is probably a bad title. "Light Years" I guess sounds more sci-fi-ish, and if this film was to succeed in the states(it didn't) it was gonna need every bit of conventionality it could muster.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
The story is a complex one involving the standard sci-fi tropes of eugenics, time travel, death, and utopia, and though it's certainly more involved than most animated sci-fi (a good deal of the time were watching the characters talk), it's really the visualization of the world and it's inhabitants which makes this movie worth seeing.
Like "Fantastic Planet" before it, Laloux's environments are some of the most alien that have ever been imagined. The landscape is often undulating Daliesuqe deserts, which strange trees which resemble simultaneously bodily organs and geysers, a young girl offering her breast to a new born who looks like a tapir, born out of a grown embryonic plant, a city of underground mutants who resemble Blemmyes, ancient African monsters with heads beneath their shoulders, an army hollow soldiers who turn people into statues, video camera like birds who can lift entire buildings in swarms, and of course a colossal mile wide sentient brain in the middle of the ocean.
Laloux uses sci-fi story structures to create, very evocative images that do not look like anyone else's, ever, something few filmmakers in any medium or genre, can claim with straight face.
That being said the English voice acting is just decent, not great but decent, it keeps the story moving, but doesn't draw you into any of the characters. "Light Years" like "Fantastic Planet" or the animated films of Svankmajer are more concerned with form than content, but not oblivious of the latter.
So if you like heady sci-fi, visually stunning design, and unique animation, this is not to be passed up. If not it's probably not bad to see once anyway, just for the visual treat of it all, and the more I mull over the story, not the plot, I'm more impressed with how well and vividly it told me a story I've heard a hundred times before.
Well, I have to admit that I hunted this particular movie for 10 years. I've seen it for the first time when I was in my early teens (12 or 13, not sure), and I was really impressed by the animation and the plot. Besides, I didn't have a chance to see a lot of sci-fi movies (let alone animated movies) back then.
Now, that I've been able to see it again, I find it really outdated (or "old-skul") - pretty much, it felt like Kubrick's "Space Odissey" animated, only that "Gandahar" came out in late 80es, when "Akira" set a new industry standard. The plot is more or less predictable, the sci-fi backgrounds looked like something from mid-70es, and the battle scenes are even worse than those of cheap Japanimation TV series.
Despite all the bad things above, this movie got a touch of a master. First, I have to admit that movement animation feels highly original (I can't think of anything similar) and is done with a lot of skill. Second, the voices (in French) are much better than anything I've heard. Finally, I find character design very good.
To sum up, I don't think that this is quite the right movie to see "just for fun", but for those who are interested in animation it is definitely a must.
Now, that I've been able to see it again, I find it really outdated (or "old-skul") - pretty much, it felt like Kubrick's "Space Odissey" animated, only that "Gandahar" came out in late 80es, when "Akira" set a new industry standard. The plot is more or less predictable, the sci-fi backgrounds looked like something from mid-70es, and the battle scenes are even worse than those of cheap Japanimation TV series.
Despite all the bad things above, this movie got a touch of a master. First, I have to admit that movement animation feels highly original (I can't think of anything similar) and is done with a lot of skill. Second, the voices (in French) are much better than anything I've heard. Finally, I find character design very good.
To sum up, I don't think that this is quite the right movie to see "just for fun", but for those who are interested in animation it is definitely a must.
It truly is a shame that no one's ever heard of this breathtakingly beautiful piece of animation. It's also a shame that animation is not usually employed in America as an adult art form. Animation shows us lifeforms and landscapes the likes of which cannot be seen on this Earth. Anyway, this is an amazing film that should be checked out by all anime fans as well as fans of films like Heavy Metal, or master animator Ralph Bakshi's works. Light Years is one of the most enlightening animated works on this planet.
10Irbis
about time and utopic realities. The animation is wonderful and detailed. Everything serves perfectly the telling of the story. And the hand of Asimov is not only in the novel, but also in the adaptation to the screen, so that is faithful to his representation of life. Worth watching a few times.
Wusstest du schon
- WissenswertesThe film is based on the 1969 novel "Les Hommes-machines contre Gandahar" (The Machine-Men versus Gandahar) by Jean-Pierre Andrevon.
- Alternative VersionenThe Miramax Dubbed version is edited from the original French release. Most of the editing is from the first 36 minutes from the film. In the Miramax cut there is a new introduction of a quote by Issac Asimov, and an extended ending using footage from earlier in the film. The French cut ends with the head floating through the air. The French version contains roughly 6 minutes and 37 seconds more footage than the Miramax version(not including the Opening Titles and Credits). A lot of this is dialogue and more intimate scenes between Sylvain and Airelle in the nest and on the ship to Métamorphe. There is also a sequence cut of the black robots which is also shown in a montage inside Métamorphe later in the film.
- VerbindungenEdited into The History of the Hands (2016)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 370.698 $
- Eröffnungswochenende in den USA und in Kanada
- 48.665 $
- 31. Jan. 1988
- Weltweiter Bruttoertrag
- 370.698 $
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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