IMDb-BEWERTUNG
7,0/10
1878
IHRE BEWERTUNG
Constance liest abends im Bett ihrem Mann aus Raymond Jeans Roman 'Die Vorleserin' vor. Diese Vorleserin heißt Marie und sieht aus wie Constance. Sie liest gegen Bezahlung Texte von Guy Maup... Alles lesenConstance liest abends im Bett ihrem Mann aus Raymond Jeans Roman 'Die Vorleserin' vor. Diese Vorleserin heißt Marie und sieht aus wie Constance. Sie liest gegen Bezahlung Texte von Guy Maupassant ...Constance liest abends im Bett ihrem Mann aus Raymond Jeans Roman 'Die Vorleserin' vor. Diese Vorleserin heißt Marie und sieht aus wie Constance. Sie liest gegen Bezahlung Texte von Guy Maupassant ...
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 8 Nominierungen insgesamt
María Casares
- La veuve du général
- (as Maria Casarès)
Empfohlene Bewertungen
10mew-4
Our protagonist, played by Miou-Miou, is a mischievous, whimsical and smart young woman who is looking for an occupation that will engage her. The adventures she has during her fantasies of what the job as a travelling reader would be, are charming little trips that we take with her. This is a smart and engaging little film. I dare you to not fall in love with her or this film.
There's more than a little touch of Pirandello in the night about this entry in which a young woman, Constance, is not only reading a book entitled The Reader, to her husband in bed but also projects herself on to the eponymous character, Marie, and acts out either her own (Constance) fantasies or those of the fictional Marie or a combination of both. Given the task of carrying the film Miou-Miou is more than up to it and freshness is added by both the location, Arles, albeit little more than the picturesque narrow streets traversed by Marie between gigs, and the supporting cast, relatively unknown outside France though certainly well respected - especially Brigitte Catillon and Patrick Chesnais - within it. It's unquestionably a film that will divide opinion between those who will surrender to its whimsy, offbeat charm and dialogue and those who will denounce it as soft-porn with a press agent. As for me, I love Brigitte Catillon in anything.
This is a slightly bizarre film, a bit like a pretentious European soft porno movie from the 1970ies, minus the sleaze. I have seen it before in a dubbed version, back when it first came out, and didn't get it -- the movie relies heavily on the original dialogue. This time I saw the French version, and, although I still can't say that I managed to penetrate into the story's every nook and cranny, I can testify that the dialogue is quite witty, the wit is farcical, and Miou-Miou is adequately sensual. And that's more than you can say for most movies these days. It won't make it into my personal list of desert island films, but I'm genuinely glad to have given it another go.
A woman in bed starts to read a story to her husband about a woman who visits people and reads to them... Confused? You needn't be. Despite some unusual links between reality and fantasy, this is easy to follow and engaging.
It's inventive without being in love with itself. The staging is fantastic without feeling contrived. It's made with the kind of lightness of touch you need for this kind of film and isn't the kind of thing I've seen coming out of America for some time.
This isn't your usual comedy or romance. It is very French. I don't mean this as an insult. There is fantastic set design, some lovely comic moments and a lilting feel to the music.
Probably not for everybody but if you like a subtle, gently funny, literate and unconventional film then watch this.
It's inventive without being in love with itself. The staging is fantastic without feeling contrived. It's made with the kind of lightness of touch you need for this kind of film and isn't the kind of thing I've seen coming out of America for some time.
This isn't your usual comedy or romance. It is very French. I don't mean this as an insult. There is fantastic set design, some lovely comic moments and a lilting feel to the music.
Probably not for everybody but if you like a subtle, gently funny, literate and unconventional film then watch this.
Our heroine Constance (played by Miou-Miou in yet another role where she seems to play the same character as always...herself) turns her passion for literature into an exciting and profitable "profession". Her little newspaper advertisement eventually brings her a variety of eccentric clients who take advantage of this young woman's services (literally). Hired to read to the disabled, the elderly and the bored, Constance creates, fulfills and participates in her employers' fantasies and peculiar dreams. Warned by the clerk who helped her with the initial advertisement not to be surprised if her ventures yield complications and trouble, Constance seems to not only meet the challenge, but to enjoy the sense of danger and surprise.
The degree of tolerance and acceptance of human sexuality displayed in this film may appear over-the-top to viewers unfamiliar with French culture, and French society's extremely liberal social mores. This film was produced in the 1980s, not the 60s (you'd never know it). The "anything goes" mentality is likely to perplex the average viewer, and it may even offend some. The twisted freshness and daring situations eventually seem gratuitous. We "get it" pretty early on, yet the soft-core peep show continues throughout the film. The intertwining of actual literary passages and storyline are fascinating. Unfortunately my fascination with this film ends there.
The degree of tolerance and acceptance of human sexuality displayed in this film may appear over-the-top to viewers unfamiliar with French culture, and French society's extremely liberal social mores. This film was produced in the 1980s, not the 60s (you'd never know it). The "anything goes" mentality is likely to perplex the average viewer, and it may even offend some. The twisted freshness and daring situations eventually seem gratuitous. We "get it" pretty early on, yet the soft-core peep show continues throughout the film. The intertwining of actual literary passages and storyline are fascinating. Unfortunately my fascination with this film ends there.
Wusstest du schon
- WissenswertesFrance's official submission to the 1989's Oscars in the Best Foreign Language Film category.
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Box Office
- Bruttoertrag in den USA und Kanada
- 699.397 $
- Weltweiter Bruttoertrag
- 699.397 $
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