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6,2/10
322
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Füge eine Handlung in deiner Sprache hinzuWhen the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little broth... Alles lesenWhen the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little brother, he sets out to unravel the mysterious plot.When the man who left a package in his care is murdered, detective Tim Diamond suddenly has every major gangster in the city after him. With only the package and the help of his little brother, he sets out to unravel the mysterious plot.
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José René Ruiz
- Johnny Naples
- (as Rene Ruiz)
R.J. Bell
- Club Owner
- (as 'RJ' Bell)
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I read the book, and was also quite curious about the film. Nick is indeed quite miscast, as is Boyle, but the rest of the cast is quite good.
I think the trouble with the film is that they hadn't enough money to do the really cool scene in which the hotel gets blown up, and more things are missing..
But an A+ for the effort, it's really cool if you read the book.
I think the trouble with the film is that they hadn't enough money to do the really cool scene in which the hotel gets blown up, and more things are missing..
But an A+ for the effort, it's really cool if you read the book.
10cazyrose
I have been a great fan of all Anthony Horowitz books and the Falcon Malteaser was the very first one i read. The afternoon after seeing 'Stormbreaker' i was in the supermarket and found this film on sale for 99p.
I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).
Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.
Definitely worth an hour and a half of your time - silly theme tune and all!
I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).
Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.
Definitely worth an hour and a half of your time - silly theme tune and all!
The basic plot of this movie is two brothers (the world's worst private detective and his wisecracking younger brother) are given a package to look after, but just about every major criminal in London is also after it.
This film is really a mixed bag. The story (based on The Falcon's Malteser, which is essentially a send-up of classic movies such as Casablanca and, of course, The Maltese Falcon) is great as it sticks pretty close to the book, unsurprisingly as the script was written by Anthony Horowitz, the author of the The Falcon's Malteser. Most of the actors/actresses are good especially the late Dursley McLinden, who plays Tim Diamond (real name Herbert Timothy Simple), Patricia Hodge (who plays Brenda von Falkenberg), Peter Eyre and Nickolas Grace (who play Gott and Himmel respectively), but unfortunately Colin Dale, who plays Nick Diamond (real name Nick Simple), and who is the main character, is hopelessly miscast.
Also, I'm not sure that Anthony Horowitz is that good at writing a script for a full length feature film (he has proved he is more than capable of scripting an episode of a TV show, as he has written for, amongst others, Midsomer Murders, Foyle's War and Agatha Christie's Poirot), but it may just be that The Diamond Brothers books (The Falcon's Malteser, Public Enemy Number Two, South by South East, The French Confection, The Blurred Man, I know what you did last Wednesday and The Greek who stole Christmas) just don't make for good adaptations, as a lot of the humour in the books is text based (one example from SbSE: "I can't say I'm a big fan of fun fairs. I can't afford the fares so I never have any fun").
I would recommend this movie, however, even to people who have never read the book, as it does not rely upon people having read the book to be able to understand it. It is entertaining, just don't expect it to be brilliant.
This film is really a mixed bag. The story (based on The Falcon's Malteser, which is essentially a send-up of classic movies such as Casablanca and, of course, The Maltese Falcon) is great as it sticks pretty close to the book, unsurprisingly as the script was written by Anthony Horowitz, the author of the The Falcon's Malteser. Most of the actors/actresses are good especially the late Dursley McLinden, who plays Tim Diamond (real name Herbert Timothy Simple), Patricia Hodge (who plays Brenda von Falkenberg), Peter Eyre and Nickolas Grace (who play Gott and Himmel respectively), but unfortunately Colin Dale, who plays Nick Diamond (real name Nick Simple), and who is the main character, is hopelessly miscast.
Also, I'm not sure that Anthony Horowitz is that good at writing a script for a full length feature film (he has proved he is more than capable of scripting an episode of a TV show, as he has written for, amongst others, Midsomer Murders, Foyle's War and Agatha Christie's Poirot), but it may just be that The Diamond Brothers books (The Falcon's Malteser, Public Enemy Number Two, South by South East, The French Confection, The Blurred Man, I know what you did last Wednesday and The Greek who stole Christmas) just don't make for good adaptations, as a lot of the humour in the books is text based (one example from SbSE: "I can't say I'm a big fan of fun fairs. I can't afford the fares so I never have any fun").
I would recommend this movie, however, even to people who have never read the book, as it does not rely upon people having read the book to be able to understand it. It is entertaining, just don't expect it to be brilliant.
Take a wise cracking thirteen year old kid whose elder brother is an inept gumshoe, a host of classic British Actors (Jimmy Nail, Susannah York, Saeed Jaffrey, Roy Kinnear) amongst others, an intelligent plot and witty script from the pen of Anthony Horowitz (based on his own novel 'The Falcons Malteser'), a cult - and rather obscure - Brit heavy rock band (Mammoth) to play a gang of heavies; film it around North London in a classic film noir style and sprinkle with a cartload of tongue in cheek references to some of the greatest noir thrillers of all time and you have cooked up a rather tasty family friendly film that is a real joy to watch.
This film works on so many levels, it's well paced with so great moments of slap stick (such as the dropping of a grand piano onto a van full of bad guys) and full of crooks cartoony enough to entertain the kiddies, yet at the same time if full of enough references and in jokes to movies such as Kiss Me Deadly, Cassablanca and (of course) The Maltese Falcon to keep the hardened film buff entertained for hours.
This is the kind of left field quirky comedy that the British do best and is well worth 94 minutes of anybodies day to watch.
This film works on so many levels, it's well paced with so great moments of slap stick (such as the dropping of a grand piano onto a van full of bad guys) and full of crooks cartoony enough to entertain the kiddies, yet at the same time if full of enough references and in jokes to movies such as Kiss Me Deadly, Cassablanca and (of course) The Maltese Falcon to keep the hardened film buff entertained for hours.
This is the kind of left field quirky comedy that the British do best and is well worth 94 minutes of anybodies day to watch.
This film is fantastic Colin Dale is excellent as the brains of the Tim Diamond detective agency and noone could better Patricia Hodge's performance as the common charlady turned sleekly seductive Brenda Von Falkenberg.
Wusstest du schon
- WissenswertesBoth Colin Dale who plays Nick Diamond in the film and the miniseries and Dursley McLinden who played his older brother Tim Diamond in the film and the miniseries acted in only one or two other projects and stopped acting on screen altogether after the miniseries ended. Dursley McLinden sadly died in 1995 from AIDS.
- VerbindungenFeatures Mord, mein Liebling (1944)
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- Just Ask for Diamond
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Box Office
- Bruttoertrag in den USA und Kanada
- 12.751 $
- Eröffnungswochenende in den USA und in Kanada
- 12.751 $
- 2. Dez. 1990
- Weltweiter Bruttoertrag
- 12.751 $
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