Der Löwe

"Itinéraire d'un enfant gâté" is another emotional movie starring Jean Paul Belmondo, The movie's plot surrounds over a rich and known man in France, with a enterprise. Seeking to dissappear and live freely away from reality.

At this point he fakes his own death and goes to libe in Africa, where he encounters a young man who works for him and decides he'll be his secsesor.

The movie has a nonlinear narrative in order to increase the viewer's interest in the film. Which works perfectly, the first time I've seen the movie I was really moved and attached to the way the exposition was presented.

Both Belmondo and Richard Anconina are perfect and acts so well together. Though I felt a little skeptical about the ending I assure you it is a lovely experience, not a massive French film hit, but a sensible one.

Surely the best film directed by Claude Lelouch after "L'aventure c'est l'aventure". The Jacques Brel's life inspiration is really present. Richard Anconina and Jean-Paul Belmondo played a really amazing duo and are really great in the psychological discovery of the two characters they are playing.

One of the greatest stories of love and friendship and loneliness I have ever seen. Ever. The feel-good, cry a little, learn a lot movie. Outstanding photography, great dialogue, and so much heart. Someone said that Lelouch is forever making the same movie over and over again. Good! I don't care if I don't see another one.

And what do you know -- a movie like this, a story of a super-successful, super-lovable, super-lonely man who decides to leave it all behind and lives vicariously through a poor young protege he crosses his paths with -- this story did not make it to the American screen and video?! I can hardly believe this. Someone give me the name of a person who decided to pass on this movie. Someone tell me how it is possible to release "Les Miserables" by Claude Lelouch starring Jean-Paul Belmondo and skip on an equally powerful, if not more so, "Itineraire..." which was made by the same two masters 7 years earlier?

Anyone who has seen "Les Miserables", call your Senator and demand that this movie be released in the United States of A.

Any foreign movie distributor who is reading this, grab this movie and you will have hit a mother lode.

The Claude Lelouch's movie is a pretty good moment of cinema. One of the most touching films about family and loneliness, and surely the best interpretation of French actor Jean-Paul Belmondo.

Jean-Paul Belmondo who left us this year, was indisputably one of France's best loved stars but only when playing a particular type of role. Time stops for no man and his popularity dimmed when making the transition from action hero to character actor.

He had worked previously with director Claude Lelouch on 'L'Homme qui me plait' and by all accounts did not take much pursuading to appear in this as he was strongly drawn to the character of Sam Lion, head of a business empire whose desire to 'escape' from his world causes him to fake his own death.

His grizzled, eccentric, understated performance is arguably his best and won him a much-deserved César which, typically, he declined to collect. His best scenes by far are those with the interesting Richard Anconina as Albert, a chance meeting with whom has far-reaching consequences for them both. The scene where Sam gives Al a few pointers on how to play the game of life is priceless. Anconina had previously made an impression in 'Tchao Pantin' for Claude Berri. Sam's daughter is sympathetically played by the director's wife Marie-Sophie L. Great to see one of the 'golden oldies' Daniel Gélin, in such good form as Albert's father.

The film itself is not without its weaknesses but these are outweighed by its strengths. It contains flashes of brilliance, touching moments, haunting images and a splendid score by the sine qua non of Lelouch films, Francis Lai.

As for Monsieur Belmondo best to leave the final words to Lelouch himself: "Cinema is dominated by stars you like from the very beginning."