Wer den Wind sät - Der Brady-Skandal

Not nearly as good as the 1960 original. Jason Robards performance as Henry Drummond stands out clearly as the highlight of the picture. If your going to watch this version include Stanley Kramers 1960 classic and make it a double feature.

I'm a little unusual as far as movies and books go. I will love a horrible story or movie for one good idea, one good scene or one good actor.

This was that film. I saw it when it was first aired when I was 14 and it made an impression on me. We had read the play a year earlier in 7th grade but it was Jason Robard's portrayal of the playfully witty grumpy grandpa who made the movie.

If you like Robards this movie cannot be missed. His portrayal of an ideal Atheist is good, even if it the reality of Clarence Darrow's personality. The way he gives sage advise to Cates about "Golden Dancer" - "Bert, whenever you see something bright, shining, perfect-seeming—all gold, with purple spots—look behind the paint! And if it's a lie—show it up for what it really is!" - cannot be beat. Robard's perfect rendition of this epic metaphor for a young man to follow in his hard and often lonely search for truth is what makes this film.

As an adult now, I have seen the classic version of this but there are benefits to this old made for TV movie - if you can find it, see it - and also drop me a line about where I can find it - I had my old VHS for years but can't find it!

I loved the original Inherit the Wind. Fredric March gave one of the best film performances of all time, as the evangelical lawyer Matthew Harrison Brady in 1960. I knew going into it that the remake probably wouldn't be as good as the original, but I wanted to give it a chance, for Kirk Douglas's sake. He tried very hard, and had he not been following Fredric March, he would have given a great performance. But if you've seen the original, no one else can play Matthew Harrison Brady.

In case you haven't seen the original, the story is an adapted version of the famous Scopes Monkey trial in the 1920s. A teacher in America's Deep South, teaches his students about Charles Darwin, and he's arrested. The majority of the film takes place in the courtroom, as two legendary lawyers battle the issue. So, if you don't like one of the two lead actors, it will greatly affect your enjoyment of the film. I'm not a Spencer Tracy fan, but with Jason Robards taking his place in the remake, I began to appreciate Spence's performance better. I know there are some people out there who are Jason Robards fans, but I'm not one of them. He's just not likable, and he always seems tired, bored, slightly angry, and wishing he was anywhere but on a film set.

If you really like Kirk Douglas, you'll probably want to see this movie, but it's not nearly as good as the original. Jean Simmons plays Kirk's wife, and even though she gives a good performance, there was nothing really wrong with her predecessor, Florence Eldridge. Watch the original, and if you really enjoy the story and like Kirk Douglas, then you can rent this one.

This 1988 version of INHERIT THE WIND tried a slightly different approach to the story than the film or the 1965 versions. Apparently there was a deeper delving into the historical material (and - unlike the period of the film and the first dramatic version on television - the resurgence of anti - evolutionary voters in the country) to make the story fairer.

Jason Robards played Drummond/Darrow very well - in the tradition of Muni, Tracy, and Melvyn Douglas. But it was the performance of Kirk Douglas as Brady/Bryan that was unique. As I have mentioned elsewhere in these reviews, Bryan did have valid reasons to dislike Darwinism aside from religious feelings. The issue of Social Darwinism, created by an English elitist snob named Herbert Spencer, had been grabbed by various people in power positions in big business and politics that suggested that the best people were the top of the evolutionary tree - and that big business had the right to destroy small competitors due to "survival of the fittest". Bryan hated this idea, as opposite to Jeffersonian Democracy. He actually intended, after his own humiliation on the witness stand by Darrow to put Darrow on the stand to explain his acceptance of Social Darwinism. Judge Raulston, the trial judge, refused to allow this.

If that had been brought out in this production, it would have set it apart and given a more balanced view of the two parties who clashed in Dayton. Instead, Douglas played Brady like a revivalist (similar to Begley, without Begley's physical resemblance to Bryan). But he also kept trying to keep up the friendly feelings that Darrow and Bryan had when both were fighting on the same side on political issues from 1893 to 1908. While all the productions include those moments of nostalgia between them, this attempted to suggest that Douglas/Brady hoped to "save" the soul of Robards/Drummond. It was a curious idea, but it just did not seem realistic (given their diametrically opposite views on evolution and the Tennessee law). I give this a 7 for the production but the approach was a misfire.

I thought Jason Robards was good as Darrow even if he didn't erase the memory of Spencer Tracy from my mind but I thought the usually fine Kirk Douglas was miscast as William Jennings Bryan (who was a glutton, not a movie star!) and didn't come close to Frederic March who even looked like Bryan. (Admittedly, Spencer always looked like Spencer.) He was reduced to playing the part as if it was Elmer Gantry and when Jason said that "a giant once lived in that body!" I didn't believe him for one second.

And where the old black and white version suggested the oppressive heat and humidity of Dayton, Tennessee, this one didn't even come close. Darren McGavin who played H. L. Mencken was quite good though and easily erased the memory of Gene Kelly in the original. And I've always adored Jean Simmons in most of what she did. Kyle Secor was the Scopes character (I mistook him for Matthew Broderick) and was very adequate.

I'd be interested to see (again?) the 1965 TV version with Melvyn Douglas and Ed Begley but I don't remember it at all if I did see it.