Bloodnight

From the makers of The Evil Dead we got a slasher flick that for some reason is kind of a hidden gem. Not many people have seen this movie. I personally bought an Uncut version off a grey market site for 5 bucks. I should add that it was worth it.

Story takes place in a supermarket which seems to only sell cereal...not really, but they like to shoot scenes down that isle. The workers are closing for the night and they just want to finish up and head home. Well that's a shame since there's a killer in the store and the workers start dropping like flies. That's pretty much how the story goes.

But the movie itself was done pretty damn well. You have a cast that was definitely into this movie. They tried to seriously pull it off. There's some dark humor, some great lighting effects and some really good gore effects. I unfortunately was a little disappointed in the amount of gore. I kept on hearing there was tons of it....there's really not that much. But there is enough to keep an average gore fan happy. The movie unfortunately was not scary, but don't dismay, the movie has a special charm, that will most likely keep you (horror fan) happy.

Bruce Campbell is in the movie for a total of about 2 minutes, so even though it says his name on the cover...don't buy/rent it because of him. Intruder is a pretty fun flick to watch. It definitely has more positives than negatives and is better than most slashers. If you're into slasher films, this is definitely one you should add to your collection.

INTRUDER is a fun, gory movie set in a grocery store. A crew of workers is marking down prices on the eve of their big "Going out of business" sale. A thuggish customer gets tossed out, and soon the murders begin.

The obvious suspect becomes less so as the ordeal unfolds.

This movie is inventive, making great use of its single location. There are several clever camera angles and shots (i.e.: looking up through a telephone, a bucket of water, etc.) that help to break up the static and keep things moving.

The characters are humorous, two of whom are played by the Raimi brothers (Sam and Ted). There are also cool cameos by none other than Bruce Campbell and two members of the old Green Acres cast!

The gore factor starts out mild, then accelerates at an alarming rate until body parts are really gushing! There are a couple of jaw-droppers that any true gorehound will appreciate!

Two bloody stumps way up!...

Prices aren't the only things being slashed at the local supermarket! Some heads are gonna roll when they see these amazing deals! Clean up on Aisle 9! Okay, that'll do.

In Scott Spiegel's somewhat unassuming directorial debut, "Intruder," the night crew at a supermarket find themselves locked in with a mysterious madman on the prowl. Is it a jilted ex- boyfriend of one of the cashiers? A disgruntled customer who waited too long in line behind the old lady who paid in pocket change? The guy from the opening scene in "Cobra"?

"Intruder" offers a little mystery to the proceedings, which can often feel like a paint-by-numbers slasher. Spiegel, who spent a considerable amount of time working with the "Evil Dead" crew of Sam Raimi, Bruce Campbell, et al brings some familiar faces along, as well as a few tricks up his sleeve. What "Intruder" may lack in originality, it delivers in physical humor, creative camera angles and some unbelievably over-the-top death scenes. Its cast is mostly unknown (featuring a few cameos here and there you may recognize) and yet perfectly capable. Really, the cast is likable and they add to the underdog charm of the film which, let's face it, was never meant for "classic" status.

Fans of the genre will find many things to like about "Intruder" (which originally went by the much superior and much less generic title of "The Night Crew") and if you've seen enough slashers, you'll forgive its shortcomings for the amount of ingenuity the film works into its limited means. Just an all around pleasant stroll through the aisles of yesterday's slasher oeuvre, be sure to throw "Intruder" in the cart if you haven't already.

Okay, one more: Tonight, the stock-boy will be the one being stalked! No? Okay, I'll leave

INTRUDER is without a doubt one of the last great slashers from the genre's peak decade. Scott Spiegel had been a friend of both Sam Raimi and Bruce Campbell since hi school and had also worked with them on most of their early movies, actually co-writing the script for EVIL DEAD 2. For his Directorial debut he roped in his old friends, Placing Raimi in one of his only starring roles. Unfortunately Campbell only managed a small cameo appearance; maybe it was because he was busy with that other great genre piece from the same year MANIAC COP. The movie suffered harshly under the censors, surprisingly more so in the States than at home here in the UK. Although this BBFC certificated print was still missing well over five minutes of footage. There are uncut copies of the movie floating about, but they are in fact so rare that I haven't yet managed to track one down.

It tells the story of a group of teenage workers at a convenience store that have been told that they will soon be losing their jobs due to the fact that the business is losing money and has to close it's doors for good. The night crew are asked to stay late and begin pricing down the stock so that it can be sold at a discount. Cashier Jennifer (Elizabeth Cox) is already on edge because her ex-boyfriend Craig (Danny Byrnes) has just been released from prison for manslaughter and keeps hassling her. He has already kicked off with one of the store managers Bill (Sam Raimi) and has threatened to return. As the workers settle in to their late night shifts it seems that a certain unseen someone is butchering the employees one by one in gruesome and merciless ways. Whoever is behind the remorseless murders is saving poor unfortunate Jennifer for last orders. Will she realise that there's a maniac at work before she becomes chopped meat like the rest of her workmates?

Castwise INTRUDER doesn't work as well as it should have. Cox doesn't manage to convince as the heroine and I believe things would have been better if leading lady duties were handed over to Charlie and Emilio's younger sister Renee Estevez who gave a brief performance as a cashier. But Sam Raimi doesn't disappoint in his rare starring role and we have the great but somewhat short cameos from Campbell and Alvy Moore. Lawrence Bender produced and co-wrote the screenplay before going on to find success a few years later with RESERVOIR DOGS. Actually Spiegel is the one who introduced Quentin Tarantino to Bender, who went ahead and got the movie made. Quentin returned the favour by crediting the writer/director with starting his career.

Where this movie really manages to shine is in the excellent direction. Taking a leaf from his old friend's book, Scott keeps things lively with some zany and interesting camera positions and shots. Although his brave and innovative effort may not appeal to every viewer, you can't help but merit his ingenuity. The dark scenes are satisfactorily lighted and he manages to keep a strong enough pace running throughout. The final chases towards the end get pretty tense and the final plot twist satisfies although it had already been done to similar effect in weaker efforts EDGE OF THE AXE and THE DORM THAT DRIPPED BLOOD. The characters are likeable enough if not greatly acted and the plot doesn't waste time to introduce brutality as the major attribute. Although this version may indeed be heavily edited it's still pretty gory and luckily for us the censors weren't as ‘scissor happy' as they have been in the past with other attempts. Although you'll probably guess the silhouetted killer's identity early on (some releases even have his picture on the cover), it really doesn't spoil things too much and there's enough fun to be had with the imaginative murders and suspenseful pacing.

INTRUDER manages not to overuse the relevant clichés and can't help but entertain for it's ninety minute runtime. It's Stylishly directed with a decent score, some innovative murders and a likeable if not overly talented cast. Although further success hasn't found Spiegel as easily as it found Raimi, no one can deny this entry into our favourite sub-genre is easily one of the best. If you can get hold of the uncut copy then add a star to the score below, if not still try your best to seek out this movie. If only for the reason that along with MANIAC COP it remains one of the last great slasher movies to come out of the eighties. Recommended wholeheartedly to all genre fans

'Intruder (1989)' is a slasher set inside a grocery store that sees the late-night crew come under threat from a mysterious manic intent on mutilating every last one of them. The flick isn't a parody, or even a comedy really, but it is well aware of what it is and isn't afraid to be as ridiculous as it wants to be. It's often funny, purposefully so, but it also works as a horror because the kills are grisly, the characters are likable and the flick is generally suspenseful. It's incredibly well made despite its obviously low budget, with some insanely creative shots keeping you engaged even during its duller segments. The killer's face is kept off screen for most of the movie, but it's when their identity is revealed that they really come into their own. They're suitably relentless and equally as deranged, spewing off-kilter commentary in a wonderfully over-the-top way. It's a pitch-perfect performance for what the piece is trying to achieve. The story is simple but effective, essentially acting as an excuse for the plot's carnage. Sadly, the version I watched was heavily cut (for some reason the cut version is the only one that's available through Shudder in the UK). This isn't too detrimental to the picture, as a couple of the more intense kills still genuinely work when they're shown in a more implicit way, but several sequences are heavily diluted and, especially towards the end, it's sometimes difficult to understand what's happening (or, rather, has just happened off screen). The most unforgivable part of the cut version is that it robs you of a moment in which the killer beats someone unconscious with a severed head. Ultimately, though, the piece is still entertaining in its cut form. It knows what it is and relishes it, providing fun rather than scares. Having said that, it also does a great job at building suspense and has several seriously inventive sequences. 7/10.