Imagine: John Lennon

It revolves around the recording of song "Imagine" as well as the album of the same name in 1971. It is narrated by Lennon from tons of interviews he gave. After the scene is set, it goes back to the beginning of The Beatles and and see many familiar clips of performances of "Twist And Shout", "From Me To You" and "Help".

The most fascinating part of this documentary are rare home movies of John at home and of some news segments probably not seen since they were aired. A striking scene shows where an obsessed fan found his way to John's England estate. The young man is confused and may be on drugs but believes John's songs are speaking directly to him, asking him the meaning behind his "I Dig A Pony" song, John tells him it was just playing around with words, literally a nonsense song. John gently tells him the songs should not be mixed up with his own life and offers the guy something to eat.

John is gentle when dealing with his fans, but he can have a temper when dealing with technicians in a recording session, or reporters who say they miss "the old Beatles". It sure is intriguing stuff for any Beatles fan and definitely worth your time.

IMAGINE: JOHN LENNON is a very personal and emotional scrapbook that takes us right into the mind and soul of the great artist who departed this world much to early. Largely comprised from hundreds of hours of Lennon interviews and personal home movies, this feature is narrated in John's own words, giving us a bird's eye view of his life and experiences before, during, and after The Beatles. It's a candid and close look at Lennon the musician, the husband, the father and, most significantly of all, the Man.

The documentary begins in 1971 at Tittenhurst Park in England, where John and Yoko lived and were then working on John's great IMAGINE album in a studio adjoining their home. Through John's own memories we then go backward in time to his birth, his rise to fame with the Beatles, the breakup of the group, his key meeting with Yoko Ono, all the exploits of John and Yoko through the late sixties and seventies, Lennon's retirement to raise his son Sean in 1975, and ultimately his happy comeback into the limelight in late 1980, when he was tragically assassinated and the entire world came to a screeching hault for millions.

For rabid Lennon fans there are very juicy segments included, such as John recording "How Do You Sleep" (his infamous swipe at Paul McCartney) with the assistance of George Harrison on slide guitar. We see the very candid and human sides of John from inside the glass of the recording studio as he swears at an engineer for not being able to send forward the proper pre-recorded verse of "Oh Yoko" so that Lennon can add his backing harmonies to it. A real treat is a lengthy segment from the 1969 "Bed-In" period where we get to see a visibly perturbed Lennon trying to maintain his peaceful stance while sparring with ultra-conservative artist Al Capp while the man continually attacks and insults John and Yoko right to their faces. Another key bit of business features Lennon storming into a newspaper office to confront a journalist who's just written a seething article denouncing the Lennons. A real gem of a clip concerns a scruffy hippie who's camped out at Lennon's garden overnight and tried to meet the famous ex-Beatle. With the cameras capturing their confrontation, John tries to explain to the far-out young man that he's just a regular guy who writes songs, some of which don't really mean anything special, and that he's only human. After this, John invites the hungry man into his home to give him breakfast.

John Lennon's appeal to the true fan was that he was very honest about who he was and what he believed in, and we could always relate to him and feel he was as real a person as we were. This film manages to capture the essence of John and it's a job very well done by director Andrew Solt, who had to plow through hundreds of hours of material, most of which must have been indispensable, to try and form a definitive representation of Lennon's whole life. If there is a tiny flaw in the film at all, it may be because John's life was so extraordinary that it's virtually impossible to get it all together in such a short space of running time; there is a sense of everything being squeezed together rather quickly (especially the Beatle years), where several hours would probably have been more adequate!

Yoko Ono has gotten such a bad rap over the decades, and that's a real shame, as it's so obvious through her own observations and actual on-film reactions here that she was as in love with John and as respectful of him as he was toward her. It should be understood and accepted that John wanted to be with Yoko and that she "saved him from a kind of death" (as he once said). It may be difficult for some to accept that Lennon drifted away from the idea of being "one of the boys" with the Beatles and getting married and devoting his life to his relationship with Yoko, but it's what made him feel happy and fulfilled. As John himself said in one of his very final interviews for PLAYBOY in 1980:

LENNON: "Listen, if somebody's gonna impress me, whether it be a Maharishi or a Janov or a Yoko, there comes a point when the emperor has no clothes. Because I do stupid things, I've done stupid things. I am naive but I'm also not stupid. So there comes a point where I will see. And nobody can pull the wool that long. So for all you folks out there who think that I'm having the wool pulled over my eyes, well, that's an insult to me. Not that you think less of Yoko, because that's your problem; what I think of her is what counts! But if you think you know me or you have some part of me because of the music I've made, and then you think I'm being controlled like a dog on a leash because I do things with her, then screw you, brother or sister... you don't know what's happening. I'm not here for you. I'm here for me and her and now the baby. Anybody who claims to have some interest in me as an individual artist or even as part of the Beatles has absolutely misunderstood everything I ever said if they can't see why I'm with Yoko." ***1/2 out of ****

"Imagine" is an excellent look at John Lennon, as a young boy, a rocker, a Beatle, an advocate, a husband, a father, and finally, as a legend.

For those (like my sister) who dislike Yoko Ono and blame her for breaking up the Beatles, Yoko is present, but there is plenty else here.

John Lennon isn't an easy man to figure out, and I don't think this documentary tried to. Rather, it attempted to show all sides of him - the Beatle, the drug side, the sketch artist, his attempt to distance himself from the Beatles, stating that he had grown up, his musical journey, his hard-headedness, demands as a musician - the whole thing. One of the nicest scenes is one in which he speaks with a vagrant about his music and then has him come in for a meal. So with all his preaching about peace and being one in the world, he walked the talk.

Lennon provides a lot of the narration, which is taken from hundreds of interviews. There are also interviews with Yoko, Sean, Julian, his ex-wife Cynthia, and others.

If you grew up with the Beatles as I did and mourn the death of John Lennon as I do, or even if you just like his contribution to music, this is a very good look at the Beatles' most off-beat and possibly most brilliant member - a man who continually searched for an identity that kept changing.

As a big Beatles fan, I've seen lots of documentaries and shows about them; but this one has a lot of stuff I've never seen before, mostly because it focuses on John. The music of course is fantastic as always but what's most valuable is the candid looks we get at Lennon. A vagrant, probably stoned, confronts Lennon at his home in England, asking what the different lyrics mean and the ex-Beatle tries to talk some sense, comforting the confused man, and inviting him inside for a meal. It's even eerier considering what a later confused fan was to do. And some of the strongest parts of the film are long sequences of John confronting someone over his antiwar politics and tactics. Particularly Al Capp, famous cartoonist of "L'il Abner" who proves to be a royal a**hole here, insulting Yoko and John stays surprisingly level-headed throughout. It's a really dynamic scene. He actually loses his temper more when confronted by a NY Times reporter who tells him how immature it was for him to send back the MBE; he shouts back that maybe she liked the old him, the mop-tops and A Hard Day's Night but she needs to grow up. And finally, there's some footage taken not long before Lennon's death when a young man is thrilled to meet him, asking inevitably "When are you guys gonna get back together?" Little did he know that in a few days (or weeks, I'm not sure when this was taken) that dream would be shattered once in for all.

I can't say enough about how much John Lennon's death still hurts me when I think about it, and I wasn't even alive when that terrible date (8 Dec 1980) transpired. But through the duration of "Imagine: John Lennon," I felt at ease with his death. I felt that Lennon was sitting there next to me telling me that he's fine, and that he will never be dead as long as his music live forever in the minds of his fans. Lennon's life was captured brilliantly in this documentary. His brilliance, his unique spirit, and his controversial opinions about the crooked elements of the world are reverently presented. I thanks the makers of this film for omitting the name of the eternally damned soul who selfishly brought the end to the physical life of Lennon. Lennon lives on, but the scars left by his passing will remain. For those who do not know Lennon's life very well, this film is perfect for them. Together, you, me, and Lennon can imagine a world free of hatred in our lives and the lives of future generations. It is possible if we just give peace a chance. I love this movie and it's portrayal of the life of the most influential entertainer of the past couple centuries. What more can be said about such an amazing life?