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Die letzten Glühwürmchen

Originaltitel: Hotaru no haka
  • 1988
  • 6
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
8,5/10
356.024
IHRE BEWERTUNG
BELIEBTHEIT
470
69
Corinne Orr, Ayano Shiraishi, and Emily Neves in Die letzten Glühwürmchen (1988)
A young boy and his little sister struggle to survive in Japan during World War II.
trailer wiedergeben1:44
6 Videos
99+ Fotos
Animation für ErwachseneEine TragödieZeitraum: DramaDramaKriegAnimationsfilmAnimeHandgezeichnete Animation

Während des Zweiten Weltkriegs ringen ein Junge und seine kleine Schwester in Japan ums Überleben.Während des Zweiten Weltkriegs ringen ein Junge und seine kleine Schwester in Japan ums Überleben.Während des Zweiten Weltkriegs ringen ein Junge und seine kleine Schwester in Japan ums Überleben.

  • Regie
    • Isao Takahata
  • Drehbuch
    • Akiyuki Nosaka
    • Isao Takahata
  • Hauptbesetzung
    • Tsutomu Tatsumi
    • Ayano Shiraishi
    • Akemi Yamaguchi
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,5/10
    356.024
    IHRE BEWERTUNG
    BELIEBTHEIT
    470
    69
    • Regie
      • Isao Takahata
    • Drehbuch
      • Akiyuki Nosaka
      • Isao Takahata
    • Hauptbesetzung
      • Tsutomu Tatsumi
      • Ayano Shiraishi
      • Akemi Yamaguchi
    • 1KBenutzerrezensionen
    • 149Kritische Rezensionen
    • 94Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Am besten bewerteter Film #37
    • Auszeichnungen
      • 3 wins total

    Videos6

    Official Trailer
    Trailer 1:44
    Official Trailer
    Grave of the Fireflies
    Trailer 1:47
    Grave of the Fireflies
    Grave of the Fireflies
    Trailer 1:47
    Grave of the Fireflies
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    Clip 4:03
    Ultimate Weeper Watchlist: Flow, Gump, Lion, & More
    What to Watch When You Need a Good Cry
    Clip 1:48
    What to Watch When You Need a Good Cry
    What to Watch When You Need a Good Cry
    Clip 2:25
    What to Watch When You Need a Good Cry
    When You Need a Good Cry
    Video 1:51
    When You Need a Good Cry

    Fotos202

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 198
    Poster ansehen

    Topbesetzung70

    Ändern
    Tsutomu Tatsumi
    • Seita
    • (Synchronisation)
    Ayano Shiraishi
    • Setsuko
    • (Synchronisation)
    Akemi Yamaguchi
    • Aunt
    • (Synchronisation)
    Yoshiko Shinohara
    • Mother
    • (Synchronisation)
    Kôzô Hashida
    • Obayashi Chairman
    • (Synchronisation)
    Masayo Sakai
    • Woman who takes care of Setsuko
    • (Synchronisation)
    Kazumi Nozaki
    • Cousin
    • (Synchronisation)
    Yoshio Matsuoka
    • Gosaku
    • (Synchronisation)
    Masahiro Kanetake
    • Aunt's house guest
    • (Synchronisation)
    Kiyoshi Yanagawa
    • Patrolman
    • (Synchronisation)
    Hajime Maki
    • Man who arrests Seita
    • (Synchronisation)
    Atsuo Omote
    • Person in bank
    • (Synchronisation)
    Teruhisa Harita
    • Station worker
    • (Synchronisation)
    Hiroshi Tanaka
    • Person in bank
    • (Synchronisation)
    Michio Denpô
    • Station worker
    • (Synchronisation)
    • …
    Shirô Tamaki
    • Person in bank
    • (Synchronisation)
    Tadashi Nakamura
      Mika Sekita
      • Nurse
      • (Synchronisation)
      • Regie
        • Isao Takahata
      • Drehbuch
        • Akiyuki Nosaka
        • Isao Takahata
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen1K

      8,5356K
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      Zusammenfassung

      Reviewers say 'Hotaru no haka' is a poignant film highlighting war's impact on children. It delivers a strong anti-war message and realistic portrayal of civilian suffering. The sibling bond is deeply moving, evoking strong emotions. Animation and storytelling are praised for conveying tragedy and life's beauty amidst war. Its focus on personal struggle makes it unique. Despite its somber tone, it underscores human resilience and the importance of love and family.
      KI-generiert aus den Texten der Nutzerbewertungen

      Empfohlene Bewertungen

      10dee.reid

      A powerful film that shows the true cost of war

      "Grave of the Fireflies" is one of the most ambitious, depressing, and quite frankly, best films that I've ever seen. I was nearly moved to tears by this film's brave treatment of such critical subject matter. Yes, it's an Anime' piece, but surprisingly, it came out in 1988, during a time where most Japanese animation films were either relentless bloodbaths, borderline pornography, or both.

      As a fan of the Anime' genre of film-making, many great pieces have achieved some sort of cult status here in America, yet none have really reached mainstream success. Some have broken through the barrier and have gained acceptance with American critics, like Katsuhiro Otomo's "Akira," or "Princess Mononoke," or "Spirited Away" (both films directed by Hayao Miyazaki). One that I've seen and has been barely mentioned by most critics is "Grave of the Fireflies."

      What we have with "Grave of the Fireflies," is a story of innocence lost and two children who ultimately face a losing battle with trying to survive in a small Japanese village in the closing days of World War II. WWII was the costliest conflict in world history, with millions dead and thousands left to pick up the pieces.

      In the center of it, are the aforementioned two children, who are pretty much left to fend for themselves after their mother is killed in a bombing raid. Because their father is off fighting in the war and they have no way of contacting any other family, they're sent to live with their aunt, who is at first warm and welcoming to them, but eventually becomes very cruel and the children are forced to live in a nearby bomb shelter. From that point on, the two children embark on a journey that is every bit as unpleasant and difficult as the grim realities of the world around them.

      Very easily one of the best Anime' films that I've ever seen (or any animated film for that matter), I find it difficult to believe just how truly overlooked "Grave of the Fireflies" is. The animation is beautiful, though certainly not dated by any means (even though Japanese animation has progressed well since this film was made).

      We get a sense of the dread of the two lead characters, who watch as the world around them crumbles into heaps of ashes, and aircraft loom ominously overhead, dropping their deadly, incendiary cargo on unsuspecting Japanese villagers.

      The director, Isao Takahata, obviously has a special resentment of the war, but manages to avoid condemning it outright. The director instead lets us focus in on the conflict as seen through the eyes of the two children, who watch unflinchingly as the realities of their world begin to falter before them.

      "Grave of the Fireflies" is a bold statement on the condition of the human soul during conflict. I probably shouldn't say this but I am anyways, but this film has to be the "Schindler's List" of animated pieces. It's brave, it's not overly sentimental, but it is relentless in its dramatization of a dangerous reality. It should be required viewing in any high school world history class.

      A beautiful film; not to be missed by anyone.
      10The_Fifth_Echo

      A Beautiful Unforgettable Masterpiece that shows the true cost of war.

      I decided to watch Grave of the Fireflies yesterday. My friends told me it was extremely moving and sad. I hesitated at first, but then I said "Oh well, I'll give it a try." At the end of the film, I was crying my eyes out. This was the best animated film, I've ever seen.This is a moving depiction of the fates of cast-off children who become casualties of war.

      This movie isn't your regular Animated Film. Pixar and Disney put films out there with happy endings. I'm not saying there bad films at all. They are also great pieces of work. But Grave of the Fireflies tells you the truth. This movie isn't trying to entertain you. It wants to inform you about how war is really like. There were many moments in the movie, that just brought me to tears.

      I am kind of upset, that this movie didn't get many awards as it should. In that regards, it is VERY underrated and it is kind of thrown apart. When it should really be respected and praise it. If this movie was made in our time period right now. I would be 100% sure this would of Won an Oscar for Best Animated Film. This is Studio Ghilbi's best movie they have ever released.

      I truly advice you to bring a handkerchief, cause chances are that you will cry.

      An Emotional Epic Animated Film, that I recommend everyone to watch.

      Quite Simply 10/10
      10Teebs2

      Heartbreaking...

      This film proves without any doubt that animation isn't just suited to tales of fantasy, sci-fi or cartoon comedy and violence. This absolutely heartbreaking Japanese anime tells the story of a young boy, Seito and his younger sister, Setsuko, as they attempt to survive the American bombings on Japan in the last year of World War II.

      The story itself, based on a true story, is powerful enough but the decision to animate the film truly elevates this film to a higher level. This would have been a powerful enough live action drama, along the lines of Spielberg's Empire of the Sun or even Schindler's List. However, the Studio Ghibli team, have brought an extraordinary amount of life to all the characters, but especially the young siblings. Now we're not talking realism as such here - the characters are in no way photo-realistic, they do have the usual characteristics of Japanese anime humans, large eyes and exaggerated expressions. What this achieves however is a heightened level of subtle nuances in expression which are arguably more powerful and provocative than anything a real-life actor may achieve. Some may claim this is overly manipulative or sentimental, but coupled with the characters movements and actions, it gives the characters such a strong, and very human, presence. You truly care for these kids, which is an astonishing achievement. The voice cast (original Japanese) contributes significantly here also.

      It is the tiny moments which give this film so much power and emotional depth - from subtle expressions to brief scenes showing Seito playing with his sister at bath time, attempting, unsuccessfully, to cheer her up when she misses her mother. The painted backgrounds are works of art in themselves, just beautiful. And of course the scenes with the fireflies bring a touch of pure magic - a heightened innocent reality to contrast the horrific realities of the war.

      The greatest achievement of this film is that, apart from a couple of obviously sentimental scenes, such as Setsuko's sobbing or illness, it doesn't force any false emotion on the viewer. It really comes from your involvement with the characters. It's completely honest to it's own story and even cuts off scenes abruptly, which could potentially have been milked for cheap sentiment. It often seems to say - This is what happened, you don't need to see anymore. Another of it's strengths is that it really doesn't comment on the politics of the war in any way, just the effects on innocent people.

      This is an intensely moving film and a masterpiece of animation. If you aren't moved by these characters, you really need to check your pulse. 10/10
      8gavin6942

      Greatest War Film?

      A tragic film covering a young boy and his little sister's struggle to survive in Japan during World War II.

      Apparently people, including Roger Ebert, consider this one of the greatest -- or perhaps the greatest -- war film ever made. Now, that is interesting because it is a cartoon. You never expect that, and this might not be something you want to show kids. It is pretty bold, with wounded people, maggots, and anyone can die.

      Even more interesting is how it takes place from the point of view of a Japanese youth during World War II. He is not nationalistic, he is not anti-American, he is just a kid. And is that not the truth of war? No matter who is right or wrong, millions of kids become the victims.
      10Dark0

      Brutally honest and heartbreaking

      Being my first Anime review I thought I'd start off with my one of my favourite pieces of work from who else but Studio Ghibli. Ghibli have rarely produced anime that doesn't fall short of great but Graveyard is something different indeed.

      Set in the aftermath of World War II, Graveyard is focused on the lives of a caring brother and his young sister (Setsuko and Seita) and how they struggle against both the elements of wartime and a depreciating Japanese empire. The most striking thing about Graveyard is probably how real everything seems. The animation is very unconventional to the likes of say Spirited Away or Laputa but in a good way. The horror of war is beautifully realised through the animation, whether it be the American destruction being shown or the bleak outlook on peoples lives, namely the two main characters. Thankfully it earns every shred of emotion it conveys through these two sympathetic characters that only the coldest of hearts wouldn't warm up to.

      Avoiding any Hollywood sentimentality, it is often a bleak and depressing perspective depicted but all the more brutally powerful in the process. With my eyes welling up through the duration of the film, it occured to me just how well the Director understands what raw heartfelt emotion is and how to play the audiences heart strings. Nevertheless nothing is shown in a heavy handed approach, no empthasis is put on the Americans nor is there any special attention taken to the war details. If anything the citizens of Japan are shown in the coldest light often giving little help to the plight of others, but demonstrating furthermore what desperate situation everyone is in.

      Takahata instead decides to focus on the plight of it's title characters against the background of war. With the empire of Japan in crisis and food shortages everywhere it is heart breaking to see a brother struggle to meet ends meet for his sister. Due to the approach taken it borders on being horrifying but fortunately the tone is changed with the spirit put into Setsuko's character. Much like 'The Pianist' the issue is not the war but the struggle and will to survive in it. This is clearly displayed in a plot that revolves around the downward spiral Setsuko trying to feed himself and more importantly the younger and more vulnerable sister Seita. The animation though detailed and indeed beautiful in some sequences (namely relating to the title), is not by any means flashy but captures emotions and interactions between the characters perfectly. It's the perfect mixture of such animation, realistic and highly likeable characters that makes the whole film one tearful experience. Dealing with such difficult issues it's very hard to imagine this being a film and if it was I don't think it would of been done as well.

      Part of the brilliance also comes from symbology and the association to many different worlds in such a understanding depiction. The child, Seita, is nothing short of perfection in child like behaviour happily oblivious to the desperate situation, amusing herself with simplicity and the quirks of nature and the outdoors. The older brother Setsuko who must carry the burdon of everything is also perfectly portrayed and to watch there decent is painful to say the least. To struggle is one thing but to have shock, shattered dreams and be depended on is something anyone can empthasise with.

      There may be some people who will shy away from Anime, disregarding it as a mere cartoon. To those people and everyone else I recommend Graveyard as the tonic, which can be appreciated by anyone with a heart and soul. Among the finest pieces of Anime created and one of the most touching war films ever made.

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      • Wissenswertes
        This film was initially distributed with Mein Nachbar Totoro (1988) because it was the only way that Miyazaki could have been able to make "Totoro." The reason being that the original film pitch for that film was rejected, so they pitched a double feature with "Grave of the Fireflies," and the project was eventually backed financially by the original writer of the book on which "Grave" is based. It often was overlooked as a film because whenever "Totoro" was screened first, people were left happy and did not wish to be saddened by "Grave" afterward.
      • Patzer
        Right at the beginning, someone places what looks like a rice ball loosely wrapped in some tree bark as a protective cover next to the boy known as Seita. The scene cuts to Seita's face and soon after he collapses, the wrapped rice ball is nowhere to be seen.
      • Zitate

        [first lines]

        Seita: September 21, 1945... that was the night I died.

      • Verbindungen
        Featured in Siskel & Ebert & the Movies: True Crime/Ravenous/The King and I/Forces of Nature/The Harmonists (1999)
      • Soundtracks
        Home Sweet Home
        Written by H.R. Bishop (uncredited)

        Performed by Amelita Galli-Curci

        Courtesy of RCA Victor Red Seal, a division of BMG Classics

      Top-Auswahl

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      FAQ

      • How long is Grave of the Fireflies?
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      Details

      Ändern
      • Erscheinungsdatum
        • 16. April 1988 (Japan)
      • Herkunftsland
        • Japan
      • Sprache
        • Japanisch
      • Auch bekannt als
        • La tumba de las luciérnagas
      • Produktionsfirmen
        • Shinchosha
        • Studio Ghibli
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Box Office

      Ändern
      • Budget
        • 3.700.000 $ (geschätzt)
      • Bruttoertrag in den USA und Kanada
        • 516.962 $
      • Eröffnungswochenende in den USA und in Kanada
        • 158.101 $
        • 12. Aug. 2018
      • Weltweiter Bruttoertrag
        • 842.132 $
      Weitere Informationen zur Box Office finden Sie auf IMDbPro.

      Technische Daten

      Ändern
      • Laufzeit
        1 Stunde 28 Minuten
      • Farbe
        • Color
      • Sound-Mix
        • Dolby Stereo
      • Seitenverhältnis
        • 1.85 : 1

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