Die letzten Glühwürmchen

I decided to watch Grave of the Fireflies yesterday. My friends told me it was extremely moving and sad. I hesitated at first, but then I said "Oh well, I'll give it a try." At the end of the film, I was crying my eyes out. This was the best animated film, I've ever seen.This is a moving depiction of the fates of cast-off children who become casualties of war.

This movie isn't your regular Animated Film. Pixar and Disney put films out there with happy endings. I'm not saying there bad films at all. They are also great pieces of work. But Grave of the Fireflies tells you the truth. This movie isn't trying to entertain you. It wants to inform you about how war is really like. There were many moments in the movie, that just brought me to tears.

I am kind of upset, that this movie didn't get many awards as it should. In that regards, it is VERY underrated and it is kind of thrown apart. When it should really be respected and praise it. If this movie was made in our time period right now. I would be 100% sure this would of Won an Oscar for Best Animated Film. This is Studio Ghilbi's best movie they have ever released.

I truly advice you to bring a handkerchief, cause chances are that you will cry.

An Emotional Epic Animated Film, that I recommend everyone to watch.

Quite Simply 10/10

This film is utterly emotionally draining whilst being rewarding at the same time.

The animation is both realistic and stylized but that's not the point, the main focus of this film is the character development of the brother and sister protagonists. Their relationship is nothing short of beautiful and touching.

And without spoiling anything I have to say that this film touched me in a way no other film has ever touched me in my adult life. One or two films have upset me and reduced me to watery eyes but Grave of the Fireflies had me in fits of sobbing despair. I was a mess! I'm talking total emotional breakdown. Couldn't talk without sobbing! One of the best films I have EVER seen, animated or not.

A tragic film covering a young boy and his little sister's struggle to survive in Japan during World War II.

Apparently people, including Roger Ebert, consider this one of the greatest -- or perhaps the greatest -- war film ever made. Now, that is interesting because it is a cartoon. You never expect that, and this might not be something you want to show kids. It is pretty bold, with wounded people, maggots, and anyone can die.

Even more interesting is how it takes place from the point of view of a Japanese youth during World War II. He is not nationalistic, he is not anti-American, he is just a kid. And is that not the truth of war? No matter who is right or wrong, millions of kids become the victims.

I had the fortune of being able to see Hotaru no Haka on the big-screen in Seattle a couple of years ago. It was truly the high-point of my film festival excursions. At the end of the movie, there was silence, absolute and total silence in the theater - and then, only an occasional sniffle until the end credits had finished rolling and the house lights came up. It would've seemed almost disrespectful to profane the silence with words.

Seeing a movie like this really changes attitudes about war - about who really suffers, and that the honor and glory is shallow comfort when you contemplate what has been lost in the struggle.

I've made the comment to my friends that if you ever see someone who isn't moved (usually to tears) by this movie, you've found someone without a soul. As difficult as it is to watch, turn off the phone, dim the lights, and immerse yourself in the film with ones you love - you will be a better person for it in the end.

There are many other reviews of this movie, and most of them are probably far more comprehensive than my own - I'll conclude by saying that this movie should required viewing at some point (as should the peace museums at Hiroshima and Nagasaki) for everyone.

When you see war and conflict in the news or read about it in the paper, think back to this movie - your perspective will probably be broadened, and your eyes opened a bit more.

I've only watched this movie about 4 times - it usually takes a year or so to "decompress" after watching it. To see it too often would lessen the impact, and that would be the worst possible thing to do to this movie.

This film proves without any doubt that animation isn't just suited to tales of fantasy, sci-fi or cartoon comedy and violence. This absolutely heartbreaking Japanese anime tells the story of a young boy, Seito and his younger sister, Setsuko, as they attempt to survive the American bombings on Japan in the last year of World War II.

The story itself, based on a true story, is powerful enough but the decision to animate the film truly elevates this film to a higher level. This would have been a powerful enough live action drama, along the lines of Spielberg's Empire of the Sun or even Schindler's List. However, the Studio Ghibli team, have brought an extraordinary amount of life to all the characters, but especially the young siblings. Now we're not talking realism as such here - the characters are in no way photo-realistic, they do have the usual characteristics of Japanese anime humans, large eyes and exaggerated expressions. What this achieves however is a heightened level of subtle nuances in expression which are arguably more powerful and provocative than anything a real-life actor may achieve. Some may claim this is overly manipulative or sentimental, but coupled with the characters movements and actions, it gives the characters such a strong, and very human, presence. You truly care for these kids, which is an astonishing achievement. The voice cast (original Japanese) contributes significantly here also.

It is the tiny moments which give this film so much power and emotional depth - from subtle expressions to brief scenes showing Seito playing with his sister at bath time, attempting, unsuccessfully, to cheer her up when she misses her mother. The painted backgrounds are works of art in themselves, just beautiful. And of course the scenes with the fireflies bring a touch of pure magic - a heightened innocent reality to contrast the horrific realities of the war.

The greatest achievement of this film is that, apart from a couple of obviously sentimental scenes, such as Setsuko's sobbing or illness, it doesn't force any false emotion on the viewer. It really comes from your involvement with the characters. It's completely honest to it's own story and even cuts off scenes abruptly, which could potentially have been milked for cheap sentiment. It often seems to say - This is what happened, you don't need to see anymore. Another of it's strengths is that it really doesn't comment on the politics of the war in any way, just the effects on innocent people.

This is an intensely moving film and a masterpiece of animation. If you aren't moved by these characters, you really need to check your pulse. 10/10