Gorod Zero

I haven't seen this movie on DVD and that's a pity. For those, who are Lynch fans, this will be a pleasant surprise. I watched the movie years ago and I found it brilliant - great script, interesting story, crazy city, and the scene in the restaurant is something to remember... I think this is the best film of this director, though I haven't seen many. It's a surreal story of a man, trapped in an non existing city, surrounded by its habitants, who linger between memories and reality, death and vegetation. As time passes he realizes, that there is no use to fight the city, there is no escape from its hug. I recommend the movie strongly.

I was quite surprised to see this another masterpiece from Karen Shahnazarov. This is real fantasy with the good presence of mystics and social criticism. The main character is an ordinary engineer who comes to an obscure town to fix some business questions. But instead of it he faces very gloomy and weird freedom there. The real hymn of irrationality and rock music. This film looks more like a nightmare dream of a narrow-minded person who comes to some other reality and succeeds to go away in the end. One can see some nudity, psycho- violence and questioning here, but the meaning lies beyond the moral standards of that time in in the USSR.

I saw this film while living in Moscow in the late 80s/early 90s and it truly summarizes a lot of the bizarreness of day-to-day Soviet life. The engineer visits this small provincial town where nothing is normal and he encounters all sorts of weird people. It's a very absurd story, but if you understand the way the old USSR worked, it makes a strange sort of sense.

Sadly I'm not a big fan of surrealist films. Zerograd (or City Zero) is a film that feels like it takes place in a strange unnatural world. It has some grounding in the fact that the main character seems to recognize how everything is strange, so he's going on this journey with us, but the lack of any cohesive story structure was more than I could bear. I do recognize that there is a purpose underlying all of this, because Zerograd was made at a particular time in Russian history when things were changing dramatically, and the filmmakers were trying to make a point about the strange new world they were experiencing. However, since I don't have a strong connection to that time and place in history, the film felt like nonsense. Not only did it feel strange, but it also had a somewhat frustrating storyline because the protagonist was being mistreated and forced into an unfair position. By the end, without spoiling anything, I was more annoyed than ever and it left me feeling hopeless. I'm confident that, for those who might have lived through these events or those who are interested in exploring the history of Post-Soviet Russia, Zerograd could be an interesting film to explore and analyze. For me, however, it was merely an oddity that meant very little. While there are strange and humorous moments that I'll never forget, that didn't make for a story that engaged me in any fashion.

Gorod Zero = Zerograd = City Zero opens with engineer Alexei Varakin (from the Moscow Engineering Works) arriving by train at a small provincial town. It is the dawn of a rainy, depressing day; the station is deserted and no other passenger alights. The only other things that move are a dog that sniffs Varakin's suitcase and the only taxi in town looking for a fare.

After checking in a seedy hotel Varakin waits until morning and walks to his destination, a factory that supplies air conditioners to his company. At the checkpoint nobody knows about his visit and there is no pass to enter the factory. After a strained telephone conversation he reaches the offices and introduces himself to the manager, who has no idea of the reason for Varakin's visit. Puzzled, the manager calls the chief engineer and is informed that he died months ago, plainly without the manager noticing,

Obviously the initial scenes evoke Kafka, K. Arriving at (the vicinity of) The Castle and there are other whiffs of Kafka such as The Process in the second half but this movie is something else. In the rest of the film Varakin is the protagonist of a series of happenings, each absurd in itself (such as a secretary working stark naked) but having a certain crazy internal logic and connecting to each other with the twisted logic of dreams. In one, episode he happens upon a museum absurdly placed in an inaccessible spot in the countryside and built in an abandoned mine shaft. He is the only visitor and is given a tour by the museum curator. Varakin is informed that the origins of the town connect with errant Trojans and with a subsequent occupation by Roman legions. Another treasury of the museum: Attila's bed, where he raped some queen or other. There are dioramas everywhere illustrating distorted history, and the wax figures seem to be live people; some of the dioramas are accompanied by gaudy music and kitschy light shows. Varakin is frustrated at every episode; he is prevented from returning to his family in Moscow and ii accused of transgressions of which he knows nothing.

Some of the Soviet reality of the time is imbedded in the dream; the absurd logic of a decaying and malfunctioning political system, the inert and unmovable bureaucracy, the repression of popular trends and music (rock-and-roll). The overall effect is that of a stress dream built out of a distorted reality where the dreamer is thrust in situations he doesn't understand or knows how to get out of.

By all means watch this movie. It has not reached the commercial streaming services but you can find a pristine copy with subtitles in You Tube, courtesy of distributor Mosfilm.