Dream Demon - Traumdämon

An interesting but old idea for a film is unfortunately a mixed bag. The director didn't know how to stage the scenes and the acting. The two leading ladies are certainly capable of better performances. This needs a better director with more expertise and a better written script. There are many good and spooky scenes in the film but they are interspersed with poor scenes and reactions that are clearly uncertain. Half of the movie is suspenseful but the other half lollygags due to dark humor and poor direction. As it is, the film might be improved with more crisp editing. There are too many things seen that make no sense or are old tired cliches. You are left with many questions about what you have seen at the end.

Diana, engaged to military hero Lieutenant Oliver, is plagued by nightmares - mostly horrible visions of Oliver abusing her. With Oliver being a local hero, Diana is being harassed by reporters Russell and Paul, enquiring not just about their wedding plans, but also intimate details.

Jenny Hoffman, who just arrived in London, comes to Diana's rescue when she fights off the reporters. As the two women become acquainted, Jenny tells Diana she believes she once lived in Diana's apartment, but can't remember. She also only recently discovered she was adopted, with very little memory of her real parents.

Diana's dreams intensifies until they eventually turn life-threatening. Diana unintentionally pulls Jenny into her dreams, endangering her life also. Wait, is this premise starting to sound all too familiar? Let's just say, if the character of Russell was replaced with Freddy Krueger, this would have been a worthy installment in the 'Nightmare on Elm Street' franchise. 'A Nightmare on Elm Street 7: Dream Demon'. Yup, definitely has a ring to it!

Just like the Elm Street movies, 'Dream Demon' is atmospheric and the transition from real life to the nightmare world is equally effective, and spooky. The film boasts very good effects, and the lighting effects are also brilliantly well done. The film looks so good with such a modern feel to it that its hard to believe this movie was made nearly four decades ago!

'Dream Demon' felt like a combination of 'A Nightmare on Elm Street', 'Poltergeist', and 'Hellraiser 2: Hellbound', yet at the same time it felt original. I also rather enjoyed Jenny's back story, and how well her story compliments Diana's story, resulting in them finding themselves in very similar situations, with both fighting for answers. Very clever indeed.

"Dream Demon" follows Diana, a Londoner about to be married to a prominent man, who is suffering from disturbing nightmares after having moved in to her new house. She soon meets Jenny, a tourist from Los Angeles who claims Diana's new home was her biological parents' last address; she has no memories of her parents or her early years spent there, but feels drawn to them. Diana's powerful and terrifying dreams begin to impact reality, and the two women begin to delve into the home's history and Jenny's connection to it.

A relatively unknown British-set offering by American director Harley Cokeliss, "Dream Demon" is in the same league as a number of over-the-top supernatural horror films from the late 1980s, such as "Night of the Demons," "Mirror, Mirror," and "Witchboard" (the latter of which Kathleen Wilhoite, portraying Jenny here, also appeared in). The distinction with "Dream Demon" is that the film has a particularly English bent to it that borders on gothic at times.

Another distinguishing element here, and perhaps the film's most interesting feature, is that it toys with narrative quite cleverly as Diana's grasp on reality begins to tunnel in on itself, to the point that she (and eventually Jenny) cannot discern waking life from Diana's lethal slumber. There are elements redolent of "A Nightmare on Elm Street" in this case--Diana's dreams begin to impact her physical environment, endangering those around her (including a pair of crude journalists harassing her). Though not the most original idea, it is orchestrated nicely here, and keeps the viewer on their toes as the two characters venture through a topsy-turvy world.

Jemma Redgrave turns in a solid and understated performance here as the tormented Diana, and Kathleen Wilhoite offers a spunky performance as the mouthy California punkster who joins her. Things start to coalesce in the final act of the film, and the fragments from Diana's dreams begin to paint a picture of why the two women have been united in the first place. Though not really a twist per se, the revelation feels appropriate and I left the film satisfied despite a few loose ends.

Overall, "Dream Demon" is worth a viewing for fans of late '80s supernatural films, as it features a similar aesthetic and premise to its peers. The English bent adds a distinct flavor, while the screenplay is clever, if not entirely perfect. Recommended for genre fans. 8/10.

I was very pleased when I saw this film. I rented it thinking it would be a cheesy, unlikable horror film, but it is a lot better than that. I'd say it is a gem in its own right.

Made in 1988 but not released on video until 1993, Dream Demon is about an English bride-to-be who begins to have terrible, horrifying dreams. Not sure why she is experiencing them, and not able to find help from those close to her, she confides her trouble to an American woman (played by Kathleen Wilhoite, who is a very underrated actress) visiting London, who seems to be connected to the dreams in some way. It is then that the dreams turn more serious, as anyone unfortunate enough to be around the bride-to-be when she falls asleep can be pulled into the dream itself!

From the opening scene (I was caught by surprise there, a rarity for me) this movie grasps you. It is a clear and rare case of a movie that could have been done extremely poorly done very well thanks to fine performances by the two female leads and a director who knew what to do when others would flop. It isn't an edge-of-your-seat horror film, but it is freaky and well-done; worth checking out. Zanatos's score: 7 out of 10.

British Working-Man Film-Maker Harley Cokeliss has a Frenzied Touch for Glossy Visuals.

But has a Tendency Here to Beat-the-Drum One Too Many Times Echoing the Samo-Samo Reveals Over and Over.

You Will Lose Count of the Number of Times Doors are Opened and the Fake Surprise of the 2 Heroines Enter the Identical Maze of Rooms, Stairs, and Mirrors Again and Again.

By the End it is an Irritant Prolonging the Movies End and is Just Puzzling in its Insecurity that the Audience Needs More and More Repeated Information or Another Similar Trope.

The Girls (Jemma Redgrave and Kathleen Wilhoit) are Fine but the "Comedy Relief" of (Jimmy Nail and Timothy Spall) again Outstay Their Welcome Going Over the Same Ground and Makes You Want it to STOP!... End the Damn Thing Already.

The Scare Resonate the First Time, as Does Yucky Vomit Wearing Timothy Spall the 1st Time He Shovels Food in His Mouth, but Wears the Upchuck Suit Way too Long and the "Humor" Beaten to Death's Door Until YOU may Do Your Own Purging.

Despite Returning to the Same Gags and the Same Mystery...it's Still...

Worth a Watch

Note...For the Fans who insist on claiming a "Nightmare On Elm Street" (1984) Rip-Off...let's be kind for all the effort and call it a "Homage".