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Alles nur Theater

Originaltitel: A Chorus of Disapproval
  • 1989
  • 12
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
5,5/10
993
IHRE BEWERTUNG
Anthony Hopkins, Jeremy Irons, Patsy Kensit, Richard Briers, Barbara Ferris, Gareth Hunt, Lionel Jeffries, Pete Lee-Wilson, and Alexandra Pigg in Alles nur Theater (1989)
A Chorus Of Disapproval: What Does It Stand For?
clip wiedergeben3:37
A Chorus Of Disapproval: What Does It Stand For? ansehen
1 Video
19 Fotos
ComedyDramaMusical

Füge eine Handlung in deiner Sprache hinzuWidower Guy is transferred to an English coastal town, where he joins an amateur operatic society to "meet people" and "have fun".Widower Guy is transferred to an English coastal town, where he joins an amateur operatic society to "meet people" and "have fun".Widower Guy is transferred to an English coastal town, where he joins an amateur operatic society to "meet people" and "have fun".

  • Regie
    • Michael Winner
  • Drehbuch
    • Alan Ayckbourn
    • Michael Winner
  • Hauptbesetzung
    • Jeremy Irons
    • Anthony Hopkins
    • Richard Briers
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    993
    IHRE BEWERTUNG
    • Regie
      • Michael Winner
    • Drehbuch
      • Alan Ayckbourn
      • Michael Winner
    • Hauptbesetzung
      • Jeremy Irons
      • Anthony Hopkins
      • Richard Briers
    • 20Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    A Chorus Of Disapproval: What Does It Stand For?
    Clip 3:37
    A Chorus Of Disapproval: What Does It Stand For?

    Fotos18

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    + 12
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    Topbesetzung18

    Ändern
    Jeremy Irons
    Jeremy Irons
    • Guy Jones
    Anthony Hopkins
    Anthony Hopkins
    • Dafydd Ap Llewellyn
    Richard Briers
    Richard Briers
    • Ted Washbrook
    Barbara Ferris
    Barbara Ferris
    • Enid Washbrook
    Gareth Hunt
    Gareth Hunt
    • Ian Hubbard
    Lionel Jeffries
    Lionel Jeffries
    • Jarvis Huntley-Pike
    Patsy Kensit
    Patsy Kensit
    • Linda Washbrook
    Alexandra Pigg
    Alexandra Pigg
    • Bridget Baines
    Prunella Scales
    Prunella Scales
    • Hannah Ap Llewellyn
    Jenny Seagrove
    Jenny Seagrove
    • Fay Hubbard
    Sylvia Syms
    Sylvia Syms
    • Rebecca Huntley-Pike
    Pete Lee-Wilson
    Pete Lee-Wilson
    • Crispin Usher
    David King
    • Mr. Ames
    Audrey Trotter
    • Mrs. Bawden
    Dinah May
    Dinah May
    • Girl at Work
    Amanda Mainard
    • Woman in Theatre
    Anne Priestley
    • Hilda Shaw
    Steve Caswell
    • In the audience
    • (Nicht genannt)
    • Regie
      • Michael Winner
    • Drehbuch
      • Alan Ayckbourn
      • Michael Winner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen20

    5,5993
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    Empfohlene Bewertungen

    7Maverick1962

    Underrated Michael Winner movie

    I never had the Alan Ayckbourn play to prejudice me while watching this delightful Michael Winner picture. I have seen some terrible reviews but felt I wanted to give an unbiased opinion for anyone thinking of watching this. Indeed, Alan Ayckbourn even collaborated on the screenplay with Winner so perhaps he felt it needed a different viewpoint as a movie, rather than as a play, who knows. Regardless of that, I just watched it as a movie and was surprisingly entertained. Jeremy Irons play Guy, recovering from the death of his wife, joins an amateur dramatic society headed by a bull of man, played with extraordinary gusto by Anthony Hopkins, a terrific performance, completed not long before he embarked on Silence of The Lambs, so he was at the top of his game. Irons is rather naïve and gets involved with rather seductive female members of the cast, at first, rather bewildered but then throwing himself in with enthusiasm. Prunella Scales gives a lovely, heartfelt performance as the frustrated wife of Anthony Hopkins who almost immediately falls in love with the tall handsome Irons. Jenny Seagrove is another seductress, although her motives are something more to do with a land deal that Irons is supposed to be able to secure for her and her husband (Gareth Hunt). Having a smattering of operetta knowledge will help the viewer as the cast are performing "The Beggar's Opera" with cast members constantly dropping out only to eventually hand the lead of Macheath to the inexperienced Irons. There is broad farce and pathos in Winner's direction which I really enjoyed and although Jeremy Irons is a bit bland it's made up for with Hopkin's blistering performance. Nice to see Sylvia Syms, another favourite of mine, in her middle years, still beautiful and still underrated, as is this movie.
    10beptep

    Great Send-up of Amateur Theatricals

    I am surprised that other reviews for this film are negative. If anyone has ever participated in an amateur operatic society then they know that this movie is bang on. Perhaps it is an in-joke, but for us in the know it is hysterical. Most surprising is Anthony Hopkins revealing a remarkable gift fo comedy. His performance alone is worth seeing this. Jeremy Irons is perfectly cast as the stranger who wanders into these "strange doings", and the supporting cast (including the wonderful Lionel Jeffries)are superb. In short, this is one my all-time favorite comedies, and a "must-see" for anyone who has trod the boards with amateurs. I would think anyone would find it amusing, but apparently some of the other critics are quite clueless when it comes to this film. It's not available for purchase, but don't miss it if you find in on TV or in a rental store--especially if you have done an amaatuer musical or are a Hopkins fan. I give it a 10.
    10dereal

    Everything that's good and bad about England

    Saw this, rather incongruously, with Spanish subtitles in a hotel in deepest, darkest Mexico... and made me feel a little homesick with its warm but too-close-to-the-bone portrayal of provincial English life. Lost dreams and opportunities, and eating chips in your car, staring at the gloomy sea and drizzle. Beautiful.
    9newatt-2

    Local dramatics echo on-stage dramatics.

    Most brilliant about the script is that "The Beggar's Opera" is being staged and as Jeremy Iron's character progresses through the narrative, many of his experiences mimic MacHeath's -- a phenomenon underlined by the score. So, familiarity with the source material makes for a brilliant movie. It might appear very light without that familiarity - also the twisted ending requires some knowledge of another stock theatre piece. Anthony Hopkins, Jeremy Irons and Prunella Scales are utterly thorough - This is the first movie I ever bought, back in the dark pre-internet days when it had to be seriously hunted for. Sound quality is a bit poor and Anthony Hopkins' Welsh accent is a bit thick for those of us who rarely hear one.
    chaucer-1

    Hidden Treasure

    Why this movie never got much attention has always been a bit of a mystery to me. Funny, sad and (as another commentator mentioned)absolutely veracious when it comes to the world of of amateur theatricals. Brilliantly written by Alan Ayckbourn, superbly cast and performed this film drew upon the cream of the British acting profession, and it shows. Why on earth Hollywood waited until the superficial Hannibal Lecter to award Anthony Hopkins an Oscar when it had his outstanding performance in Chorus of Disapproval is another of life's mysteries. I never get tired of watching it. For the commentator from Olive NJ who bucketed the film, he/she should be aware that the film is set in Yorkshire not Wales - different country.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Final theatrical movie of Lionel Jeffries (Jarvis Huntley-Pike).
    • Patzer
      When Guy Jones first arrives in Scarborough and goes to his lodgings in New Steps, off Foreshore Road, he looks out of the window to admire the view of the sea and the bay. This is followed by a shot which is apparently his point of view, but it is from a point about half a mile away near the south end of Cliff Bridge.
    • Zitate

      Dafydd Ap Llewellyn: Ian's just told me. About you and Hannah. You bastard. I just want you to know I think you're a total and utter bastard and that one of these days I hope you'll get what's coming to you.

      [pause]

      Dafydd Ap Llewellyn: Having said that, best of luck with the show tonight and I hope it goes really well for you.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Casualties of War/Rude Awakening/Uncle Buck/The Abyss/A Chorus of Disapproval (1989)
    • Soundtracks
      The Merry Widow
      Music by Franz Lehár

      English lyrics by Christopher Hassall

      By Arrangement with Glocken Verlag, Ltd.

    Top-Auswahl

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 21. November 1991 (Deutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • A Chorus of Disapproval
    • Drehorte
      • 6 New Steps, off Foreshore Road, Scarborough, North Yorkshire, England, Vereinigtes Königreich(Guy Jones' lodgings)
    • Produktionsfirmen
      • Curzon Films
      • Palisades Entertainment Group
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 216.373 $
    • Weltweiter Bruttoertrag
      • 216.373 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 45 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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    Anthony Hopkins, Jeremy Irons, Patsy Kensit, Richard Briers, Barbara Ferris, Gareth Hunt, Lionel Jeffries, Pete Lee-Wilson, and Alexandra Pigg in Alles nur Theater (1989)
    Oberste Lücke
    By what name was Alles nur Theater (1989) officially released in Canada in English?
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