IMDb-BEWERTUNG
6,4/10
7618
IHRE BEWERTUNG
Eine FBI-Agentin, die sich als Mähdrescherfahrerin ausgibt, hat eine Liebesbeziehung mit einem Farmer aus dem Mittleren Westen, der ein Doppelleben als weißer Rassist führt.Eine FBI-Agentin, die sich als Mähdrescherfahrerin ausgibt, hat eine Liebesbeziehung mit einem Farmer aus dem Mittleren Westen, der ein Doppelleben als weißer Rassist führt.Eine FBI-Agentin, die sich als Mähdrescherfahrerin ausgibt, hat eine Liebesbeziehung mit einem Farmer aus dem Mittleren Westen, der ein Doppelleben als weißer Rassist führt.
Empfohlene Bewertungen
I found this movie to be effective as both fiction and non-fiction. Debra Winger and Tom Berenger both give first rate performances. This movie reveals how racism is passed down from one generation to the next. The passage, "the sins of the father are visited on the son" seem particularly relevant. I was surprised that it did not receive a higher user rating. Eventhough I saw it years ago, it remains in my memory as a very powerful and important movie.
A thought-provoking and intelligent film dealing with brooding and thoughtful issues . This exciting political movie revolves around a woman (Debra Winger) who begins working on a farm to discover a prime suspect , and gets to know the clean-living , good-looking owner (Tom Berenguer) . They get on well , and she also gets on with his children . He asks her to stay on when her job is ended . As the relation progresses , she must struggle to remain objective , but things go wrong . As she becomes romantically involved with a Midwest farmer , taking place a moral dilemma , as things are not what they seem , as he lives a double life as a white supremacist and she lives with a man who detests , fears but also loves .
A notable and rabid political thriller that begins with the Chicago killing of a controversial radio talk-show host by right wing extremists , relying for tension and suspense on a handful of attractive set pieces . This is an intriguing and attractive drama in which an undercover agent pretends to be an ordinary woman , simulating a masquerade in order to investigate a criminal case , only to find surprising revelation , entailing a backlash of grief , tension , pressure and violent deeds . However , relying heavily for the complicated loving relationship and on a handful of charming dramatic pieces , while offering an important analysis of various problems as bigotry , racism , anti-Semitism and violence . Nice performance from Debra Winger as an obstinate agent who eventually falls in love resulting in fateful consequences and adequate acting by Tom Berenguer as a handsome farmer , a widowed who results to be a killer racist . Most of the other interpretations are excellent , such as : John Heard, Betsy Blair, John Mahoney , Ted Levine , Jeffrey DeMunn , Albert Hall , Richard Libertini , and David Clennon.
It contains an evocative and moving musical score by Bill Conti , though composed by means of synthesizer. As well as atmospheric and appropriate cinematography by Patrick Blossier , being shot on location in Chicago, Illinois, Carmangay, Calgary , Bragg Creek, Alberta, Canada. The motion picture was compellingly directed by Constantin Costa Gavras . He is a veteran filmmaker with a long career, nowadays, he's directing still , including several provoking, political and engaging movies , such as : ¨Z¨ , ¨State of siege¨, ¨The confession¨, ¨The sleeping car murders¨, ¨Missing¨,¨Hanna K¨ , ¨Conseil de Familie¨ , ¨Betrayed¨,¨Mad city¨, ¨Amen¨ , ¨The axe¨ , ¨Le Capital¨ , ¨Mad city¨ , Arcadia¨, among others. Rating 6.5/10 . Above average . Admirers of Costa Gravas 's directorial work and political stances will want to see how the filmmaker realized this acceptable film . Essential and indispensable seeing . Well worth watching.
A notable and rabid political thriller that begins with the Chicago killing of a controversial radio talk-show host by right wing extremists , relying for tension and suspense on a handful of attractive set pieces . This is an intriguing and attractive drama in which an undercover agent pretends to be an ordinary woman , simulating a masquerade in order to investigate a criminal case , only to find surprising revelation , entailing a backlash of grief , tension , pressure and violent deeds . However , relying heavily for the complicated loving relationship and on a handful of charming dramatic pieces , while offering an important analysis of various problems as bigotry , racism , anti-Semitism and violence . Nice performance from Debra Winger as an obstinate agent who eventually falls in love resulting in fateful consequences and adequate acting by Tom Berenguer as a handsome farmer , a widowed who results to be a killer racist . Most of the other interpretations are excellent , such as : John Heard, Betsy Blair, John Mahoney , Ted Levine , Jeffrey DeMunn , Albert Hall , Richard Libertini , and David Clennon.
It contains an evocative and moving musical score by Bill Conti , though composed by means of synthesizer. As well as atmospheric and appropriate cinematography by Patrick Blossier , being shot on location in Chicago, Illinois, Carmangay, Calgary , Bragg Creek, Alberta, Canada. The motion picture was compellingly directed by Constantin Costa Gavras . He is a veteran filmmaker with a long career, nowadays, he's directing still , including several provoking, political and engaging movies , such as : ¨Z¨ , ¨State of siege¨, ¨The confession¨, ¨The sleeping car murders¨, ¨Missing¨,¨Hanna K¨ , ¨Conseil de Familie¨ , ¨Betrayed¨,¨Mad city¨, ¨Amen¨ , ¨The axe¨ , ¨Le Capital¨ , ¨Mad city¨ , Arcadia¨, among others. Rating 6.5/10 . Above average . Admirers of Costa Gravas 's directorial work and political stances will want to see how the filmmaker realized this acceptable film . Essential and indispensable seeing . Well worth watching.
If you found American History X powerful, check this out. This movie walks the fine line between fiction and reality, in that it starts out with a portrayal of the murder of the Jewish talk show host in Denver, a real life event, by racist extremists. This is a movie that is especially relevant now , with the upsurge of white supremacist groups. The acting is good; the content is chilling and sobering.
This was one of those mythological films that I speak so highly of in other reviews. This was a gem hidden in the darkness. Looking at the cover, you would never guess that this would be such a powerhouse of a film, but let me be the first to say that it was.
Berenger and Winger are amazing in their roles. Winger giving the best performance that I have ever seen her do, while Berenger takes a character riddled with evil and makes him human. When I first began this film, I was expecting a very true Hollywood production. One that would be dark at first, but all of the sudden create this happy world at the end. This film did nothing close to that. What was amazing about this film was that it let the audience make it's own decisions. Not much was handed to you on a silver platter.
Upon the first ten minutes of this film, you would probably assume that it was a love story. It is anything BUT a love story. It is a crime/thriller/drama film, and quite possibly one of the strongest that I have seen in some time. There are some scenes in this film that I couldn't believe I was watching. The sheer brilliance of the director left me wondering if this film was really made in 1988. The cinematography was outstanding. There is one scene that stands out the most in my mind. After Berenger tries to "put down" his dying horse, he can't pull himself to shoot a living creature, so he has his side-kick do it. After it is done, he runs out into the rain behind Berenger wrapped in a plastic tarp. The image here is of the devil riding close behind. It is so vivid and so beautifully done that you can't help to wonder what that may represent. There are a couple of scenes very similar to this as well.
Now, this isn't a film without some small flaws. The young girl was annoying. Perhaps I find young children in these types of films always to be annoying, but in this case it was especially bad. Also, there were some dopey scenes to this film. There were some parts that I felt I was the director of the film watching some bad lines happen between Berenger and Winger ... but it was only a couple.
Betrayed ends like an open-ended question. It tells you that justice has been served, but not eliminated. It does not paint a pretty picture of our society. Be prepared if you see this for some embarrassing, yet disturbing images of ethnic hatred in this film. Some scenes that you will not believe ever happens in our country, but in the back of your mind you know certain evils do exist. But then also be prepared to see John Mahoney (of Say Anything... fame) do his best work ever. The war took his son, the bank took his land, why shouldn't he fight in this battle of supremacy? Dark and impressive ... WOW, I am lucky to have found this one.
Grade: ***** out of *****
Berenger and Winger are amazing in their roles. Winger giving the best performance that I have ever seen her do, while Berenger takes a character riddled with evil and makes him human. When I first began this film, I was expecting a very true Hollywood production. One that would be dark at first, but all of the sudden create this happy world at the end. This film did nothing close to that. What was amazing about this film was that it let the audience make it's own decisions. Not much was handed to you on a silver platter.
Upon the first ten minutes of this film, you would probably assume that it was a love story. It is anything BUT a love story. It is a crime/thriller/drama film, and quite possibly one of the strongest that I have seen in some time. There are some scenes in this film that I couldn't believe I was watching. The sheer brilliance of the director left me wondering if this film was really made in 1988. The cinematography was outstanding. There is one scene that stands out the most in my mind. After Berenger tries to "put down" his dying horse, he can't pull himself to shoot a living creature, so he has his side-kick do it. After it is done, he runs out into the rain behind Berenger wrapped in a plastic tarp. The image here is of the devil riding close behind. It is so vivid and so beautifully done that you can't help to wonder what that may represent. There are a couple of scenes very similar to this as well.
Now, this isn't a film without some small flaws. The young girl was annoying. Perhaps I find young children in these types of films always to be annoying, but in this case it was especially bad. Also, there were some dopey scenes to this film. There were some parts that I felt I was the director of the film watching some bad lines happen between Berenger and Winger ... but it was only a couple.
Betrayed ends like an open-ended question. It tells you that justice has been served, but not eliminated. It does not paint a pretty picture of our society. Be prepared if you see this for some embarrassing, yet disturbing images of ethnic hatred in this film. Some scenes that you will not believe ever happens in our country, but in the back of your mind you know certain evils do exist. But then also be prepared to see John Mahoney (of Say Anything... fame) do his best work ever. The war took his son, the bank took his land, why shouldn't he fight in this battle of supremacy? Dark and impressive ... WOW, I am lucky to have found this one.
Grade: ***** out of *****
What do you get when you team up the director of MISSING and Z and the writer of SHOWGIRLS and FLASHDANCE? A political film where the FBI is portrayed as even less honorable than the Klansmen and neo-Nazis they're trying to fight, and the female lead (well played by Debra Winger) is a victim of both sides, valuable to the FBI only because of her sex appeal, and unable to trust anyone except her small stepdaughter. That said, BETRAYED is an interesting, very watchable and disturbingly credible movie with some powerful moments, and the cast (particularly Berenger, Winger and the juveniles) give excellent performances.
Wusstest du schon
- WissenswertesTom Berenger's favorite film of the ones he has been in.
- PatzerReversed footage: As the family arrives to the camp site, smoke falls downwards from the sky to the torches.
- Zitate
Gary Simmons: [after the murder of a black man] Come on, Katie. Come on now. Just a nigger. Don't make too much out of it. There's plenty more where he came from.
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Details
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.816.139 $
- Eröffnungswochenende in den USA und in Kanada
- 5.534.787 $
- 28. Aug. 1988
- Weltweiter Bruttoertrag
- 25.816.139 $
- Laufzeit
- 2 Std. 7 Min.(127 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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