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Big

  • 1988
  • 6
  • 1 Std. 44 Min.
IMDb-BEWERTUNG
7,3/10
252.206
IHRE BEWERTUNG
BELIEBTHEIT
1.709
1.122
Tom Hanks in Big (1988)
Official Trailer ansehen
trailer wiedergeben2:25
4 Videos
57 Fotos
Body Swap-KomödieErwachsenwerdenHigh-Concept-KomödieDramaFantasieKomödieRomanze

Nachdem er sich gewünscht hatte, groß gemacht zu werden, wacht ein Teenager am nächsten Morgen auf, um sich auf mysteriöse Weise im Körper eines Erwachsenen wiederzufinden.Nachdem er sich gewünscht hatte, groß gemacht zu werden, wacht ein Teenager am nächsten Morgen auf, um sich auf mysteriöse Weise im Körper eines Erwachsenen wiederzufinden.Nachdem er sich gewünscht hatte, groß gemacht zu werden, wacht ein Teenager am nächsten Morgen auf, um sich auf mysteriöse Weise im Körper eines Erwachsenen wiederzufinden.

  • Regie
    • Penny Marshall
  • Drehbuch
    • Gary Ross
    • Anne Spielberg
  • Hauptbesetzung
    • Tom Hanks
    • Elizabeth Perkins
    • Robert Loggia
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    252.206
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.709
    1.122
    • Regie
      • Penny Marshall
    • Drehbuch
      • Gary Ross
      • Anne Spielberg
    • Hauptbesetzung
      • Tom Hanks
      • Elizabeth Perkins
      • Robert Loggia
    • 303Benutzerrezensionen
    • 107Kritische Rezensionen
    • 73Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 11 Gewinne & 14 Nominierungen insgesamt

    Videos4

    Official Trailer
    Trailer 2:25
    Official Trailer
    Big
    Trailer 1:16
    Big
    Big
    Trailer 1:16
    Big
    'Big' 30th Anniversary Mashup
    Clip 1:01
    'Big' 30th Anniversary Mashup
    What Roles Has Tom Hanks Turned Down?
    Video 3:22
    What Roles Has Tom Hanks Turned Down?

    Fotos57

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 51
    Poster ansehen

    Topbesetzung67

    Ändern
    Tom Hanks
    Tom Hanks
    • Josh
    Elizabeth Perkins
    Elizabeth Perkins
    • Susan
    Robert Loggia
    Robert Loggia
    • MacMillan
    John Heard
    John Heard
    • Paul
    Jared Rushton
    Jared Rushton
    • Billy
    David Moscow
    David Moscow
    • Young Josh
    Jon Lovitz
    Jon Lovitz
    • Scotty Brennen
    Mercedes Ruehl
    Mercedes Ruehl
    • Mrs. Baskin
    Josh Clark
    Josh Clark
    • Mr. Baskin
    Kimberlee M. Davis
    • Cynthia Benson
    Oliver Block
    • Freddie Benson
    Erika Katz
    Erika Katz
    • Cynthia's Friend
    Allan Wasserman
    • Gym Teacher
    Mark Ballou
    Mark Ballou
    • Derek
    Gary Howard Klar
    Gary Howard Klar
    • Ticket Taker
    • (as Gary Klar)
    Alec Von Sommer
    • First Brother
    Chris Dowden
    • Second Brother
    Rockets Redglare
    Rockets Redglare
    • Motel Clerk
    • Regie
      • Penny Marshall
    • Drehbuch
      • Gary Ross
      • Anne Spielberg
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen303

    7,3252.2K
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    Empfohlene Bewertungen

    10toffeefan

    This movie captures the innocence of youth beautifully

    I saw this film again yesterday for what must now be the tenth or so time and it's a film that makes me stop whatever I'm doing and immerse myself in the unfolding story. Never mind the fact that I am by now familiar with the premise, which incidentally far exceeds similar ones of the genre released at this time - Vice Versa and 18 Again (the latter being truly dire).

    I think this is one of Hanks' finest hours and see it as the pinnacle of his early pre-90's career. His later performance in Philadelphia would eclipse this role, although this was obviously more serious in its message.

    It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.

    Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.

    I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.

    As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.
    bppihl

    A terrific comedy/fantasy and great early role for Tom Hanks

    Tom Hanks earned his first Oscar nomination in the late 1980s with the Penny Marshall comedy/fantasy "Big." I saw it for the first time when I was about 9, and have loved it ever since. I like how it is aimed at both the kid and adult in all of us!

    Young Josh Baskin (David Moscow) goes with his family to a carnival one evening, and sees the girl of his dreams. When he finally works up the nerve to talk to her, her date appears with her. Then, he does not meet the height requirement for the roller coaster ride he wants to go on. So, off he goes to a deserted part of the carnival to the "Zoltar" machine, a devil's head encased in glass, to "make his wish." He wishes he "were big." Suffice it to say, Josh wakes up the next morning to discover he is an adult (Tom Hanks). Mom (Mercedes Ruehl) thinks he kidnapped her son, and calls the police. Josh eventually convinces best friend Billy (Jared Rushton) that he (Josh) is his true 13-year-old self trapped in a man's body. They take off to New York, where Josh manages to get a job as a product tester for a large toy company. He befriends the boss (Robert Loggia), who likes Josh's understanding of the toys kids really like. However, Josh finds himself at odds with Paul (John Heard), vice president of marketing, who perceives Josh's simplistic views as an invasion of Paul's more experienced, competitive ways. Never fear, as successful co-worker Susan Lawerence (Elizabeth Perkins) finds comfort in Josh's views and company, and falls in love with him. But the more Josh experiences the privileges and responsibilities of adulthood, the more he longs for his youth again. Should he stay with Susan or find the Zoltar machine and wish to be a kid again?

    An impressive film about growing up and making wishes. When you're a kid, you can't wait to grow up. But when you're an adult, you have to make sacrifices and accept responsibility, ideal and not-so-ideal. Also, be careful what you wish for, as you might get it! A Broadway musical version of "Big" opened in the mid-1990s. The piano dancing sequence is its trademark. I had the privilege to play the role of Paul (the John Heard character) in a summer musical production, and loved it! I highly recommend both the film and the musical!
    9PredragReviews

    The best Elizabeth Perkins performance from the 80's!

    "Big" instantly became one of my favorite films. 20 years later, I can still say the same thing. This film not only "holds up" well, it is still a timeless classic. Hanks & Perkins give outstanding performances; instead of "playing" a 12 year old, Hanks actually becomes one. His innocence is totally believable. Perkins plays the part of the ambitious Susan to perfection, and she is the perfect love interest for Hanks. Talk about chemistry here! The acting was great and the entire cast did an superb job. The movie is definitely a feel-good piece, but it's more than just fluff. If you think about some of the messages, it's telling us just to take things at face value and enjoy life. Josh succeeds because he has no ulterior motives. We are regularly reminded about the importance of friendship, and how events in our lives can sometimes threaten our relationships with established friends when we find something or someone new that we think deserves our full attention. Of course, a good friend will forgive you for such indulgences.

    Overall, the movie deserves more stars for it's clever laughs, amazing acting, magnitude of imagination and nostalgia. Nonetheless, when the ending came along, I was left in shock wondering what just happened. Is that it? What happens next? There has to be additional footage. It cannot end like this. It called for a sequel perhaps, but I don't know if it ever came out. If you never watched this movie and would like to experience 80's nostalgia, it is highly recommended! My Ratings: 9 out of 10.
    arkadin-1

    The Child in You.

    What we're talking about is a wonderful fantasy comedy about the child, who sleeps in everyone's soul and waits to get free. Superbly written scenes follow each other, not to mention Tom Hanks' performance, which should have been awarded. He seems to me the only contemporary actor, who was able to play the role of a 13-year-old teenager, who becomes an adult from one day to another. Elizabeth Perkins and especially John Heard form a strong supporting cast and this time they really support Hanks' work. This film bothers to talk about more important things, like the loss of innocence, friendship and the first love, not just tells a story about a boy in the big city. This was Hanks' star-making role after a string of stupid comedies in the middle 80s and he deservedly became one of the biggest stars of the 90s. And don't forget, this was his first film in his "outsider" series: he made his biggest successes playing somehow outsider figures: Sleepless in Seattle, Philadelphia, Forrest Gump or the Cast Away. Go and see it, you won't be disappointed even if you think you've lost the child inside you...with the help of this film you will find it. Believe me.
    ngorevic

    Special

    For some reason this movie makes me well up with tears of joy every single second I'm watching it. I think it's the concept of adults discovering the children inside themselves. The simple innocence and well-meaning intent of josh baskins in this movie is like a magic elixir that changes everyone and everything he comes in contact with.

    This movie is amazing because I saw it when it came out, when I was 13 years old, the same age as josh baskins in the movie, and I loved it then. It speaks to you as a child because it's completely realistic, everything is just the way a kid would see it. Most of the time when adults try to simulate what it's like to be a child, they fail miserably (see all the 80's anti-drug propaganda ads as an example). It takes an immense amount of creativity and sensitivity to be able to write something like this. But then when I see this movie as an adult, it speaks to me on a completely different level. This film is a lesson to adults as well as children. Don't miss out on the fun and spirit of life! Don't get to wrapped up in your petty concerns of status and materialism, just try to enjoy every moment the most that you can, because you'll never get another chance to relive each moment of your life.

    Any of these fools that didn't like this movie are just that, they've probably missed out completely on the message because they can't remember what it was like to be a kid, to see the world as one big optimistic toy you're lucky to be able to play with. Think about that and see this movie again if you don't remember how amazing it is...

    >

    Top 10 Body-Swap Comedies by IMDb Ratings

    Top 10 Body-Swap Comedies by IMDb Ratings

    If Freakier Friday leaves you wanting more body-swapping scenarios, here are the top-rated movies according to our fans and followers.
    See the list
    Poster
    Wunschzettel

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      According to Robert Loggia, on the day they filmed the famous Walking Piano scene at FAO Schwarz, he and Tom Hanks noticed that doubles dressed like them were on hand just in case they could not do the dance moves correctly. It became their goal to do the entire number without the aid of the doubles. They succeeded.
    • Patzer
      Before Josh and MacMillan play the Walking Piano at FAO Schwarz, Josh throws a bag down on the ground. When they leave he leaves it there and doesn't take it with him.
    • Zitate

      Young Josh, Billy: The space goes down, down baby, down, down the roller coaster. Sweet, sweet baby, sweet, sweet, don't let me go. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. Shimmy, shimmy, cocoa pop. Shimmy, shimmy, rock. I met a girlfriend - a triscuit. She said, a triscuit - a biscuit. Ice cream, soda pop, vanilla on the top. Ooh, Shelly's out, walking down the street, ten times a week. I read it. I said it. I stole my momma's credit. I'm cool. I'm hot. Sock me in the stomach three more times.

    • Alternative Versionen
      The Extended Edition is 130 minutes. It was released in 2007, and contains 26 minutes of previously deleted scenes, including Frances Fisher's role as Mrs. Kopecki.
    • Verbindungen
      Edited into 5 Second Movies: Big (2008)
    • Soundtracks
      The Way We Were
      Written by Alan Bergman, Marilyn Bergman, and Marvin Hamlisch

    Top-Auswahl

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    FAQ28

    • How long is Big?Powered by Alexa
    • Why is Josh acting like an 'idiot'?
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    • What is 'Big' about?

    Details

    Ändern
    • Erscheinungsdatum
      • 29. September 1988 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Facebook
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Quisiera ser grande
    • Drehorte
      • Rye Playland, Rye, New York, USA(where Josh finds Zoltar at the end of the film)
    • Produktionsfirmen
      • Twentieth Century Fox
      • Gracie Films
      • American Entertainment Partners II L.P.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 18.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 115.227.281 $
    • Eröffnungswochenende in den USA und in Kanada
      • 8.216.190 $
      • 5. Juni 1988
    • Weltweiter Bruttoertrag
      • 151.927.281 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 44 Min.(104 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Stereo
    • Seitenverhältnis
      • 1.85 : 1

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