Als ein kürzlich verstorbenes Geisterpaar sein nun leer stehendes Heim von einer unausstehlichen Familie besetzt findet, engagieren sie einen ziemlich schäbigen Geist, der ihnen dabei helfen... Alles lesenAls ein kürzlich verstorbenes Geisterpaar sein nun leer stehendes Heim von einer unausstehlichen Familie besetzt findet, engagieren sie einen ziemlich schäbigen Geist, der ihnen dabei helfen soll, diese Menschen wieder loszuwerden.Als ein kürzlich verstorbenes Geisterpaar sein nun leer stehendes Heim von einer unausstehlichen Familie besetzt findet, engagieren sie einen ziemlich schäbigen Geist, der ihnen dabei helfen soll, diese Menschen wieder loszuwerden.
- 1 Oscar gewonnen
- 7 Gewinne & 11 Nominierungen insgesamt
- 3-Fingered Typist
- (as Cynthia Daly)
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Several characters in here - mainly Michael Keaton's unique and sometimes- revolting title character "Beetlejuice"- are always fascinating to watch. With him - and the whole movie - you also get a lot of humor and scary special-effects..
It was odd to see Alec Baldwin in such a low-key role. In the '90s, he played very few of these type of guys. Davis looks and acts like...well, Davis, who has almost always played nice, cute people that viewers like. It took me four viewings before I finally appreciated Catharine O'Hara's comedic talents in this movie. Now, she's my favorite and someone I find absolutely hilarious as the messed-up wife/mother of a family who moves into a "haunted house" inhabited by Baldwin and Davis.
Keaton made himself a name as an actor with this whacked-out Robin Williams-type role, although he never really followed up with anything that was as popular as this film. Winona Rider is cute as the teenage daughter and we get other fun supporting roles from diverse people as talk show host Dick Cavett, singer Robert Goulet and actor Jeffrey Jones. All of them are good.
Tim Burton directed the film and so I wasn't surprised there were the typical occult themes with ghosts and the like, and no heaven or hell but some other strange existence being touted where dead people go....a ridiculous picture of the afterlife. However, I just chalk it up to someone just trying to make a fun, entertaining picture and on that, it succeeds.
Overall, a unique and entertaining film. It's different, to say the least!
A young couple living in their dream house (Alec Baldwin and Gina Davis) are accidentally killed and thereafter live as ghosts in the home. Some time later, a family of freaks (Jeffery Jones, Catherine O'Hara) and their disaffected daughter (Winona Ryder) move in--much to the ghosts' chagrin. That's because instead of respecting the lovely home's charms, the parents want to turn it into a pseudo-intellectual freak house. However, Winona somehow is able to see and communicate with the ghosts--but her parents can't believe that they exist or that they're doing anything wrong with the house.
The dead couple try to scare away the family, but their attempts are really lame (and funny) and this only makes the weirdos want to stay even more! So, out of desperation, they seek out the most evil and obnoxious ghost, Beetle Juice (Michael Keaton) to help. The problem is that although Beetle Juice is able to scare anyone, he's also a total maniac and once let out, he's amazingly difficult to stop.
The film abounds with many things you'd expect to see in a Tim Burton directed film--weird special effects, an odd set design (after the weirdos transform the house), fun and a definite "cool factor". The actors do a fine job as well. Additionally, the script is smart and fun. While some might find this too dark a film for young kids, for older kids and adults, it's mighty entertaining and silly. Plus the music is just so darn infectious and fun!
The big question is - how does it stand up today? The answer is better than ever! In fact I would argue that 'Beetlejuice' is Tim Burton's most successful and least compromised film. Everything about it is perfect. A great cast lead by the very appealing and likable Alec Baldwin and Geena Davis as the newly dead Maitlands, a star turn by Michael Keaton as the gonzo "bio-exorcist" title character, and strong support from Jeffrey Jones, Catherine O'Hara, and especially Winona Ryder (a performance that really put her on the map), as the new occupants of the Maitlands house. 'Beetlejuice' juggles gruesome, trippy and genuinely witty sequences, and ends up becoming one of the freshest and surreal movies to find a mainstream audience since the heyday of 60s/70s "head" movies. Forget Burton's more recent hit and miss big budget efforts, and try this for the real deal, Luis Bunuel meets Tex Avery meets George Romero, and then some! 'Beetlejuice' is a blast!
Tim Burton's directing is great. My favorite scene by far doesn't even have Michael Keaton in it. Anyone who has seen this will remember it as the dancing dinner scene.
This is a classic. If you haven't seen it then you must've'e grown up under a rock or born before I was.
Wusstest du schon
- WissenswertesMichael Keaton came up with much of the character's look himself. Keaton told the makeup department he wanted mold on his face and his hair looking as if he'd stuck his finger in an electric socket, and he requested that the wardrobe department send him clothes from all different time periods.
- PatzerAll the people in the waiting room and in the office are in the same condition as when they died and the way they died is shown clearly. However, the Maitlands, who were drowned, are not wet. This was an artistic decision so that the actors would not have to constantly wear wet clothing.
- Zitate
Adam: What are your qualifications?
Beetlejuice: Ah. Well... I attended Juilliard... I'm a graduate of the Harvard business school. I travel quite extensively. I lived through the Black Plague and had a pretty good time during that. I've seen the EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT KEEPS GETTING FUNNIER EVERY SINGLE TIME I SEE IT... NOT TO MENTION THE FACT THAT YOU'RE TALKING TO A DEAD GUY... NOW WHAT DO YOU THINK? You think I'm qualified?
- Crazy CreditsThe Geffen Company logo is accompanied by a ghoulish version of the Banana Boat song (sung by the film's composer Danny Elfman).
- Alternative VersionenA workprint of the film surfaced with some added/alternate scenes. This version of the film runs around 2 minutes shorter than the theater release, has a few extra scenes and is missing some others, is in black and white, and has a time-code on the bottom. This version has 4 major differences: Alternate scene: The scene were Adam attempts to leave the house after him and his wife die is different. Instead of a desert he sees empty darkness filled with rolling cogs. Extra Scenes: There is an added scene were Lydia is developing the pictures she took of Adam and Barbra. Then after her mother yells at her and blames her for cutting holes in her sheets Lydia runs upstairs and tries to convince her dad the pictures are real. There is more to the scene where the adults search the attic for the ghosts were we see the desert monster trying to eat Adam and Barbra as they hang from the attic window. Finally there is an extra 2 minute scene at the end were we see Lydia riding her bike home from school and her parents talking to Jane on the phone telling her they do not want to sell the house. Lydia's dancing scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room. The film ends with a final exterior shot of the house.
- VerbindungenEdited into Terror Toons (2002)
- SoundtracksDay-O
Traditional, lyrics by William A. Attaway and Irving Burgie
[Incorrectly credited as written by William A. Attaway & Irving Burgie (as Lord Burgess)]
Performed by Harry Belafonte
Courtesy of RCA Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Beetlejuice, el superfantasma
- Drehorte
- East Corinth, Vermont, USA(Winter River, CT)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 74.664.632 $
- Eröffnungswochenende in den USA und in Kanada
- 8.030.897 $
- 3. Apr. 1988
- Weltweiter Bruttoertrag
- 74.852.535 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1