Ein sowjetischer Panzer und seine kriegführende Besatzung werden von ihrer Patrouille getrennt und verlieren sich in einem afghanischen Tal mit einer Gruppe rachsüchtiger Rebellen auf ihren ... Alles lesenEin sowjetischer Panzer und seine kriegführende Besatzung werden von ihrer Patrouille getrennt und verlieren sich in einem afghanischen Tal mit einer Gruppe rachsüchtiger Rebellen auf ihren Spuren.Ein sowjetischer Panzer und seine kriegführende Besatzung werden von ihrer Patrouille getrennt und verlieren sich in einem afghanischen Tal mit einer Gruppe rachsüchtiger Rebellen auf ihren Spuren.
- Auszeichnungen
- 1 wins total
- Moustafa
- (as Haim Gerafi)
- Sherina
- (as Shosh Marciano)
- Iskandar
- (as Itzhak Babi Ne'Eman)
- Helicopter Co-Pilot
- (as Ramy Heuberger)
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The internal conflicts of the characters reflect the many ways that people reconcile and deal with their emotions and beliefs vis-à-vis the roles thrust upon them by war and duty- the soldier, the faithful, the victim, the oppressor, the revenge-seeker and the order-follower. Each main character struggles at some point with his or her decisions in the face of right and wrong, duty and morality. It is the results of these choices that guide the film to transcend the events of war, and delve into the universal questions of how and why man struggles with real and painful choices.
Although the film does prove to be quite predictable, the underlying messages are timeless and well depicted. A moving story with good character development artistically filmed and approached realistically. The brutality and violence of war is not gratuitous, and the anti-war message is delivered superbly.
I highly recommend this film to all audiences... not just war-film buffs. With the US presence in Afghanistan today, the film should serve to help understand that conflict and this one in regards to the human components that are so often overlooked.
A note regarding other user's comments: The film was subtitled. It seems that some saw it without the subtitles for some reason. If you are one of those people, you really must view it with them. Rent it. I cannot imagine truly understanding the full scope of the film without the benefit of the Afghan dialog. Also, the "Americanization" of the soviet dialog not only serves to draw parallels between that conflict and the Vietnam War, but it universalizes the struggles of war and allows the viewer to empathize on a human level- not just a political one. In our long human history, how often have these basic human conflicts occurred... particularly in times of war and oppression and injustice?
This is as close to a 'foreign film' out of Hollywood as you are going to get...the story brings the conflict between people forward, and makes the action incidental-virtual guaranteed bankruptcy for a US film today.
And as for the actors speaking English-I think the producers realised they were close enough to no profit by having one language being subtitled as it was-the whole film being subtitled would have seen no financing at all, probably.-That just doesnt fly in H-town....'art-house' kiss of death... However...
The acting is first rate. The story is lean, and to the point. The scenery is stark and beautiful-well, IMHO.... There is little pandering to the audience, and little Cultural Condescension that I can see-
The viewer soon becomes loyal to the Mujahadeem Rebels, not because they are against the Ruskies, but because they have the will and the right to exist as they are, not to be dictated to by a 'higher' invading power...
Thought it suffers a bit from low budget, I would rate THE BEAST up with FULL METAL JACKET, PLATOON, DAS BOOT, and APOCALYPSE NOW... an EIGHT out of TEN stars... dont rent this-OWN it!
Victim of a studio dumping it into an initial release with little to no fanfare or backing, Beast is a film that was worth more attention as Reynolds and his screenwriter William Mastrosimone (adapting his own play) create a boiling pot of tension and drama as they follow Russian tank officer Daskal and his crew across the sand swept surrounds of Afghanistan as they are pursed by a justice seeking group of Afghani locals in a secluded valley after they wreck havoc on their small village.
Getting stuck straight into the action, we as viewers are thrust into the sweat covered lives of the unstable Daskal and his skeleton crew that includes Jason Patric's Konstantin Koverchenko, Stephen Baldwin's wide-eyed Anthony Golikov and Don Harvey's unbalanced Kaminski, as they traverse the foreign landscape of the country they have invaded while Steven Bauer's village chief Khan Taj and his men pursue them deeper and deeper into a hellish valley that seems likely to lead to a conflict where only one side will come away victorious.
There's barely a moment where Reynolds film lets up, Beast moves along at a rapid pace, much like its barely functioning tank that is both a savior and a curse to the men inside, and when it comes to films set in the Afghanistan region there's a real case to suggest that this 1988 effort is one of the best set in the time and period where the Soviet's went toe to toe with the local militia in the country.
Something else that is evidently apparent in the film is the string of quality performances.
Leading from the front is the almost never better George Dzundza who goes all out as Daskal who is looking back to past glories as he dictates his men's movements into a seemingly losing battle and Patric, who brings great intensity to his role as the voice of reason Konstantin, a man who has been put into a hopeless position where he is torn between self preservation and doing what's right for the country his committed to serve.
Overall this is a white knuckle affair, one with brilliantly staged battles, great delivery and one of composer Mark Isham's most effective scores and while its unlikely you've heard of this war film, it's one you should find and check out as one of the 80's most undervalued efforts.
Final Say -
One of the hidden gems of the war film genre and one of the most effective tank based sub-genre efforts, The Beast of War is a thrilling piece of filmmaking that deserves to find an audience it was cruelly denied upon release.
4 RPG's out of 5.
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- WissenswertesFor increased realism, 90mm blank shells were modified to fire a weight of water out of the tanks' 105mm cannons, thus causing the cannon to recoil as if it had fired a live shell.
- PatzerThe T-55 tank's crew is comprised of four men, not five as depicted in the movie. Indeed, it's impossible to accommodate five men in this kind of tank.
- Zitate
Daskal: [the tank is incapacitated. Daskal hands out a grenade to Kaminski and Golikov] You know our standing orders.
Kaminski: What?
Daskal: Out of commission, become a pillbox. Out of ammo, become a bunker. Out of time, become heroes.
Kaminski: You must be out of your fucking mind!
[He tosses his grenade aside]
Daskal: Now. Together.
[Daskal pulls the grenade pin]
- Crazy CreditsAt the start of the film, just after the Columbia Pictures logo the following quote is given: When you're wounded an' left on Afghanistan's plains. An' the women come out to cut up your remains, Just roll to your rifle an' blow out your brains, An' go to your Gawd like a soldier. - Rudyard Kipling
- Alternative VersionenThere are two versions playing on American Premium (Subscription) Movie Channels. One has subtitles for the Mujahadeen and the other does not. Currently, on STARZ, the version with subtitles is playing. Last year, on A&E, was the version without subtitles.
- VerbindungenFeatured in Megiddo - Das Ende der Welt (2001)
Top-Auswahl
Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 161.004 $
- Weltweiter Bruttoertrag
- 161.004 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1