Nico

Before the hair transplant, before he ate all the pies, before he went mad, and before everything was uttered in an inaudible whisper Seagal made his debut with this confusing, over-plotted thriller directed by Andrew Davis. Seagal plays Nicola Toscani, a ludicrously-named ex-CIA cop (as are virtually all Seagal characters) with family in the Mafia. Seagal conjured up the story (which was then expanded, of all people, by Steven Pressfield and Ronald Shusett) and it's probably his first effort at ego-massage. The opening narration is semi-biographical and the beginning of Seagal confusing fantasy and reality.

The plot, despite being from 1988, still comes across as contemporary and relevant. Nico quits the CIA in the 'Nam after witnessing a crooked superior taking advantage of the war to become a drug baron. Many years later he encounters that same villain who is abusing his status of being 'above the law' to seize more drug territory and pump more drug money into the CIA. War is always profitable.

It would be an intriguing plot for a 135-minute movie. But Above the Law tries to cram it all into 99 minutes and in the style of early 80s Charles Bronson. Don't get me wrong, Andrew Davis has always had muscular direction and takes the material seriously, but the heavy story and ambitious commentary are mostly squandered for the sake of making sure the credits roll after an hour and a half. The ending seems rushed, leaving just a little to much confusion and too many dots unconnected.

Still, it's interesting to see Seagal young, thin, and talking clearly.

Although I have never been a big Steven Seagal fan, I instantly liked this film when my uncle gave it to me for Christmas one year. It is one wild ride. I enjoyed the awesome stunts and action scenes in the film, and I had to laugh out loud at some of the scenes because it was fun to watch. Although I didn't care for Sharon Stone's acting in the film (she seemed to be too much of a weakwilled whiner, as opposed to her later films), Steven Seagal and Pam Grier were excellent as the main heroes. The film reminded me of the fun I had watching cop movies like Dirty Harry mixed with martial arts movies, so I recommend it to fans of those kinds of films.

"Above the Law" was Seagal's debut film. It wasn't the best, but we got to see martial arts on display that was for maiming and dismembering instead of marathon fighting like most. His disabling moves weren't for the faint of heart.

Seagal played Nico Toscani, a Chicago P.D. detective that caught on to a plot to kill a senator. He and his partner Delores Jackson (Pam Grier) shot and fought their way to discover the culprits (OK, so it was mostly Toscani).

Toscani, like just about every action hero, fearlessly went up against incredible odds, danger, and death knowing that even if he didn't have a gun he was always armed and dangerous. You can look at this as heroic or unfathomably stupid. I'm sure it comes down to whether or not you like Seagal.

I was watching television the other day, just flipping through the channels when I came upon 'Above the Law'. I hadn't seen this movie in years, and was anxious to watch it again. I must say that I was impressed. I believe it deserves no less than a 9/10. Why? The martial arts in superb as well as the action in general. Moreover, this movie operates on many different levels of meaning.

M.A. Rogers, in his commentary believes that Seagal's behavior contradicts his affirmation that nobody is above the law. This is not so. I believe that his actions are morally justified, inasmuch as there exists in the plot-line no other way for justice to be done. If the police force is corrupt and the C.I.A. are up to no good (not to mention the usually scum), what is one to do? It is therefore up to Toscani (Seagal) to take on a 'poetic license' of sorts and bring the transgressors back to justice.

M.A. Rogers, however, cogently points out in his commentary, that Seagal portrays a double-edged character. On the one hand he is easily angered, while on the other he puts out this "Mr. Cool" who is rife with obnoxious comments. This is why the film does so well. Important also is the scene in which his wife (Sharon Stone) pleads with him. She asks him to put down his 'pride'. She loves him because he is not like other men, but begs him to think of his family and back down. One cannot help, upon viewing this scene, to think of book six of "The Iliad" by Homer, where Andromache pleads with Hektor to stay in Troy for her sake and for the sake of his new-born son Astyanax. The emotion of the scene in Above the Law is heightened because of Seagal's show of restrained emotion: one isn't convinced that he is a 'family man'. He is. His stern face shows that he is a hard man, with a burden on his shoulders and an obligation to save his society as well as his family from an ailment that abounds everywhere. There is lots more to say on the matter, but I will leave that to another commentary. If you are at all a fan of the genre, than you must see it, even if you care only for the action. But I must make it clear that this movie is just as deep and sophisticated as any current drama. One just has to look beyond the surface.

Michael W. Helfield

Before he was "out for justice" on the mean Brooklyn streets and "under siege" by terrorists on a U.S. Navy battleship, he was above the law. Yes, I'm talking about that quick-fisted, pony-tailed martial arts hero Steven Seagal and his 1988 starring debut "Above the Law."

Though his career hasn't panned out the way this debut promised, it is nonetheless a dynamic introduction to the mysterious world of Seagal, who plays Nico Toscani, a Chicago cop who as a child took up the Japanese martial art of Aikido and was some time later recruited by the CIA for covert operations in Vietnam.

After witnessing the cruel torture and executions of some Vietnamese hostages by ruthless CIA chemical interrogator Zagon (Henry Silva) and his cohorts, who also seem in on a secret drug running operation, he walks away from his career and retires to life as a cop on the streets of Chicago with wife Sara (Sharon Stone) and partner Jacks (Pam Grier). Things get dicey when two suspects collared in a recent drug bust are allowed to go free. The department silences concerns by announcing that the two men are part of a huge undercover investigation. But Nico doesn't buy it.

He suspects that something bigger is underway, and he's right. It isn't long before he stumbles onto a covert drug running operation right under his nose that involves his old CIA buddies, a local drug kingpin, some corrupt FBI officials and old nemesis Zagon, who is also involved in a political assassination plot. So Toscani, Jacks, and his Aikido fists of fury go to work on some really bad guys.

Directed by Andrew Davis and co-produced by Seagal (who also shares a story credit), "Above the Law" promises a mean and gritty portrait of law enforcement with the magnetic screen presence of the charismatic (if not necessarily wooden) Seagal in the lead. The picture opens with some black & white home movie footage of Toscani and accompanying narration, showing us this mysterious man's history. Seagal, who became the first American to open an Aikido dojo in Japan and at the time held a sixth-degree black belt in the art, was a world-renowned security expert before he started appearing in the movies and snapping necks, bending limbs, and using his opponents' own momentum and strength against them.

"Above the Law" does has some script problems, but it's balanced out by some rough & tumble action shoot-outs and nasty fights where Seagal throws his opponents into things and breaks and twists limbs 180 degrees in the opposite direction. But that is what his chosen sport Aikido does, as it employs joint locks, pins, and other methods meant to redirect and utilize an attacker's own strength and power against him. And Seagal does it perfectly.

Is "Above the Law" a sensational debut for Steven Seagal? Certainly, at least for his loyalists. As a casual fan, he has certainly made better movies since then and improved his "acting" skills but what will always dazzle us are the nifty arm-twists and breaks that prove he is a master of his Aikido craft.

8/10