Die Generation von 1969

I admit that I rented this because of Miss Ryder's name on the cover. However, this isn't really a Winona-Ryder-movie, she is secondary to the plot. Kiefer Sutherland and Robert Downey Jr. play the main characters, two irresponsible kids at the end of the 1960s, trying to avoid getting drafted or growing up. However, it didn't really touch me. The anti-war message could have been stronger if the war had felt more present. As ususal for a movie about kids, their parents are portrayed as being clueless about how things have changed since they were young. Scott's father seem to be thinking 'Whatever happened to the 1950s?' all through the movie.

I only watched 1969 late night one night because the title indicated to me that it might be a film dealing with the issues of the time in the year with sincerity or promise, or even as a documentary. I didn't know how the film would go after the first couple of scenes I saw, but Bruce Dern seemed formidable enough to keep a watch. When the credits started to roll though I thought to myself, "what a cliché ridden disaster this became, why did I stick with it?"

I guess I stayed tuned because the actors seemed promising enough- Dern in a supporting role as a hard-nosed father, his son in the lead played by Kiefer Sutherland, his cocky best friend played by Robert Downey Jr., and his beautiful sister played by Winona Ryder. Sutherland's character, Scott, decides he doesn't want to go to Vietnam like his brother, so he enlists into college with Downey's character, Ralph, and the two begin to discover what they've been sheltered from- free-love, drugs, and soon enough sex.

Some of these early scenes seemed to look kind of silly, but I enjoyed the (partly obvious) soundtrack and thought if I stayed with picture (instead of flipping to a different, better movie) it might pay off in the second or third act. I got proved wrong, as line after line and moment after moment seemed to lower my expectations, and the characters headed towards an last scene that made me want to puke in my lap.

The probable cause of the pits in this movie come from writer/director Ernest Thompson. I don't know who he is really, and I haven't seen any of his other efforts as a filmmaker, but it looked as though he was either tapping into his own by-the-numbers first account of the turmoil that went with coming of age in that year, or was tapping into the memories of other baby boomer yuppies who still try to think back to when they wanted freedom before gluing themselves into the "me" generation.

The players tried to do what they could, a couple of scenes had some laughs, and I grinned at a line or two from Downey Jr. Yet I couldn't get over how much the movie hit its well intentioned points home with near propagandizing techniques. To sum it up, this is absolutely the soapy, "made-for-television" version of what life was like in 1969. If you want the truer, earthy version(s) see Woodstock or Easy Rider - those two may be folklore at this point for that generation, but at least they work as being entertaining thirty-four years later to the following generation. Grade: D

The overall point of the film may be a little obvious but it appears the story may be semi-autobiographical. What saves this movie are the acting and the characters which never lapse into stereotypes. Kiefer Sutherland plays Scott, a very different character than many of his previous roles. Rather than playing the adolescent leader-rebel (as in "Stand by Me"), Sutherland takes the role of a somewhat soft-spoken intellectual hippie-type who is into literature and leaves but not into drugs. His best friend, Ralph, played by Robert Downey Jr., is exactly the opposite. Ralph likes women and psychedelic drugs but doesn't understand any of the other aspects of the hippie culture, which included reverence for certain high literature. He isn't sure who Camus is. For him, the drugs and staying out of Vietnam are all that matters. Downey's sister, Beth (Winnona Ryder), eventually becomes a significant part of the story as the film progresses.

The film doesn't have much of a coherent plot and may be described as a character study of its leads. The setting is a small town in Maryland where Scott's brother, Alden, is about to leave for Vietnam. He is one of the first from this nameless town to be drafted into the war and the locals, including his family, seem perplexed by the whole affair. In an uncomfortable scene, Alden tries to make amends with his younger brother Scott who says the war is "b.s." Their father (Bruce Dern) who feels strongly that his sons should fight as he did in World War II reprimands Scott for his disrespect. Luckily, Dern's performance is not over-the-top and it works. After a rather strange farewell, Ralph decides that neither himself nor his friend Scott should allow themselves to get drafted. Scott begins to explore the young peoples' counter-culture movement of the late 1960's while Ralph seems only interested in exploring the drugs. They attend college, mostly to avoid the draft, but Ralph lapses in his studies. During their first summer, they decide to go on a road trip.

A good movie, by no means a great one, but high marks for all the leads and supporting characters, particularly Bruce Dern as Scott's father and Mariette Hartley as the mother. It seems this movie was missing something that was present in the writer's brilliant play "On Golden Pond". I can't quite put my finger on it, but the film made its point all too soon. I think I wanted an additional profound revelation besides the idea that Vietnam was a bad war.

As the child of a hippie, I can fully "get" this film. Downey is brilliant as Raplh, the drug taking friend of Scott (Sutherland), I guess life CAN imitate art. Scott's overbearing father is played equally well by veteran actor Bruce Dern. And the girl who wants to save the world is played nicely by Ryder. However, the movie is truly fueled by Sutherlands performance. His portrayal of a borderline hippie comming of age is heart warming and endearing. I don't think there is another actor who could have done this role. The fims content is heavy and the acting is really good, but it is Sutherland performance that makes this fim so good. Not to mention a kick-ass soundtrack featuring bands like Cream, Canned Heat, CSNY, and of course, the king, Jimi Hendrix. I truly recommend this movie to anyone who is interested in a good tale about growing up hard.

I give this one ****!

Anybody who lived in the 60s, studied the 60s, or even heard about the 60s, knows that this movie reflects what the 60s were like about as accurately as the Barney movie shows us what dinosaurs were like. The script does all it can to tug at our emotions and make us feel all gushy about a better time while supplying no real plot and no interesting characters. Big loser of a movie. If you want to see a good movie about the 60s that also stars Kiefer Sutherland check out the great film Flashback.