Ein Revival der populären Sitcom "Roseanne" aus den 1990er Jahren, die sich auf den Alltag einer amerikanischen Arbeiterfamilie konzentrierte.Ein Revival der populären Sitcom "Roseanne" aus den 1990er Jahren, die sich auf den Alltag einer amerikanischen Arbeiterfamilie konzentrierte.Ein Revival der populären Sitcom "Roseanne" aus den 1990er Jahren, die sich auf den Alltag einer amerikanischen Arbeiterfamilie konzentrierte.
- 4 Primetime Emmys gewonnen
- 50 Gewinne & 116 Nominierungen insgesamt
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A highly original take on the tired genre of the American family sitcom. At the time, the gold standard was "The Cosby Show" and "Family Ties", both upper-middle class and completely unrealistic. "Roseanne" was the first high-quality sitcom since the Honeymooners to focus on working-class families. This show took the idea of the 80s family show and stood it on its ear.
It took risks and chances that other shows were afraid to take, discussing subjects like homosexuality, child abuse, alcoholism, and teenage sexuality not just as one-show ideas, but as recurring themes. And though it wasn't successful all of the time, most of the time it was hilarious. I'd rather see a show take tremendous risks and fail than take the safe course and receive middling success.
The last couple of seasons were less than stellar, and the very last season was terrible and marked the first time that Roseanne hadn't been in the top 10 (or top 20) in the ratings consistently since it started. But overall, it had the guts to change its situation every once in a while (Roseanne had, I think, ten separate jobs in nine years) to shake things up and add new elements.
It took risks and chances that other shows were afraid to take, discussing subjects like homosexuality, child abuse, alcoholism, and teenage sexuality not just as one-show ideas, but as recurring themes. And though it wasn't successful all of the time, most of the time it was hilarious. I'd rather see a show take tremendous risks and fail than take the safe course and receive middling success.
The last couple of seasons were less than stellar, and the very last season was terrible and marked the first time that Roseanne hadn't been in the top 10 (or top 20) in the ratings consistently since it started. But overall, it had the guts to change its situation every once in a while (Roseanne had, I think, ten separate jobs in nine years) to shake things up and add new elements.
When this show first debuted in 1988, I thought it was one of the worst shows to debut on TV back then. The kids were bratty, Roseanne's voice was aggravating-the list seemed to go on. A few years later, when the reruns started airing in the late afternoon, I really started appreciating the show for what it was: A family just trying to get by, and solve the problems that come up in everyday life. Along with this, Roseanne's witty "one-liners", and "off-the-cuff" humour, really made this show special. This show dissappeared for a couple of years here in Toronto, but it has been picked up again and is still as funny as it was when it first aired.
I realized why this show was such a success. Roseanne was so darn cute, and John was a great portrayal of a good husband and father. It's a realistic portrayal of the lower middle class, I knew a few families like this growing up, but the Connors were the Cleavers compared to most of the others I knew.
Roseanne is the most dramatic comedy, without the bugging educating stuff. All the actors are great. Dialogues are real. Sure, the first seasons are better than the newer ones, but you still should see every episode with this fab family who likes to win first prize as "white trash". One of the only shows with the woman-wife at the center, Roseanne portrays one of the best and true mothers in tv- ever. Ever-changing, always in control Roseanne the woman has a great deal to be proud of this 9 seasons running wonderful tv sitcom.
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- WissenswertesAlicia Goranson's request to wear her hair shorter as Becky was originally turned down by the producers. Goranson took her case to Roseanne, who solved the issue by taking up a pair of scissors and hacking Goranson's hair short then and there.
- PatzerThroughout the series, primarily the latter seasons, the boom frequently drops into the shots.
- Crazy CreditsFinal Episode - Final Scene "Those who dream by night, in the dusty recesses of their minds wake in the day to find that all was vanity; but the dreamers of the day are dangerous men, for they may act their dream with open eyes, and make it possible." T.E. Lawrence (Lawrence of Arabia)
- VerbindungenFeatured in The 41st Annual Primetime Emmy Awards (1989)
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- Life and Stuff
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- 619 South Runnymeade Avenue, Evansville, Indiana, USA(establishing shots of Roseanne's House)
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