IMDb-BEWERTUNG
6,8/10
2013
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA divorced man tries to get his life back in order after losing everything to his ex-wife.A divorced man tries to get his life back in order after losing everything to his ex-wife.A divorced man tries to get his life back in order after losing everything to his ex-wife.
- 1 Primetime Emmy gewonnen
- 5 Gewinne & 3 Nominierungen insgesamt
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For years, I thought this she show was an original and it was just "Okay" to me as a teenager growing up in the 80s and 90s. But I am now MUCH older and married to a Brit! Why's that so significant? Well we were just running down a list of shows we grew up watching both here in the US and in the UK. And guess what I discovered? The show is a complete KNOCK OFF! The British version is ALSO called "Dear John" and starts the same way! There's even an episode where an entire SCENE was copied. 😂 The British show ran from 1985-1986 and the US version in 1988. I feel so cheated! 😂
Either way, check them both out and decide for yourself.
This is a funny TV series, because the title character, played by Judd Hirsch, is willing to be a straight man to the other characters in a support group he attends.
In essence, much as "Good Times" is Kid Dynamite's show, this is really Jere Burns show as he portrays the rogue, Kirk. Kirk is just enough of a rascal to cherish and laugh at, both at the same time.
The others put in a dash of humor, too, one of them without ever saying a word.
The standard for comedy in the eighties was a comedy that would make people laugh. That's what this show did. It din't try to be too "situational", and hope for a smile, the way most comedies of the nineties and naughts do. It reached for the guts, and pulled them out.
This wasn't "slapstick", but just a bit shy of it. It jumped the shark a bit at the end, and that didn't work. It was best when staying true to its character of the support group.
In essence, much as "Good Times" is Kid Dynamite's show, this is really Jere Burns show as he portrays the rogue, Kirk. Kirk is just enough of a rascal to cherish and laugh at, both at the same time.
The others put in a dash of humor, too, one of them without ever saying a word.
The standard for comedy in the eighties was a comedy that would make people laugh. That's what this show did. It din't try to be too "situational", and hope for a smile, the way most comedies of the nineties and naughts do. It reached for the guts, and pulled them out.
This wasn't "slapstick", but just a bit shy of it. It jumped the shark a bit at the end, and that didn't work. It was best when staying true to its character of the support group.
Dry and listless. Cliche and morose. Obnoxious casting. These are the type of people who hold up the line because they want to complain at the deli counter. No wonder his wife left him.
After a great series like Taxi, where he was funny and touching for eight seasons, Hirsch was stuck in this.
He looks trapped, with a frozen "How do I get out of here?" look.
The cast was just awful. British woman with a single joke, beaten to death. Obnoxious sexual predator wannabe and lawsuit waiting to happen.
And a badly needed laugh track, because nothing in this was ever funny.
He looks trapped, with a frozen "How do I get out of here?" look.
The cast was just awful. British woman with a single joke, beaten to death. Obnoxious sexual predator wannabe and lawsuit waiting to happen.
And a badly needed laugh track, because nothing in this was ever funny.
I loved this show from the moment I saw it. It was about a man who's wifes leaves him and attends a support group. The show was great until cast members left. From there on the show lost its humor.
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- WissenswertesThe letter Wendy leaves for John reads the following: Dear John, I know that this will come as a great shock to you and I pray that in time you will come to understand why I had to leave. The love that I once had for you died many years ago, although I have tried desperately to pretend otherwise. Wendy
- Crazy CreditsThe Season 1 opening title sequence is a near-shot-for-shot re-creation of the original British series titles.
- VerbindungenFeatured in The 41st Annual Primetime Emmy Awards (1989)
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