1969 ziehen sich zwei drogenabhängige, arbeitslose Schauspieler für einen Urlaub aufs Land zurück, der sich als katastrophal erweist.1969 ziehen sich zwei drogenabhängige, arbeitslose Schauspieler für einen Urlaub aufs Land zurück, der sich als katastrophal erweist.1969 ziehen sich zwei drogenabhängige, arbeitslose Schauspieler für einen Urlaub aufs Land zurück, der sich als katastrophal erweist.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Joyce Everson
- Lady in Tea Room
- (Nicht genannt)
Alecia St Leger
- Lady in Tea Room
- (Nicht genannt)
Fred Wood
- Man In Cafe
- (Nicht genannt)
Empfohlene Bewertungen
Strange to believe that WITHNAIL AND I , a film that is regarded as today one of the best British comedies ever made flopped spectacularly on its initial release in 1987 and maybe it's not too easy to see why . In the late 1980s the British film industry was in an absolute mire and the very phrase itself " British film " made a homegrown audience roll its eyes and think of art-house crap directed by Derek Jarman or Peter Greenaway . Any British film no matter the genre or how good it was always got tarred with the same brush in those days .
Years later actor Ralph Brown ( Danny ) was asked " Why is it a good film ? " to which he replied " Because there's no crap bits in it " which simplifying the truth . WITHNAIL AND I is a very rare type of British comedy since it has been developed to its utmost potential . All too often British comedies of the last 20 years feel like they've been rush released before the script has been used to its full potential but not with this comedy classic because nearly every scene couldn't possibly be any funnier . Everyone has their favourite scene like the one in the Irish bar or the tea room or the one with bull but for me the stand out scene has got to be the urine sample down at the police station . It's also interesting to note that it's a movie without any female characters and feels both homo-erotic and laddish at the same time . It also carries an emotional and poignant impact at the end , something all of us can relate to when our best friend finds a new best friend and we become quickly forgotten
All the cast are excellent but Richard E Grant is nothing short of superb and it's probably his performance as much as Bruce Robinson's smart script . You could argue that because Withnail is a camp , self centered , mincing thespian Grant is playing an extension of himself and while this may be true he's certainly enjoyable to watch here . Ironically enough I'd have thought he'd be brilliant as the title character in DOCTOR WHO but it was co-star Paul McGann who got the role in the 1996 American TVM and what a major disappointment he was . As it stands both actors will probably be best remembered for their cracking roles in this movie
Years later actor Ralph Brown ( Danny ) was asked " Why is it a good film ? " to which he replied " Because there's no crap bits in it " which simplifying the truth . WITHNAIL AND I is a very rare type of British comedy since it has been developed to its utmost potential . All too often British comedies of the last 20 years feel like they've been rush released before the script has been used to its full potential but not with this comedy classic because nearly every scene couldn't possibly be any funnier . Everyone has their favourite scene like the one in the Irish bar or the tea room or the one with bull but for me the stand out scene has got to be the urine sample down at the police station . It's also interesting to note that it's a movie without any female characters and feels both homo-erotic and laddish at the same time . It also carries an emotional and poignant impact at the end , something all of us can relate to when our best friend finds a new best friend and we become quickly forgotten
All the cast are excellent but Richard E Grant is nothing short of superb and it's probably his performance as much as Bruce Robinson's smart script . You could argue that because Withnail is a camp , self centered , mincing thespian Grant is playing an extension of himself and while this may be true he's certainly enjoyable to watch here . Ironically enough I'd have thought he'd be brilliant as the title character in DOCTOR WHO but it was co-star Paul McGann who got the role in the 1996 American TVM and what a major disappointment he was . As it stands both actors will probably be best remembered for their cracking roles in this movie
I have a film poster of Withnail & I that has such critical quotes as "Hilarious!" and "Gloriously funny!" and I can't say I totally agree. Don't get me wrong...I loved this film and it remains one of my favorites of all time, I just think these quotes sell the movie as some kind of Monty Python romp...and it's much more than that. I did laugh throughout, but I was also touched and found it quite sad (in a very entertaining way.) I would like to think that this is what Bruce Robinson intended...to make a dramedy...not just a silly romp. Though perhaps a bit slow for some, I thought the pace was remarkable, the acting superb. I have also heard people say that they found the plot lacking...but I argue that sometimes it's just nice to sit back and get swept away by a good character study. Interesting and thought provoking, sometimes referred to as a "cult classic", I say it's just a classic - period. Oh...and great soundtrack. The closing music always gives me goosebumps.
Camden, 1969. Two unemployed actors, Withnail (Richard E Grant), and I (Paul McGann), are facing up to the reality of an empty wine cellar and a harsh comedown following a speed binge. Squalid living conditions and the prospect of life on the poverty line leads 'I' (otherwise known as Marwood), to suggest a rejuvenating break in the Lake District. After Withnail manages to persuade his bizarre uncle, Monty (Richard Griffiths) to part with the keys of his dilapidated cottage, the take the Jag north for a taste of country life.
Adapting to such an alien environment is an initial challenge to the highly strung Withnail; his predicament is significantly worsened following an altercation with poacher Jake (Michael Elphick). Meanwhile, Marwood is forced to concentrate his attentions to fending off the advances of the lecherous Monty, who has inconveniently come to stay.
Following an awkward evening, the pair hurriedly return to London and, after a run-in with the Metropolitan Police, return to find Danny (Ralph Brown) has made himself at home. Drugged rodents fill the oven while Presuming Ed fills the bath and Marwood is rescued from the mire - it seems he will crack the boards after all. "Congratulations", Withnail says emptily, as he begins to contemplate life without his straight man.
Bruce Robinson deserves high praise for creating a rich, debauched world of weird thumbs, phenodihydrochloride benelex, old suits, uncontaminated urine and the Camberwell carrot. WIth a the tightest of budgets, he brings the late 1960's to life. The script is incredibly witty and eminently quotable. Both Mary Selway (casting director) and Bruce Robinson succeeded in bringing dialogue to life with an impeccable choice of actors. Richard E Grant has never come close to his performance as Withnail - his drunken performances are remarkable. Richard Griffiths is as camp as a hat as the overbearing, exuberant Monty, and Ralph Brown is frequently hilarious as the dangerous but lovable Danny.
This is a film that will never be tarnished by age, and neither is it limited by repeat viewings. It is a very accessible film, despite its largely English humour, and 'Withnail' remains one of the best films about friendship. Certainly a one off, 'Withnail' is a must see film that will not disappoint.
Adapting to such an alien environment is an initial challenge to the highly strung Withnail; his predicament is significantly worsened following an altercation with poacher Jake (Michael Elphick). Meanwhile, Marwood is forced to concentrate his attentions to fending off the advances of the lecherous Monty, who has inconveniently come to stay.
Following an awkward evening, the pair hurriedly return to London and, after a run-in with the Metropolitan Police, return to find Danny (Ralph Brown) has made himself at home. Drugged rodents fill the oven while Presuming Ed fills the bath and Marwood is rescued from the mire - it seems he will crack the boards after all. "Congratulations", Withnail says emptily, as he begins to contemplate life without his straight man.
Bruce Robinson deserves high praise for creating a rich, debauched world of weird thumbs, phenodihydrochloride benelex, old suits, uncontaminated urine and the Camberwell carrot. WIth a the tightest of budgets, he brings the late 1960's to life. The script is incredibly witty and eminently quotable. Both Mary Selway (casting director) and Bruce Robinson succeeded in bringing dialogue to life with an impeccable choice of actors. Richard E Grant has never come close to his performance as Withnail - his drunken performances are remarkable. Richard Griffiths is as camp as a hat as the overbearing, exuberant Monty, and Ralph Brown is frequently hilarious as the dangerous but lovable Danny.
This is a film that will never be tarnished by age, and neither is it limited by repeat viewings. It is a very accessible film, despite its largely English humour, and 'Withnail' remains one of the best films about friendship. Certainly a one off, 'Withnail' is a must see film that will not disappoint.
What a film! The one-liners, the names (Monty, Withnail...where else would you find such spectacular names?!) True it does not have much of a plot but what it lacks in plot it makes up for in sheer brilliance of dialogue and wit. I had never heard of this film and then suddenly out of the blue : the people i babysat for told me about it, my friend Sarah began raving about it and then the ultimate shove towards watching it, my sister brought the video home! Now if that is not fate i don't know what is. I will be forever grateful. Richard E. Grant is the epitome of the brilliant character actor(i would put his performance on a level such as Daniel Day Lewis, a fete not known by any other actor in my book)finding an exquisite foil in McGann. Watch this film and if you do not find it in the least bit interesting then so be it you are condemned to be boring forever. But if you do not even crack a smile at the infamous line GET IN THE BACK OF THE VAN!! then i would worry for your future in the art of film watching.
The first time I watched 'Withnail and I' in the late 80s I thought it was pretty good, but that's about it. Over the years, and a few more viewings, it really started to grow on me, and recently rewatching it on DVD for the first time I was struck at how brilliant and unique it is. It's a very subtle film really, and most comedy is admittedly a matter of taste, but if this movie clicks with you you'll most likely end up putting it in amongst your all time favourites. To me it's one of the greatest comedies ever. It's intelligent and sad and genuinely laugh out loud FUNNY, something you rarely see these days. The movie is episodic and seems to ramble on, but it's much more than a shaggy dog story, there's an underlying depth and melancholy to it that makes it something special. Richard E. Grant has never been better than this. Playing Withnail and writing his wonderful autobiography cement his place in film history as far as I'm concerned. Paul McGann is also excellent, and there are lovely performances from Richard Griffiths, Michael Elphick and Ralph Brown. EVERYONE is good in 'Withnail' but it's still Grant's movie all the way. He is just utterly brilliant! 'Withnail and I' is one of THE great British movies, and comes with my highest recommendation.
Wusstest du schon
- WissenswertesThe first preview screening appeared to be a total disaster - the audience sat there stony-faced, never laughing once. It was only after the screening had concluded that a distraught Bruce Robinson discovered that the audience was comprised entirely of non-English speaking German tourists who were all staying at a hotel nearby.
- PatzerWhen Withnail puts his boots in the oven to dry, he opens the iron door with a stick because it will be hot. When he closes it, he uses his hand and doesn't even flinch.
- Crazy CreditsThe end credits contain the following: "...& I Paul McGann" The triple dots are as it follows Richard E. Grant's credit as Withnail (hence matching the movie title). While McGann's character's name is never referenced in the movie, either spoken or written, it has been identified as Marwood in materials issued in relation to the movie.
- Alternative VersionenThe original cinema version of this film was shorter than the one that has since been released on video, laserdisc and DVD. Changes include:
- Marwood's opening voice-over has been redubbed.
- Marwood's speech about his thumbs having gone weird has been cut. The scene thus goes from the line "I don't feel good" to "Look at my tongue".
- Withnail's "I'm gonna pull your head off" has been cut.
- Danny's anecdote about The Coalman has been cut.
- Some dialogue concerning Withnail's current work and Marwood also being a thespian has been cut out of the scene at Monty's home.
- The scene of Marwood slipping in the mud and then angrily persuading Withnail to have another look at the shed has been cut.
- The first part of Withnail and Marwood's conversation with the major, concerning Withnail having been in the Territorials, has been cut. The scene in this version simply dissolves from Withnail and Marwood walking to the pub with Marwood's voice-over to the major bringing up the subject of Jake. Marwood's line about why Withnail lied to the major has understandably also been cut.
- The word Saveloy has been redubbed to Sausage.
- SoundtracksA Whiter Shade of Pale
Performed by King Curtis
Written by Keith Reid, Gary Brooker and Matthew Fisher (uncredited)
1969 Published by Westminster Music Ltd.
Original Sound Recording made by Warner Bros. Records
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Withnail and I?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Withnail y yo
- Drehorte
- 55 Chepstow Place, Bayswater, Westminster, Greater London, England, Vereinigtes Königreich(Withnail and Marwood's flat)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.100.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.544.889 $
- Eröffnungswochenende in den USA und in Kanada
- 6.903 $
- 27. Apr. 2025
- Weltweiter Bruttoertrag
- 2.425.857 $
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen