Eine zeitreisende Stadt, die im Jahr 4039 von Cyborg-Robotern angegriffen wird, reist in der Zeit zurück und schickt zwei Soldaten in die australische Wüste des Jahres 1988, um sich auf ihre... Alles lesenEine zeitreisende Stadt, die im Jahr 4039 von Cyborg-Robotern angegriffen wird, reist in der Zeit zurück und schickt zwei Soldaten in die australische Wüste des Jahres 1988, um sich auf ihre Ankunft vorzubereiten. Der Feind spürt sie auf.Eine zeitreisende Stadt, die im Jahr 4039 von Cyborg-Robotern angegriffen wird, reist in der Zeit zurück und schickt zwei Soldaten in die australische Wüste des Jahres 1988, um sich auf ihre Ankunft vorzubereiten. Der Feind spürt sie auf.
- Regie
- Drehbuch
- Hauptbesetzung
- Tucker
- (as Terry Crawford)
- Snowy
- (as Micheale D. Read)
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It takes place in the Earth of the 41st century when humans are overwhelmed by a new adversary: half organic, half machine villains called Jendiki. Fortunately, some of the humans inhabit an entire city that has the ability to travel through time. The city transports itself back to the Australia of the 1980s in an attempt to change the future, with troopers Ballard (a tough, snarling Tom Burlinson ("Flesh + Blood")) and Petra (Fisher) sent ahead as scouts to ensure that the spot chosen for landing will be safe. Of course, the Jendiki are hot on their trail, and Ballard and Petra have to deal with them as well as with crooked local cops. One good thing for Ballard is that he meets perky young Annie, played by the insanely gorgeous Nikki Coghill of the Aussie TV series 'Neighbours'.
As directed by "Mad Max 2" co-writer Brian Hannant, "The Time Guardian" can't boast any truly memorable set pieces, but it's an easy enough to take bit of fluff. Fisher does what she can with a spunky role, but Stockwell is utterly wasted in his part, the "boss" of the city. Burlinson would have fared better had he played his part with a little more humour. But Coghill is quite charming, and goes topless for a sexy swimming scene. Peter Merrill chews up the scenery as head bad guy Zuryk.
This movie may be a trifle in the end, but it does wrap itself up fairly quickly, clocking in at a brief 88 minutes. Overall it's a fair bit of fun.
Six out of 10.
This movie is not boring, but it is very very bad. And that is gold for the lovers of the kitch, seekers of the worst, those who appreciate the fun to had from the truly bad. This movie is FUN.
You'll continually ask yourself, "What were Carrie Fisher and Dean Stockwell thinking!!", "What overacting school did Tom Burlingson go to, and why is he always angry?", "Where can I buy those costumes?", "What exactly the hell did they spend their $8 million dollar budget on?" Every Australian lover of "unique" film needs to buy a copy of this movie. They then need to show it to at least 10 friends. This NEEDS to be a cult Aussie movie.
In the end this movie is a steamer. But I'll probably watch it many more times than my "Citizen Kane", "Apocolypse Now" or "Casablanca" DVDs.
Burlinson was definitely in the moment during the first battle sequence where they attempted to secure the city's pillar. I also like that he maintained a fairly hard edge throughout.
It's funny how he completely reproached Fisher's character early on and never really backed down or entirely eased up. A character like that can't exist in today's cinema, else he be classified as "toxic".
But it's just a stark reminder that the quality of media today is so awful that I had to give this film a 5 out of 10 only because it was more entertaining than a lot of the schlock released today.
To the film's credit, some of the scenes are structured pretty cool. In the night time lighting and with the right camera angles, the enemies actually sometimes look imposing, but they never get the proper screen time to be as menacing as they should be.
A few things that could have seriously helped this film is a re-edit and some serious tightening up of the entire middle section.
Having the evil cyborgs attack the town during the middle of the film in a horror-esque sequence would have gone a long ways to make the film a lot more enjoyable.
Also, a proper, dark-synth soundtrack would have added tons to the movie's atmosphere as opposed to the cheap made-for-TV soundtrack it was saddled with. It was like the film was its own biggest enemy when so much could have been done with what they already had.
Even still, Carrie Fisher and Nikki Coghill are both extremely easy-on-the-eyes, and despite not having much material to work with, they both do what they can with the material. I'm kind of shocked that Fisher didn't entirely sleep walk through her performance, but she came awfully close.
If you want a decent 80s sci-fi action flick, this certainly isn't the best of them, but Burlinson is a legit action hero in this film, and carries it on his shoulders somewhat proudly. It's not the worst way to spend an hour and half on a weekend or so.
Wusstest du schon
- WissenswertesThis film was to be the flagship in a ten picture deal set up with the Hemdale Film Corporation by producer Antony I. Ginnane. However, when Hemdale pulled out of the production the other nine pictures ended up being suspended indefinitely.
- PatzerIn the opening credits the text has 'Hoards of armoured robots' when it should be "hordes'.
- Zitate
Annie Lassiter: Tell me more, Ballard.
Ballard: About the City?
Annie Lassiter: Yeah.
Ballard: You'd be amazed. The technology's enormous. We've got powers your time only dreams about.
Annie Lassiter: No, I mean, the people. Are they different?
Ballard: They still fight and squabble, and try very hard to outdo each other. I guess they're not very different.
Annie Lassiter: And what about men and women?
Ballard: They fall in and out of love, marry and divorce, argue over the children... what?
Annie Lassiter: I'm pleased.
Ballard: Why?
Annie Lassiter: I guess you people are human after all.
- VerbindungenFeatured in South Australian Film Corporation 40th Anniversary Showreel (2012)
- SoundtracksThis Time I Know
Music by Allan Zavod & Bobby Martin (as Robert Martin)
Lyrics by Bobby Martin (as Robert Martin)
Produced by Allan Zavod
Sung by Angry Anderson
Courtesy of Mushroom Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Wächter der Zukunft
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 8.000.000 AU$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.682 $
- Eröffnungswochenende in den USA und in Kanada
- 3.748 $
- 6. Aug. 1989
- Weltweiter Bruttoertrag
- 12.682 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1