IMDb-BEWERTUNG
4,3/10
741
IHRE BEWERTUNG
Ein US-amerikanischer Archäologieprofessor und sein junges Forschungsteam entdecken ein versiegeltes antikes heidnisches Grab unter dem Mausoleum des echten römischen Kaisers Domitian.Ein US-amerikanischer Archäologieprofessor und sein junges Forschungsteam entdecken ein versiegeltes antikes heidnisches Grab unter dem Mausoleum des echten römischen Kaisers Domitian.Ein US-amerikanischer Archäologieprofessor und sein junges Forschungsteam entdecken ein versiegeltes antikes heidnisches Grab unter dem Mausoleum des echten römischen Kaisers Domitian.
John R. Pepper
- Marcus
- (as John Pepper)
Trine Michelsen
- Alice
- (as Katrine Michelsen)
Erna Schürer
- Catacomb guide
- (as Erna Schurer)
Marco Tullio Cau
- Evil deity
- (Nicht genannt)
Empfohlene Bewertungen
There is never any mention of a "specter" in this film. The creature we finally do see (other than Universal's Gill Man) is an ugly beast not unlike the She Creature. If it weren't for the ridiculous horror clichées, this film might have worked, as the set design is fascinating and some scenes are actually suspenseful, and the archaelogical dig is exciting. Unfortunately, a lot of it deals with stupid teenagers, gratuitous pop songs, sex, and topless scenes, and predictable junk make much of the film annoying. When wine bottles start spraying and catacombs are collapsing, it's interesting, but it has the cliché horror it's not really ending, no one survives by the main fornicating couple, and girls panicking from little mice. The blind man's beating heart getting ripped out is the ultimate in gratuity, since it lacks all the significance of Evan pulling out his own heart in Michele Soavi's _La Chiesa_. It could have been better than _Demoni_, but at least it's not worse, nor as disgusting.
...and I mean that sincerely. I don't truly understand all the hate this film has received. It honestly puzzles me. I have found it much better than the low rating it has garnered here. Maybe I just have a soft spot for 80s horror (or a hard-on, whichever way you want to perceive it).
I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.
So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.
I won't discuss the plot. It's already been dissected on here, so there really is no need. I will say this however; it is not nearly as inept as some would have you believe. The film does move at a slow pace and it is cheesy. I'll give them that, but that is not necessarily a bad thing. In fact, it is that lovable 80s charm that makes this film worth watching. I will also admit it could have used a good dose of gore, but the lack of it really doesn't hinder the film as a whole.
So if you're a fan of 80s horror, specifically Italian in this case, then give it a shot. It's not a bad way to pass 90 minutes. If, on the other hand, you aren't very fond of 80s horror, then by all means give it a pass. Your loss.
This cruddy, late-80s, Italian supernatural/demonic horror sees horror icon Donald Pleasance slumming it as archaeologist Professor Lasky, who, as the result of tremors caused by subway drilling under Rome, discovers a pre-Christian tomb full of pagan carvings, including an inscription which warns that "evil will come". And come it most certainly does, in the form of an ancient demon that proceeds to attack those involved in the excavation.
Italian horror films of the 80s often displayed little regard for logic, but made up for their general incoherence with a sense of style, enthusiastic gore, and—if possible—some nudity from a good looking babe or two. This one tries on all three counts, but fails spectacularly on the first two, director Marcello Avallone's overuse of his smoke and wind machines hardly qualifying as stylish, while the splatter, most of which is saved for the film's closing moments, is frustratingly brief (blink and you'll miss it). Thankfully, Trine Michelsen as Alice, sexy girlfriend of archaeologist Marcus, is on hand for the gratuitous T&A, obligingly stripping off a couple of times in order to keep the viewer awake.
The bulk of Specters, however, consists of lots of dreary dialogue and numerous supposedly scary scenes that rarely amount to much (with the best moment being blatantly ripped off from A Nightmare on Elm Street); as such, the film proves extremely tedious and delivers little in the way of genuine frights. The demon (created by Italian FX expert Sergio Stivaletti) remains hidden until the final moments, and, to be honest, isn't really worth the wait.
3.5 out of 10, generously rounded up to 4 for the hilariously bad computer graphics used to track Marcus as he explores the tomb, and Alice's hub-cap sized earrings.
Italian horror films of the 80s often displayed little regard for logic, but made up for their general incoherence with a sense of style, enthusiastic gore, and—if possible—some nudity from a good looking babe or two. This one tries on all three counts, but fails spectacularly on the first two, director Marcello Avallone's overuse of his smoke and wind machines hardly qualifying as stylish, while the splatter, most of which is saved for the film's closing moments, is frustratingly brief (blink and you'll miss it). Thankfully, Trine Michelsen as Alice, sexy girlfriend of archaeologist Marcus, is on hand for the gratuitous T&A, obligingly stripping off a couple of times in order to keep the viewer awake.
The bulk of Specters, however, consists of lots of dreary dialogue and numerous supposedly scary scenes that rarely amount to much (with the best moment being blatantly ripped off from A Nightmare on Elm Street); as such, the film proves extremely tedious and delivers little in the way of genuine frights. The demon (created by Italian FX expert Sergio Stivaletti) remains hidden until the final moments, and, to be honest, isn't really worth the wait.
3.5 out of 10, generously rounded up to 4 for the hilariously bad computer graphics used to track Marcus as he explores the tomb, and Alice's hub-cap sized earrings.
Poor Donald Pleasence! He's been in a lot of really awful films, and this is one of the worst. He was known for putting in good performances even when handed a bad script, but in this disaster, he doesn't even try. In addition to the apathy of the cast, the scriptwriter obviously didn't care too much since this film makes absolutely no sense whatsoever. There are fissures bursting open at random, men running around in Creature from the Black Lagoon costumes, a gratuitous song, a mysterious dagger, lots of tunnels, but no logic.
I wonder if, back when he was wowing audiences with great performances in films such as Cul-de-sac and The Flesh and the Fiends, Donald Pleasance ever thought he'd be starring in dross like this? Anyway, I have to say that I wasn't surprised to find that Specters is basically the film I thought it would be; namely, a poor Demons-style trashy eighties horror flick with little in the way of redeeming features. The plot is just common horror fare and features a bunch of researchers digging into places they shouldn't be digging and revealing a load of ancient catacombs that warn of impending doom. Naturally, the evil is unleashed. At the very least from this, I was expecting some decent gore; but all we actually get is cheesy crap which is matched by the trashy atmosphere and typically cheesy eighties soundtrack. The plot is a complete mess and I found it very easy to get bored. Donald Pleasance was obviously bored too, and that's not surprising considering the talent of the people he's working with; naturally, Specters features some awesomely terrible acting. It all boils down to a typically pointless ending and overall, this is one of the few films that is bettered by the lamentable 'Demons 2'!
Wusstest du schon
- WissenswertesFirst of only two horror films by Italian director Marcello Avallone. The other one is "Maya" (1989).
- VerbindungenReferenced in Emma and I - A Portrait by Marcello Avallone (2021)
- SoundtracksNever Change
Written by P.I. Germini - A. Cicco
Arranged by A. Valente - A. Cicco
Performed by Blue Visconti
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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