IMDb-BEWERTUNG
6,1/10
12.728
IHRE BEWERTUNG
Ein verheirateter New Yorker Polizist verliebt sich in den sozialistischen Mordzeugen, den er zu schützen hat.Ein verheirateter New Yorker Polizist verliebt sich in den sozialistischen Mordzeugen, den er zu schützen hat.Ein verheirateter New Yorker Polizist verliebt sich in den sozialistischen Mordzeugen, den er zu schützen hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Tony DiBenedetto
- T.J.
- (as Tony Di Benedetto)
James E. Moriarty
- Koontz
- (as James Moriarty)
Sharon K. Brecke
- Bimbo
- (as Sharon Brecke)
Empfohlene Bewertungen
This has been one of my favorite movies. I admit that this is not something that might be recognized by academy people. There is nothing new and original about the story and situation and it is rather easy to guess what would happen next. But somehow it is an attractive movie (to me?) and I keep watching it over and over (I have a video). Actors are good and the view of New York is wonderful in every part of the movie. Most of all music is superb! Ever since I first saw this movie, "Someone to watch over me" has been my favorite jazz standard. One more thing. If somebody else directed this it might have been VERY boring. Great touch by Ridley Scott.
Brooklyn detective (Berenger) gets promoted & has new assignment - Keep watch over rich & sultry Manhattanite Claire Gregory (Mimi Rogers) becuz she witnessed a murder. NEVER pair up 2 good-looking people for night time (or daytime) close association no matter HOW solid one's marriage is!! And why not? Becuz THIS could happen!
'Watch' this film & find out.
Berenger looks fit & handsome as usual, especially back in the '80's. Rogers should have gotten a better hairdo. Larrainne Bracco, a NY favorite of mine, is just great in this role. Jerry Orbach, Berenger's superior is another NY favorite of mine. Tony DiBenedetto (the big burly limo driver from My Favorite Year) was also 'on the watch' & played Berenger's best friend. The most annoying thing about this film is the slow awful tune sung by Sting here! When the credits role in the beginning, we're shown The Big Bad Apple in all it's glory, lit up in the dark like nobody's business! But that song makes you just want to fast-forward!! Arrrgh!! Then he sings it again at the end!! Arrrgh!!
'Watch' this film & find out.
Berenger looks fit & handsome as usual, especially back in the '80's. Rogers should have gotten a better hairdo. Larrainne Bracco, a NY favorite of mine, is just great in this role. Jerry Orbach, Berenger's superior is another NY favorite of mine. Tony DiBenedetto (the big burly limo driver from My Favorite Year) was also 'on the watch' & played Berenger's best friend. The most annoying thing about this film is the slow awful tune sung by Sting here! When the credits role in the beginning, we're shown The Big Bad Apple in all it's glory, lit up in the dark like nobody's business! But that song makes you just want to fast-forward!! Arrrgh!! Then he sings it again at the end!! Arrrgh!!
Brooklyn Detective Tom Berenger is assigned to watch over socialite Mimi Rogers after she witnesses a brutal murder where a high profile Mafioso is involved. Berenger gets caught between two worlds; the upper class one he takes a liking to and the normal one (with a wife and kid) in the slums of Queens which he seems to be tiring of.
Highly stylish drama/thriller courtesy of Ridley Scott, who directs with his usual visual flair and examines the world of the wealthy seen through the eyes of a middle class voyeur and mixes in some solid suspense to boot. The drama aspect is well handled, pitting Berenger in a dire situation where he must ultimately choose between a life he's already made for himself and a life that can seem very tempting from his perspective.
Suspense is also plenty with some fantastic sequences, particularly one inside Mimi Rogers' apartment, not too unlike Dario Argento's Opera in some respects (and even beat it by a year, I think).
Tom Berenger does well in the lead, displaying easily the conflicts his character is facing, Rogers is a stunner and gives a subdued and convincing performance. The usually intolerable Lorraine Bracco gives a forceful performance, and one the whole her relationship with Berenger is not only well played out but wholly believable.
Recommended.
Highly stylish drama/thriller courtesy of Ridley Scott, who directs with his usual visual flair and examines the world of the wealthy seen through the eyes of a middle class voyeur and mixes in some solid suspense to boot. The drama aspect is well handled, pitting Berenger in a dire situation where he must ultimately choose between a life he's already made for himself and a life that can seem very tempting from his perspective.
Suspense is also plenty with some fantastic sequences, particularly one inside Mimi Rogers' apartment, not too unlike Dario Argento's Opera in some respects (and even beat it by a year, I think).
Tom Berenger does well in the lead, displaying easily the conflicts his character is facing, Rogers is a stunner and gives a subdued and convincing performance. The usually intolerable Lorraine Bracco gives a forceful performance, and one the whole her relationship with Berenger is not only well played out but wholly believable.
Recommended.
Ridley Scott's SOMEONE TO WATCH OVER ME had the misfortune to come out during a time when FATAL ATTRACTION was going to change the whole look of the psycho-thriller movie. Thus by comparison, this film feels very ponderous and dated. It's a mixed bag of a production, with some decent performances and a nice visual style, but it doesn't really do much we haven't seen before.
It's clear from the outset that Scott is most interested in the dark and brooding cinematography here, because this is a fine-looking movie. The plot, which is about a cop who has to protect a woman who witnessed a mob murder, is less intriguing and indeed rather predictable. Tom Berenger is an acceptable hero and Mimi Rogers is ever-intriguing as the object of his desire, but I can't help but think there's a little too much romance here and not enough thrills. Jerry Orbach props up the supporting cast, as in so many films.
It's clear from the outset that Scott is most interested in the dark and brooding cinematography here, because this is a fine-looking movie. The plot, which is about a cop who has to protect a woman who witnessed a mob murder, is less intriguing and indeed rather predictable. Tom Berenger is an acceptable hero and Mimi Rogers is ever-intriguing as the object of his desire, but I can't help but think there's a little too much romance here and not enough thrills. Jerry Orbach props up the supporting cast, as in so many films.
We've seen the script a hundred times if we've seen it once; happily married cop assigned to stand guard over a beautiful woman, cop falls in love with woman, etc. The difference with this one is that it actually works, even though you know how the story is going to go. Berenger is solid in the lead and Bracco fantastic as the fiery wife, while Rogers is sultry in a very classy way as the other woman. Andreas Katsulas is menacing and scary as Venza, which was perfect for this part. The classical music scores add a perfect touch, and the ending is actually quite thrilling. Something about this one just clicks, making it one of the better films of the genre. 7.5 out of 10.
Wusstest du schon
- WissenswertesFirst major role in a cinema movie for actress Lorraine Bracco.
- PatzerThe newspaper which Mike is carrying on his way to his first shift guarding Claire has the word "SUPERMEN!" on the back page. He is carrying an identical newspaper three or four days later.
- Zitate
Det. Mike Keegan: Ellie, I love this ass. Now, get it into bed... before it hits the floor.
- SoundtracksSomeone to Watch Over Me
Written by George Gershwin and Ira Gershwin
Performed and Arranged by Sting
Courtesy of A&M Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Peligro en la noche
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.278.549 $
- Eröffnungswochenende in den USA und in Kanada
- 2.908.796 $
- 12. Okt. 1987
- Weltweiter Bruttoertrag
- 10.278.549 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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