Mutant - Das Grauen aus dem All

Expect little from it and you'll be please with what you get. I was. 'Forbidden World' is a quickly produced Roger Corman low-budget b-grade fable that's all in for exciting and junky exploitation. Nice. So I see it tagged as an 'Alien' clone… yeah kinda. Ah definitely. This time it's not an outer-space visitor, but a mutant of genetic work which goes through transformation cycles and then making ends meat of a terrific b-cast. Out of all of the films of this ilk that decided to ride the wave of 'Alien (1979)' success, from what I've seen this would be my favourite of the bunch. Still need to get my hands on the other Corman produced Sci-fi / horror cult fave 'Galaxy of Terror (1981)'.

The story centres on intergalactic trouble-shooter Mike Colbey being sent to a barren world were a group of scientists in remote station are researching genetic research without restrictions. However one of their experiments has got out of control.

It's rather straightforward, even though the script does throw around many scientific exchanges but counterpointing that is many trashy dialogues. But it seems to know what it is and goes about it in the right manner. After such a disjointed beginning (like from some other movie), it hits its strides and keeps a quick tempo, as it moves through in no time. Where this draws the most interest from is its crude and gooey make-up effects. It's daring, outrageous and literally had guts. There are a few unforgettable sequences and it's a sight to behold in the way they finally depose of the mutant. Ridiculous, but clever. However talk about leaving a icky mess! They don't make them like this anymore. Although it did get hard to see with moments of hectic editing techniques (though some odd inclusions added something different), dim lighting composition and fuzzily intrusive photography. This stark visual quality helped cemented the forebodingly moody and suffocating atmosphere within the tautly limited set-designs. Susan Justin's electronic score is elastically thumping with a real seductive pull to it. Some might call it irritably cheesy, but I loved the main theme. Allan Holzman's direction is bitingly simple and it works. Adding graphic violence (like the melting tissue in to sloppy gruel) and constant sleaze (with actresses June Chadwick and Dawn Dunlap showering together) in a pulsating package of genuine competence. The mutant (who turns peeping tom at one stage or another) with its massive head and glaring teeth looks great and terrifying. The cast do the job of what's asked from them. Jesse Vint is fine as Mike Colbey, although he spends more time flirting and sleeping about with the women. Fox Harris hams it up as one of the scientists and the sumptuous June Chadwick gives a sharp performance as scientist too. The gorgeous Dawn Dunlap spends a lot of the time screaming her head off, running around corridors and baring flesh. I guess the character is just keeping to tradition. Linden Chiles, Michael Bowen and Scott Paulin cap off a modest support cast.

Cheap and tacky, but highly enjoyable kitsch.

Producer Roger Corman was kind of like the Italians in his propensity for doing low-budget knock-offs of Hollywood hits. But one kind of film neither he nor the Italians (I saw this back-to-back with the similar Italian movie "Escape from Galaxy 3") probably should have attempted were these sci-fi extravaganzas. This movie is less notorious than Corman's previous space film "Galaxy of Terror" (where a female character is raped by a huge, slimy space worm and Erin "Happy Days" Moran's head explodes), but it's about the same quality.

Corman probably should have, at least, stuck to ripping off EITHER "Star Wars" or "Alien", but instead he wastes most of his meager budget in a pointless and risible spaceship battle scene at the beginning before settling into a fairly creative "Alien"-type story where a space crew in a remote outpost are menaced by a horrible creature. But the twist is it's not an alien, but a spontaneously mutating monster they created in a misbegotten experiment to deal with a food shortage back on Earth.

Jesse Vint is kind of an odd leading man for one of these kind of movies as he's mostly famous for 70's "hicksploitation" films like "Macon County Line" and "Black Oak Conspiracy". My favorite performances though come about an hour in when June Chadwick (as a scientist) and Dawn Dunlap (as a lab technician) take a shower together for some reason. This is a scene that was definitely missing from "Alien" (at no point did Sigourney Weaver and Veronica Cartwright take a shower together). Dunlap is especially appealing in this movie, even when she's not taking a shower (or otherwise getting naked). She's wasn't much of an actress, but in her short career she managed to work with both Roger Corman and the French photographer/director/pervert David Hamilton (she appeared as the title character in his notorious nubile nudie movie "Laura" when she was all of about 17). She's a few years older here, and, oh man, is she cute!.. But where was I? Yeah, this is OK I guess. It's definitely not "Alien", but. . .

FORBIDDEN WORLD shows us what Ridley Scott's ALIEN could have been, if only it had included: #1- A robot named Sam! #2- STAR WARS-like space dogfights! #3- Blazing hot, female space scientists! In dangerously tight pants and high heels! #4- A wacky, chain-smoking mad scientist in a perpetually bloody lab coat! #5- A maniacally mutating metamorph, spreading goo and strawberry jam! #6- Idiot victims! #7- Blazing hot, female scientists who decide that their clothing is far too confining! Except for sunglasses! #8- Monster attacks intercut with love scenes! #9- Blazing hot, female scientists brushing each other's hair! In a super-mod shower! #10- Heaps of pulsating glop! #11- Meatball surgery! #12- Sizzling hot, female scientists in mini-bathrobes!

Yes, if only ALIEN had used cool gimmicks like this, then it would have been..., well, this movie!

EXTRA POINTS FOR: #1- Slimy, dripping practical effects! #2- Tracy Baxter's (Dawn Dunlap) incessant screaming! No, really! Once she gets going, she wails on and on like a tea kettle on the boil!...

Look. Don't expect top notch quality here. This is your typical straight to VHS shlock. I used to eat this kind of film up as a kid on Cinemax. To be honest, this type of filmmaking is hard to come by these days. The VHS/Rental store era was a special time. Shame that this isn't a thing anymore, and streaming sites are more concerned with ensuring top quality (or close to it) film fare. Do yourself a favor. If you come across these old Roger Corman productions, watch it. It may be tough sometimes, but the payoff is worth it.

Yet another cheap 'n cheesy early 80's "Alien" rip-off produced by Roger "King of the B's" Corman! This given alone is more than enough reason to proceed with caution and keep your expectations to a minimum. Then, during the opening credits sequence, your first impressions are most likely to seep to an even deeper level, as the first five minutes are a headache-inducing and utterly pointless compilation of confusing and hectic images that make no sense at all. But please do your best to struggle yourself through this crappy opening, because "Forbidden World" does eventually get interesting and worthwhile. Well, in all honesty … it's crap from start to finish! But hey, at least it's tremendously entertaining crap! We're in the darkest regions of outer space, somewhere in a distant future, but there's no menace of aliens this time. The cool-looking monster on the VHS cover is mankind's own little mistake-creation, spawned on a spaceship where the crew was actually trying to discover new types of food sources. Now they're up against a continuously growing monster that somehow understands English, yet dramatically misinterprets the meaning of the verb "co-exist". Lone space ranger Mike Colby (Jesse Vint) is called to the rescue, but he doesn't really contribute anything, except having sex with the female crew members on board. What a guy! Another scientist member of the expedition eventually comes up with an admittedly creative (but totally ludicrous) plan to destroy the monster. Naturally, I can't reveal anything about the denouement, but rest assured it's 100% original and hilarious. The cinematography is dreadfully dark and unclear, presumably to camouflage the ultra-cheap and tacky set pieces and make-up effects. The monster is very cool, though, and the killings are amusingly gross and bloody. The aforementioned "co-exist" scene truly priceless and any horror fan with a slight sense of humor will LOVE that moment. Alan Holzman didn't have any experience directing movies back in 1982, but he does a fairly adequate job and admirably prevents his cast from going over the top. Following good old Roger Corman traditions, there's some great sleaze and nudity to enjoy and also the dialogs are imbecilic but fun. Highly recommended in case you can tolerate B-movie cheapness.