Eating Raoul

Lengthy description to describe a movie that runs less than 90 minutes, but wow, can't say I've ever seen anything quite like it. I'm sure plenty of people would find this movie dull, as it moves at a snail's pace. It is early 80s B-movie schlock, which is exactly what I liked about it. What's there not to like about a couple with zero sex drive that decides, right after killing a few people, to make their money by advertising sexual fantasies, sexually enticing people, then whacking them with a frying pan before enthusiastically emptying their wallets.

I wanted to see this movie because I knew Paul Bartel was a cult flick God, having seen his master cheese flick Death Race 2000 and his rebellious teacher role in Rock N Roll High School. Shabby dialog throughout, awful (but wonderfully so) dubbing, don't watch this movie to add points on your IQ test. The pace is rather slow throughout, yet Eating Raoul is also goofy and surrealistic. The over the top sexual innuendos and rampant sexual scenes are countered by the bizarre calmness of Mary and Paul Bland (Mary Woronov and Paul Bartel, respectively) as they take care of victim after victim. Not really a laugh out loud movie (except for the botched robbery scene and the hot tub sequence, they were freakin funny) but it will make you chuckle.

One thing that was great about this movie is that even though it was obviously an 80s cult flick, the music was, for the most part, great. It gave a cartoonish feel to large portions of the movie and added atmosphere to the strangeness that permeated throughout. The hammy manner in which the murders take place also adds to the offbeat feel of this film as there is no emphasis on violence and blood. No gruesomeness needed, for if the frying pan does the job, why not use it?

I would recommend this flick to cult movie fans but it's a lot more off kilter than anything you've ever seen. I found much of the humor to be delectably inane, and even though the pace was slow, I had a good time watching this Paul Bartel vehicle. Roles by Buck Henry, Ed Begley Jr and Don Steele (you know, the DJ guy from Rock N Roll High School and Death Race 2000) add to the zaniness of a flick that rightly could offend many but could also be found endlessly amusing, as I did.

Paul Bartel's ultra-low budgeted quickie is still one of the best black comedies ever made, even though I found it less funny than when I first saw it, approximately ten years ago now. Then again, it was my very first "politically incorrect" comedy and I've seen many others since… This is a very charming film and the reasons why it works so well especially are the overly eccentric characters and the straight-faced acting performances of the talented B-cast. Writer/director Bartel and his favorite B-movie muse Mary Woronov star as an uptight and exaggeratedly square couple, the Blands, who're social outcasts in the wild L.A. region. Paul and Mary dream of opening their own little restaurant in the countryside but they have trouble financing it, while so many "swingers" waste their money on parties and bizarre sexual fetishes. After a first – and accidental – homicide, Paul and Mary find out that they could make easy money by luring more perverts to their apartment and kill them. The situation gets more complicated when Latino-crook Raoul discovers what the couple is doing. There aren't any special effects or gore and the set pieces aren't at all spectacular…and yet this little gem is entertaining from start to finish! Especially the first half (when you make acquaintance with the bizarre Blands) is terrific, with brilliant dialogues and offensive – yet very clever – black humor. It's obvious that Paul Bartel was an acolyte of the all-mighty Roger Corman, since he manages to deliver a fun movie without a large budget being required. The gags are simple - often not more than the sound of a frying pan hitting a human head – but it works and the atmosphere is so tongue-in-cheek that you can't but love what you see. I do wish that the film had been a little longer, especially since the ending comes so abrupt! "Eating Raoul" also contains many interesting trivia aspects, like for example the name of the co-writer, Richard Blackburn. Especially when you're familiar with Blackburn's other (and only) film "Lemora: a Child's tale of the Supernatural", this screenplay is a giant change in style. The supportive cast is marvelous as well, with the dazzling Susan Staiger as "Doris the Dominatrix" and Ed Begley Jr. as a pot-smoking hippie! Good fun!

This movie keeps ending up on my top ten list, no matter how many others come and go with the years. Director Paul Bartel began with a ridiculous premise, and then had everyone play it perfectly straight, which resulted in a comedy that doesn't telegraph its laughs. It's evident that the film was lovingly polished (again) in postproduction, down to the level of tiny incidental sound effects that add immeasurably to the hilarity if you happen to catch them. The story is full of murders, but there's no gore 'n guts here; it's all as discreet as an Agatha Christie novel, where Death is tastefully signaled by a thud from another room. EATING RAOUL is an excellent introduction to the topics of Los Angeles, food, swingers, and real estate loans, and resist as you may, you'll end up cheering for Paul and Mary as they work toward their dream of opening their very own restaurant.

The Basic plot: A bland couple, The Blands, composed of a wine fanatic and a shapely nurse , live in an apartment house filled with sex-pervert swingers , and when they want to go out and own a restaurant in the country ,but don't have enough money ,so they become bondage merchants who kill their clients for cash.But, Raoul, a handsome young thief, comes in and violates their plans.....

The praise: Dementedly funny,original and quirky, you really can swallow it up. The comic acting by Mary Woronov, Robert Beltran, Paul Bartel, and Doris the Dominatrix is perfect, and the satiric, ironic,darkly comic side is played to a luscious extent. The bondage merchant scenes are hilarious so much that I can't tell you, and the theme song adds deeply to the ironic side........Enjoy!

The late Paul Bartel made several interesting and overlooked cult movies in his sadly too short career, including his exploitation classic collaboration with the legendary Roger Corman 'Death Race 2000', but of all his movies he will be remembered for this one, 'Eating Raoul', a minor masterpiece. Shot on a shoe string budget as a real labor of love it is still one of the most entertaining black comedies ever made. Bartel himself co-stars with the tasty Mary Woronov (Warhol's 'Chelsea Girls'), who he had previously acted with in the wonderful romp 'Rock'n'Roll High School' among other things. They show lots of on screen chemistry and make a delightful team, something they obviously realized themselves as they went on to work together several times after this. However they were never better together than in this movie as the uptight but sweet Blands. The Blands have ambitions to open up their own restaurant but have limited means at their disposal. By accident they stumble across a way to get the cash they need using swingers whom they detest. All goes to plan until they encounter the shady locksmith Raoul (Robert Beltran, best known now to Trekkers worldwide). Things then start to get a little more complicated. The three actors seem to love working together and this gives the movie an added zest. The script in witty and unpredictable, and there are some funny bits from the supporting cast, especially Pee-wee Herman sidekick John Paragon as a pushy sex store clerk, and Ed Begley, Jr ('Meet The Applegates') as a horny hippie. This is a wonderful movie, a real comedy gem, that I highly recommend. Paul Bartel R.I.P.