Death Valley

Coming out during the influx of the slasher craze, "Death Valley" could be seen as one of those unlucky films that got lost in the crowd and was pushed aside with those lesser imitations. Unfortunately if that's the case it's undeserved (sadly no DVD release either), as it's a lot more accomplished than its rancid shockers. One thing though, it was one of those video cases that always drew me to its strikingly cool artwork.

Billy and his recently divorced mother leave New York for a vacation to California to meet up with her new boyfriend. For Billy it's hard seeing his mum with another man, but it's the less of his worries. As on their vacation to "Death Valley", Billy stumbles across an empty RV and picks up a necklace. Later they come across this RV again, but it was in an accident or so it seems. Unknowingly to them, there have been brutal murders in "Death Valley" and killer now has Billy in his sights.

"Death Valley" is like a second-rate Hitchcock-like thriller that decently grows on bone-rattling suspense, taking time to let the characters and circumstances unfold that when the threatening tic-tack-toe nature breaks out we're put in an act of alarm and desperation. It really puts the characters on the spot and breathing down an ominous air, the material doesn't do much to hide the killer's identity and the surprise twist is easy to figure out. The rural California locations do it wonders, as the secluded landscapes are harsh and vast with it being truly alienating --- nowhere to hide and help is a long way. Dick Richards directs with panache and vision, orchestrating the unhinged sounds (a suspenseful music score) and observatory imagery (moody camera angles and slow-motion) with the foreseeable one-track story. While slow-winding, as it's slowed up by passages involving family issues --- Billy accepting his mother's new boyfriend, but this does give it a grounded sincerity to the character's relationships and dynamics. These moments are broken up by the heighten tension and an odd nasty jolt that's well-timed by throwing you off with false bumps.

Performances are agreeable. Peter Billingsley (whose massive glasses are somewhat distracting) is likable as the know-all Billy and Catherine Hicks is simply delightful (although she does some questionable actions in the film's climax) as Billy's mother. Paul Le Mat is sturdy, but does look quite bemused more often. Wilford Brimley is hardy as the suspicious sheriff and Stephen McHattie is suitably random and menacing. There's also a minor part for Edward Herrmann at the beginning as Billy's father.

Nothing special, but a diverting, fine old-fashion thriller with the modern unpleasantness.

If the readers may permit a little intro about this movie, I'd already lost my hope to find this rarest movie that watched in far off 1988 around my teenager years, in fact I've just remember some small fragments, out of the blue in a quick research at my old friend Youtube appears it on dubbed version, well I can't believe in my own eyes, all this in fine print near DVD, well it sent me back on late eighties for one hour and a half.

The plot is quite simple the little boy Billy (Peter Billingsley) living in New York with her divorced mother Sally (Catherine Hicks) flying into California to meet her new boyfriend Mike (Paul Le Mat) for a vacation on Death Valley aiming for easy the feelings of Bill over a forthcoming engagement between his mother and Bill, an annoyed Billy is afraid that it could ward off his father, however the worst is coming when they reach in a old mine at Death Valley, Billy walking around find a necklace at empty motor-home, where moments early someone slashed tree occupiers, later it was found burning in a ravine nearby.

Turns out that Billy got the necklace and on the restaurant saw the waiter Hal (Stephen McHattie) wearing the same one, reaching at crash area seeing the motor-home in flame, Billy decides told the truth to local Sheriff (Wilford Brimley) about the strange object, it raises suspicions of the Sheriff due in such in past year had an akin murder on same patten, all victims were slashed, thus this necklace belongs to two local brothers that living on a desert area and could be the key to clarify those murders, not so fast the old Sheriff exposes to Hal all about over the necklace found by young Billy, henceforth he becomes a target to be slash.

A kind of B-flick mixing slash and thriller, many gorgeous girls, nude scenes with beauty Gina Christian, having the great landscape of the marvelous Death Valley as backdrop, also great casting as well and the undeniable eye candy Catherine Hicks in fine shape, without forget the strong performance of McHattie and Paul Le Mat and the veteran actor Wilford Brimley not despicable that some reviewers want implied.

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First watch: 1988 / How many: 1 / Source: TV-Youtube / Rating: 6.5.

Yep - I like this film. I am also happy to finally see a promotional photo for this film , thank you a lot IMDb! I have a copy of this film. I find this film a one-of-a-kind. I like it cause it's early 80s. And I LOVE what happens to the eat-too-much babysitter! LOL I never see this for rental at the video store - I had actually seen it on TV.... Not that this is a marvelous film , but I have definitely sat through more boring , supposed-to-scare-me films. Not exactly gore , not exactly a slasher - Hard to pinpoint this one exactly , but I'll call this a thriller - with a touch of mystery....with a completely 80s-style view. PEACE

If you'd heard nothing about 'Death Valley' and never seen the poster, you'd get about a quarter through the film still thinking it was an overly angsty kid's movie about dealing with divorce. To your surprise, you'd find that the film is one of the most gussied-up, glitzy actor'd, low-brow slasher flicks every made.

Despite an impressive cast, it's really no surprise if you haven't heard of this one – I hadn't and I'm a child of the 80's. In 1982, with slasher films reaching their apex of interest, and audiences demanding more and more outlandish scenarios, director Dick Richards (better known for westerns and noir) set out to make a serious suspense thriller told from a young boy's perspective. Fortunately (or otherwise), he succeeded only in finding a bizarre new genre-limbo somewhere between 'Kramer vs. Kramer' and 'Slumber Party Massacre'; 'Death Valley' is a bit of an awkward fit.

Billy, played by Peter Billingsley ('A Christmas Story'), is as sublime a 'natural' as ever there was in the role of the young boy in question. He lives in Manhattan with his father, a rather sophisticated businessman played by Edward Herrmann ('The Lost Boys') and is about to take a vacation out west with his mother (Catherine Hicks – 'Child's Play') and her corn-fed boyfriend (Paul Le Mat – 'American Graffiti'). There's no question that Billy is none too pleased at the prospect but he's immediately shown to be both mature and intelligent enough to cope.

Aside from Billy's misplaced distrust of his mother's new beau, the newly-formed family unit begins a trek across the deserts of Arizona with only the mildest of dysfunction in tow. Our first hint that the story will dive into dread comes when Billy notices an ominous old Cadillac passing on the highway; the scene recalls Spielberg's 'Duel' or Carpenter's 'Christine'. From here the film spirals down into a bloody-red murder mystery with Billingsley as the hunted witness and Wilford Brimley ('The Thing') as the bumbling highway cop without any hope of protecting this unsuspecting family from a mysterious killer.

There really is a punch about a third of the way into the film (around the time we see a completely obligatory topless vixen and tomato-soup-red blood pouring from the neck of a victim – whose killing has no motivation by the way) that the whole tone turns on its head. 'Death Valley' feels a bit like 2 movies with 2 different directors - who have vastly different goals - just collaged together without much care or purpose. It's no wonder that Universal didn't really know what to do with this one; it sat in a can for over a year before it was released. Purpose aside, I sat down and tried to figure out why this film doesn't work and, in doing so, I found myself with a list of all the reasons it does: big names, epic cinematography (filmed almost entirely on location), Wilford Brimley, 1980's nostalgia (see 'SIMON'), unapologetic child-in-peril scenario, and neon-orange blood splattered across half of the movie. What's not to like?

...a movie without a script totally bombs. From the writer of "Universal Soldier" (1 & 2) and "Hard to Hold", it's a wonder this movie is even as good as it is. The actors and director do a remarkable job despite the drivel they are forced to work with. If they did a total rewrite of this movie, it would probably be pretty good, but as it is, it is somewhat boring and just BLAH. It has some moments but I wouldn't bother unless it is on TV and you are bored anyways.