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The b&w flick's a "can't miss" for fans of 40's noir and crime. It's like a big re-union for the gritty stars of that memorable time, from Bogart to Stanwyck to Ladd, the list goes on. (Be sure to check either the epilogue or IMDB for a full list, as they make their appearances in unpredictable fashion). Martin's quite humorous as the story-connecting detective trying to solve the narrative's bloated mystery, along with the delectable Ward as his suspicious foil. But who really cares about the main story since it's just a long thread to let the classic celebrities tie into. Inserting those many old film excerpts into the new scenes with Martin must have been an editor's and set designers' field day or nightmare. Still and all, they do blend well. Anyhow, it's a heckuva chance to see those greats of old together in one flick, even if only briefly. So here's my big salute to the great, underrated Fred MacMurray. Now if his Walter Neff can just resist Stanwyck's rolling up her hosiery, he might re-earn bossman Keyes' respect. Good luck, Mr. Double Indemnity.

I was really interested in seeing this movie, because I like film noir and I like Steve Martin. And you know what, this is a very clever and affectionate homage. My complaints are that the story is disappointingly convoluted so it is sometimes very hard to keep up with what is going on and one or two of the jokes don't quite work. But overall it is very funny, and seems to have held up well over the years. The script is clever and sophisticated enough, and Carl Reiner directs with precision and acts his part of Field Marshall VonKluck very well. The cinematography is smooth and crisp, and I thought the performances were excellent. Steve Martin is great here, not only do I think Dead Men Don't Wear Plaid is underrated but this is one of his roles where Martin deserves a lot more credit. Rachel Ward looks lovely as Juliet Forrest and is terrific acting wise. The real joy is watching the archive footage of all those wonderful actors and actresses in those timeless masterpieces. Spotting stars such as Humphrey Bogart, Cary Grant, Bette Davis, Ray Milland, Vincent Price and Ingrid Bergman all but to name a few was a delight in itself. Also the finale while silly is great fun. All in all, Dead Men Don't Wear Plaid is well worth the look. 8/10 Bethany Cox

DMDWP is a black and white film noir comedy that uses footage from real film noirs from the 40s and 50s and inter cuts them with the plot to make it appears that Steve Martin is really talking to/acting with the likes of Humphrey Bogart, Bette Davis, James Cagney etc. The effect is almost seamless but for a movie made in 1982 it's quite impressive.

Martin plays the wonderfully named Rigby Reardon, a typical, gritty private eye who narrates the story with sarcastic observation and gets involved in the usual femme fatal plot and a conspiracy surround the death of a cheese maker. Yes, it's nonsense, and towards the end it becomes a bit hard to follow and the silliness gets out of control. But it's all played straight and for most of the film you could believe you were actually watching a classic film noir.

Steve Martin should have done more of these movies. Rigby Reardon was a great character and could have lasted for a few more movies. The humor is frequently hilarious and he certainly retains a lot of the integrity he has lost in recent years since he went the way of Eddie Murphy and sold himself out to family audiences. Either way, I say you should give this movie a go if you're a fan of his older work.

The DVD is sadly in non-anamorphic 1.85:1 widescreen with Dolby 2.0 surround. It still looks quite good for a black and white film and the sound has that limited sound space effect to it to make it fit in with the older footage. A Dolby 5.1 remix would have been totally unnecessary. Some boring extras (trailer, cast bios) are included.

I had to watch this a second time to appreciate it. The story is not the most impressive; but the concept is. Steve Martin plays a detective in a parody of classic film noir. The movie features actual scenes cut from several films and blended with precision. These skillful splices feature some of the great names from old time Hollywood. Names like Cagney, Douglas, Davis, Crawford and Bergman.

Martin really shows his talent and ability to make a scene imitate reality. His comedic wit is sharp as a switchblade. His co-star is Rachel Ward, who can vamp or play coy with the best of them. Along with directing, Carl Reiner has a cameo part.

Swift directing, with superb lighting and shading made this black and white crime comedy shine.

I first saw this in the theater with my dad, at the age of 13, when it was first released - he was a huge fan of classic movies and usually suffered through the stuff he took me to. Not this one - we were both in hysterics, and I'd have to say I owe my huge love of classic Hollywood (and global) cinema to this film. CITIZEN KANE it may not be but no matter - I dug the humor and the atmosphere at the time, and even then was aware of how much work this must have been.

I still watch this one on occasion, and it is the rare comedy that has held up very well with the passage of time - critics at the time seemed to write it off as a stunt, but I've noted that at least a little reevaluation of DEAD MEN DON'T WEAR PLAID has occurred over the years. The performances - as both a spoof and a love-letter to film noir - are top notch, with Steve Martin at his best here. The dialog gets deep into Raymond Chandler/Dashiell Hammett hard-boiled private-eye stylishness, serving up gumshoe-with-dame clichés just juiced up enough to give Steve something to run with, while still offering an a solid story. The finale is magnificent, Martin and Carl Reiner jousting their way through an avalanche of every two-bit dime-store whodunnit game-over cliché to ever grace the big screen, cheap alibis falling like drunken angels across the naked city as the big heat descends... Or - ahem -something like that...