IMDb-BEWERTUNG
6,6/10
4270
IHRE BEWERTUNG
Die Fischfabriken stehen leer, denn Sardinen gibt es in diesen Gewässern nicht mehr, doch das Leben in der Cannery Row geht weiter.Die Fischfabriken stehen leer, denn Sardinen gibt es in diesen Gewässern nicht mehr, doch das Leben in der Cannery Row geht weiter.Die Fischfabriken stehen leer, denn Sardinen gibt es in diesen Gewässern nicht mehr, doch das Leben in der Cannery Row geht weiter.
- Regie
- Drehbuch
- Hauptbesetzung
John Huston
- Narrator
- (Synchronisation)
Empfohlene Bewertungen
a Steinbeck adaptation. and little more. because the atmosphere, the acting, the voice of John Huston, the details, the precise adaptation and the images and music are good pillars for a pure delight. a classic who preserves its special charm and delicate manner to give force to each character. one of most impressive roles of Nick Nolte and beautiful science to translate flavor of text lines not only in images but in a sort of touching metaphors. a magic film and this fact gives to it extraordinary nuances not only as frame of a picture from South or illustration for a great American writer work spirit but for a mirror-film who gives more than status than reader who becomes viewer to its public. a special contribution has Audra Lindley in this memorable embroidery of emotions and Steinbeck credo.
This is one of my favorite "feel-good" films. Its laid-back pace flows as a Steinbeck novel reads. This tone was set at the get-go by John Huston's narration. Most narrations seem to be used mainly as a means of filling in plot holes left by a lousy script, and end up being a distraction. Huston's enhances the film. Makes you feel like you have the book in front of you. One of those films I could watch again and again.
The first time I saw this movie, I almost walked out of the room (watching on a laser disc), but I decided to stay...and I'm glad I did. The film spends the first half developing the characters, among which are a PHD doing research on "Octopii" (Nick Nolte), a group of "ladies of the night", and a group of "bums". All of this is taking place around an old sardine cannery plant that is no longer in operation.
The movie begins to pick up steam toward the second half and is filled with laughs and giggles. The bums steal the show when they go frog hunting...hoping to sell the frogs to "Doc" so that they can have a party (for Doc). "Hazel" is hilarious and "Mac" (the head bum) has a unique approach to philosophy.
The bottom line is that the movie will make you laugh and has a happy ending. When (if) the movie comes out on DVD, I will buy it for my collection of classics.
PS: The film is narrated throughout, but the narration actually adds to the movie.
The movie begins to pick up steam toward the second half and is filled with laughs and giggles. The bums steal the show when they go frog hunting...hoping to sell the frogs to "Doc" so that they can have a party (for Doc). "Hazel" is hilarious and "Mac" (the head bum) has a unique approach to philosophy.
The bottom line is that the movie will make you laugh and has a happy ending. When (if) the movie comes out on DVD, I will buy it for my collection of classics.
PS: The film is narrated throughout, but the narration actually adds to the movie.
MGM was in a slump in 1982, and nobody knew how to market this episodic, whimsical adaptation of two plot-light John Steinbeck novels. So a lot of people were deprived of a life-affirming, atmospheric wartime romance that preserves the democratic, people-loving tone of the Steinbeck originals. Shot partly on an elaborate sound stage and partly on or near Monterey seaside locations, it's a leisurely collection of likable losers and near-losers inhabiting the titular sardine- canning center that's seen better days. Nick Nolte as Doc, a marine biologist with a not-too-secret past, is perfection, as is Debra Winger as Suzy, a combative but yearning drifter--the movie captures the character's mercurial, changeable nature far better than Rodgers and Hammerstein did in their own adaptation, "Pipe Dream." We'd like to see more of the gang, and don't really get to know Mac (M. Emmett Walsh) and his cohorts very well. But Frank McRae's a wonderful Hazel, and John Huston's narration, much of it verbatim Steinbeck, ties things together neatly. A bit slow, and a bit fanciful, it's nonetheless a wonderful date movie, best experienced with a good California wine.
I rented this film on a recommendation of a friend. I really love this movie and as I've noticed others say, I would watch it again. One thing that I like about this movie is that there isn't anything pretentious. All the characters come across with excellent harmony as real people in a movie and also as characters in a film. The tone is totally natural. The real beautiful part about the people in this film is that they enjoy their surroundings and even though Cannery Row has seen much better times, everyone is content with their lives and it comes across brilliantly. Kudos to all involved. I love it and hope you will watch it and enjoy it as much as I. I give this one a definite ten out of ten stars!
Wusstest du schon
- WissenswertesThe movie was based on not one but two John Steinbeck novels, the picture taking the setting story and its title from Steinbeck's "Cannery Row" and most plot elements from its sequel, "Sweet Thursday." The idea of using two Steinbeck books had been the concept behind the libretto of the Rodgers and Hammerstein musical "Pipe Dream."
- PatzerWhen Mack sits down at the open upright piano and starts playing during the final party scene, none of the hammers - which are clearly visible - move.
- Zitate
Suzy DeSoto: I'd still like a job.
Fauna Flood: As what?
Suzy DeSoto: You know, a... floozy.
Fauna Flood: Well first off, we don't call ourselves floozies in here. And second, you ever done this kind of thing before?
Suzy DeSoto: [sarcastically] Whadda ya gotta do besides lie down?
Fauna Flood: You gotta pretend that you like it!
- SoundtracksBIG NOISE FROM WINNETKA
Music by Bob Haggart and Ray Bauduc
Lyrics by Gil Rodin and Bob Crosby
Performed by Bob Crosby and the Bobcats
Courtesy of MCA Records
Top-Auswahl
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Details
Box Office
- Budget
- 11.300.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.301.539 $
- Eröffnungswochenende in den USA und in Kanada
- 1.500.000 $
- 15. Feb. 1982
- Weltweiter Bruttoertrag
- 5.301.539 $
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