Die Straße der Ölsardinen

a Steinbeck adaptation. and little more. because the atmosphere, the acting, the voice of John Huston, the details, the precise adaptation and the images and music are good pillars for a pure delight. a classic who preserves its special charm and delicate manner to give force to each character. one of most impressive roles of Nick Nolte and beautiful science to translate flavor of text lines not only in images but in a sort of touching metaphors. a magic film and this fact gives to it extraordinary nuances not only as frame of a picture from South or illustration for a great American writer work spirit but for a mirror-film who gives more than status than reader who becomes viewer to its public. a special contribution has Audra Lindley in this memorable embroidery of emotions and Steinbeck credo.

The first time I saw this movie, I almost walked out of the room (watching on a laser disc), but I decided to stay...and I'm glad I did. The film spends the first half developing the characters, among which are a PHD doing research on "Octopii" (Nick Nolte), a group of "ladies of the night", and a group of "bums". All of this is taking place around an old sardine cannery plant that is no longer in operation.

The movie begins to pick up steam toward the second half and is filled with laughs and giggles. The bums steal the show when they go frog hunting...hoping to sell the frogs to "Doc" so that they can have a party (for Doc). "Hazel" is hilarious and "Mac" (the head bum) has a unique approach to philosophy.

The bottom line is that the movie will make you laugh and has a happy ending. When (if) the movie comes out on DVD, I will buy it for my collection of classics.

PS: The film is narrated throughout, but the narration actually adds to the movie.

I find it easy to believe that many critics panned this movie, after all as William Peter Blatty once said about critics: "They neither reap, nor sow, nor harvest. They are malignant lilies of the field." For the most part, they are smart a--es who like to be cute and only have praise for "important films". Those of us who actually buy tickets prefer good movies and this was one.

For those who disliked this wonderful (and I truly mean filled with wonder) movie because it was different from the book (or books) I can only say a book is a book, a movie is a movie. It was delightful from beginning to end filled with likable characters. I remember when I first saw it, looking at the Cannery Row denizens with a feeling of envy. They had nothing, but somehow knew how to live.

Typically I only comment when I can make the following statement, which I now make unhesitatingly:

If you have a heart, it will be touched.

This is one of my favorite "feel-good" films. Its laid-back pace flows as a Steinbeck novel reads. This tone was set at the get-go by John Huston's narration. Most narrations seem to be used mainly as a means of filling in plot holes left by a lousy script, and end up being a distraction. Huston's enhances the film. Makes you feel like you have the book in front of you. One of those films I could watch again and again.

Even after 23 years I still have the newspaper ad for this movie on my bulletin board. "You don't have to be crazy to live here, but it helps." I love this movie. Of course, it pairs my two favorites, Nick Nolte and Debra Winger. It has the feel of an old time movie, or surreal, as another person commented. The characters are wacky and lovable and the dance scene and the frog hunt are unforgettable. The narration by John Huston is perfect.

Watching Cannery Row is a relaxing, enjoyable way to spend an evening. And I have used Doc's speech to Hazel at least twice -the one about paying for breaking something.

I don't think it is meant to be the retelling of Steinbeck's novel. I read both Cannery Row and Sweet Thursday ....and preferred the movie!!