Brimstone & Treacle

I really enjoyed Denholm Elliott's performance in this film. He's so bitter and gnarled up that his outbursts are brilliant and quite funny. Obviously the sick manner of the story is the same as the Play for Today, it's delivered well if not as successful as the TV version, although I've not seen that version for a long time so maybe the memory cheats a little.

Nothing wrong with Stings performance in this film but he he just didn't have the screen presence for me to completely convince.

I enjoyed this film more than I expected and it's good to see it get a repeat here in the UK on London Live channel. 7/10.

The film is re-make of a television play which the BBC chose not to transmit because of its controversial subject matter, in particular the final sequence of rape. This version which received a cinema release, appeared 6 years later, and included one member of the original cast, Denholm Elliot.

The central role of Martin was re-cast with Sting (then lead singer with The Police) who also provided music material, including his first solo single Spread A Little Happiness. (Michael Nyman also provided soundtrack material.)

The script remains largely faithful to the original screenplay, though several minutes of discourse in one of the final scenes is excised completely. This is a discussion of racism which provokes Mr Bates to retract from his outspoken racist views.

The original TV play is set mostly within the confines of a living room, while the

bigger-budget movie is less restricted, and has a Gothic, sinister atmosphere. References to Martin's diabolical nature are more subtle too – the TV play shows Martin with hairy, clawed feet. The closing scene of the film suggests that Martin may have been caught out (by an angel – or devil?), while the TV play implies that his actions within the Bates household are just one of many continuing abuses on a never-ending cycle.

Sting has, throughout his career, been involved in indie filmmaking. This was his second outing on film, his first being "Quadrophenia" by The Who.

With a passion towards dark humor, Sting involved himself in this remake of the teleplay that had also starred Denholm Elliot as Mr. Bates back in 1976.

"Brimstone and Treacle" is a modern gothic tale about the evil that men do and the price that must be paid to make things right. Also about how the actions of evil can still bring about an unintentional good.

The film also included an incredibly cool soundtrack of songs by The Go-Go's ("We've Got The Beat"), Squeeze ("Up The Junction"), The Police("How Stupid Mr Bates", "Only You", "A Kind of Loving" and "I Burn For You" and more...)and an irreverently stylish 1930's little diddy called "Spread A Little Happiness", was performed by Sting alone.

The song "I Burn For You" performed by The Police, unlike the later incarnation performed by Sting during his solo years, this original version has an almost funeral durge feel to it and adds to the dreamlike, if not nightmarish, quality of the film. This is not unlike the several other songs by The Police that make up most of the "Brimstone and Treacle" soundtrack.

If you have or have not seen the film, people who like the songs of The Police or just like the music from the 1980's, the film's soundtrack is something that should be added to your collection. And I do believe it is still available.

33. BRIMSTONE AND TREACLE (thriller-drama, 1982) Martin (Sting) befriends middle-aged bookkeeper Tom (Denholm Elliott). Martin cons his way into his house by passing himself as friend to his daughter. Daughter Patricia has been left a mute and bedridden for 3 years after a mysterious car accident. Though Tom is suspicious of Martin's exact motives, his wife is beguiled by Martin's charm. But what they don't know is that Martin is sexually abusing their defenseless and disabled daughter.

Critique: Part fairy tale, part religious parable, this creepy, atmospheric film is highlighted by a wickedly perverse turn by Sting (lead singer of rock group 'The Police'). What makes his character such a bizarre figure is that his motives are unknown, his appetites unresolved.

I think Martin is just a thief, passing himself as anyone's friend just to have a place to stay. A sort of pickpocket. He's also a sexual deviant who doesn't mind how he gets it, either from an invalid or an old woman. The film portrays him as an avenging angel-type, brought into this deeply secular home as a purger of sins.

Interesting direction by Richard Loncraine (is this his film debut?) who works from a play adapted by Dennis Potter, whose own sexually dubious works are to be questioned.

'The Police', along with 'The Go-Gos' provided the 'hip' soundtrack.

A middle class commuter belt couple Mr Bates (Denholm Elliot) and Mrs Bates (Joan Plowright) are duped into taking a charming young man Martin(Sting)into their house to help care for their catatonic daughter (Suzanna Hamilton). Martin claims to have been close to their daughter before an accident left her unable to communicate. As the film progresses the couple mistakenly start to trust Martin and dark family secrets are revealed.

Originally a stage play written by Dennis Potter the film is in turn engrossing, disturbing and claustrophobic. Denholm Elliot is as ever brilliant as the lonely and disturbed father figure, Sting puts in a good performance as a strange and demonic young man, Joan Plowright is very good as the maternal and naive housewife.

The two slight let downs for me were the music which I did'nt feel fitted in well with the film and the main fantasy sequence which did'nt stand the test of time well.

Other than that the film held my attention throughout, the direction by Richard Loncraine was extremely capable, all in all an intriguing and idiosyncratic piece which is well worth a watch.