Blood Link - Blutspur

Seems to me there aren't enough horror films dealing with evil twins. Sure there are some (Dead Ringers springs to mind though I've not seen it) and the concept has made for an amusing twist in a variety of slashers, but there aren't so many films directly based around the concept. Blood Link is one such though, and pretty entertaining stuff albeit no classic. The story follows Dr. Craig Mannings, research psychiatrist having visions of beautiful women getting offed by his hand. He realises soon enough that in fact he is seeing through the eyes of his maniac brother Keith and so without further ado heads off to Hamburg to find him. Though directed by an Italian Blood Link has more in common with glossy yet seedy Hollywood thrillers of the era, the sort of thing in fact inspired at least in part by giallo cinema. There isn't overmuch style on hand, but its a pretty well made affair and there's an understated but fairly pleasing Ennio Morricone score to keep things bubbling along. Perhaps the most typically Italian thing about the film is a script that cares about nothing more than moving the action along, resulting in a succession of plot holes opening up that threaten to engulf the whole experience if one looks back even for a moment to consider them. Like how come neither Craig's girlfriend nor employers have anything to say on the subject of his leaving the country to search for a murderer? Why doesn't he fess up to the Hamburg police straight away (having presumably no prior experience of going after murderers himself)? Why was Keith allowed to get to Hamburg in the first place? There's more, but part of the fun comes from the mounting implausibilities and the pace is sufficiently swift that to say much more would be a spoiler anyway. Of course, none of this would work without some performances up to the task, and happily awesome character actor Michael Moriarty is on the case, playing Craig and Keith. As Craig he does not initially hook, coming across very much low key and befuddled, but grows into the role, taking on determination and a harder edge. As Keith he's a blast throughout though, putting his all into a great show of malevolent camp. Especially fun are scenes with the two together, both tense and bizarrely amusing. The rest of the cast is solid and includes a nice but sad cameo from the great Cameron Mitchell, though mostly notable for its attractive women. Penelope Milford as Craig's girlfriend, Sarah Langenfeld as a vengeful lass on Keith's case and Martha Smith as a local hooker, all fill their roles well and all show their lovely breasts. Moments of death or menace in fact often come after or involve sex or nudity giving a nice sleazy edge, which is helpful as in a shocking turn of events there's only bare minimal bloodshed. The nasty bits are at least pretty mean though, and once or twice even mildly shocking. Altogether this is a smooth ride though not especially memorable, Some longueurs in the final block but a nice suspenseful and twisted finale end things on just the right note, making it overall a worthy venture. Strong 6/10 then I guess.

A man finds himself having visions of murders being committed that turn out to be true. His visions and investigations take him to Berlin where several revelations bring him face to face with the killer.

I love 'one good twin, one evil twin' movies. This is another example of this genre but is closer to Dead Ringers than Basket Case.

I hate it when people describe movies as having a 'dream like quality' but that description is entirely applicable here. I'm not sure if this was the intended outcome for the movie's director or if this was the result of inexperienced filmmaking but it works really well. If you like to have a few tokes whilst watching a film then that's not needed here. It's obvious that the cast and crew have done all of that for you. I'm surprised Mary Jane wasn't given her own credit to be honest.

The Berlin locale works really well with moody, neon lit scenes of down town Berlin at night looking gorgeous and fitting the darkness of the film splendidly.

And then theres the cast. Michael Moriarty shows his continuation of giving off-beat performances to bring to life off-beat characters after his surreal role in the brilliant Q. He's just as idiosyncratic in Blood Link as he was in Larry Cohen's cultfest and is a major part of why this film is so likeable and watchable. We also get Cameron 'Toolbox Murders' Mitchell as an ageing wrestler who is also fantastic. We also get an Ennio Morricone score (quite surprisingly).

File this movie under 'Oddity'. Not a cult classic but well worth seeing.

Michael Moriarty does a good job of playing identical, separated Siamese twins, who share a telepathic link. Craig is a doctor practising in North America whilst Keith is a psychopathic killer, murdering in Berlin. Craig acts upon his visions and travels to Germany to try and stop the killing spree. Although a fan of Euro horror I had not heard of Blood Link until I saw a cheap copy for sale on VHS. The cover alone sold it to me. Moriarty is good in both roles. Cameron Mitchell shows up as an out of condition, over the hill fighter. And most of the actresses end up naked. There is a touch of sleaziness about Blood Link. It also has a reasonable body count, and although there is a lot of dialogue throughout it's running time it is peppered with kills and nudity to keep it interesting. Now, that artwork for the cover looks very familiar - New York Ripper!!??

"Blood Link" is a suspenseful and pretty scary thriller.

The plot: Craig Manning (Moriarty) is a doctor. But for some nights now he's been having horrific visions of murders. It turns out he has a Siamese brother (also played by Moriarty) who lives in Hamburg. Craig tracks him down to unravel the mystery.

"Blood Link" is worth watching for the usual excellent performance by Moriarty. He puts a lot of energy and character into the role. The direction by De Martino is fast-paced and the music by Ennio Morricone is always worth a listen.

In the end: If you can find it, "Blood Link" is an interesting horror movie worth watching.

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Two twin brothers, one good and one evil, share a Blood Link which allows them both to see through the other brothers eyes. Problem is that one of them is a serial killer and the good brother will have to try and stop his sibling from murdering innocent people in Germany.

We meet Craig who starts having visions and nightmares of a person who looks just like himself killing random women. He feels satisfaction and relief each time he sees these things happening, evening feeling as though he committed the crimes himself. Craig starts investigating his upbringing and the fact that he has an apparent siamese twin out there named Keith. This all leads him to West Germany where he travels to in an attempt to find his brother and stop his murderous ways. Will he be able to accomplish this, or will Keith turn the tables on him and switch places in the eyes of the police?

Blood Link is a thriller that has a very interest concept with the two identical/siamese twin brothers, one good and one evil. The idea that they can see each others actions through each other's eyes is an interesting one which worked well throughout the movie. Craig sees every evil action and kill that Keith commits. The flaws with the movie lies with the character development and motive of the killer Keith. We get that there was a very bad childhood upbringing, but the film never gives us his real drive to kill all of the people he knocks off. In the end, the murders feel very shallow and we are left just with two twin brothers battling it out for no good reason.

Michael Moriarty does a fine job as the lead character Craig and Keith. He's believable as both the psychotic killer and the man who is so confused as to what is happening in his dreams. I thought the real standout was Penelope Milford as Craig's girlfriend Julie. She had some fun scenes with the good brother, and highly emotional and terrifying scenes with the evil one.

Blood Link was a below average watch for me. It started out well, but dragged on quite a bit with a story that never seemed to be fully imagined on screen by the director.

4/10