IMDb-BEWERTUNG
6,5/10
1426
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPolice compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
Jean-Paul Comart
- Le Belge
- (as Jean-Paul Connart)
Tchéky Karyo
- Petrovic
- (as Tcheky Karyo)
Galia Salimo
- Sabrina - la prostituée
- (as Galia Dujardin)
Empfohlene Bewertungen
Watched this last night - a belting French Cops and Robbers drama set among the Paris version of the flying squad. It opens with their main informant being murdered and they need replacement to get Mr Big.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
The psychological techniques of the Chief Inspector Palouzi(Richard Berry)and his sometimes cruel, but equally compassionate portrayal of a decent human being, "just doing his job" was quite well done--Hat's off to Bob Swain--Chicago's own! Berry-himself of French-Algerian decent, is very smooth; and his mature attitude--not arrogance--is what pulls him though. The Acting by Nathalie Baye and the late Philippe Leotard was also excellent. Some of the chases and Arrests were Hokey-but, the Overwhelming theme here is the true devotion of a Woman(Baye) to her Man(Leotard). We need more stories about devotion to People, rather than Devotion to careers or even countries-- No displaced loyalties here--Baye's acting was superb, and I am married to a very devoted woman, so I identify with her loyalty to "Dede"!
Does anyone Know what Richard Barry(Benguigui) is doing these days? He is a fine actor. Bon Chance to all! Try and see this one, if you haven't already seen it.
Does anyone Know what Richard Barry(Benguigui) is doing these days? He is a fine actor. Bon Chance to all! Try and see this one, if you haven't already seen it.
...of a different Paris, different love story and images of cops. a precise and impressive film. for the portraits of characters. for the science to escape from cliches circle, for the inspired way to tell a dirty, insignificant, ordinary story, using each of its nuances in admirable manner. a woman. and her man. and the Police as the shark in the essence of relationship who could be normal. it is easy to define it as a film with a great cast , from Maurice Ronet and young Tcheky Karyo to Nathalie Baye. but the authentic star of film remains Phililipe Leotard, giving a dramatic performance. so, a revelation. at each new view. because it represents the realistic portrait of a world who seems, from so many (American) films, well known.
I knew I was in for a treat when the crunchy new wave title track for "La balance" started playing, and the next 100 minutes didn't disappoint. I'm accustomed to French crime movies with a bit of an arty or philosophical bent, but this one is all pulp, all action. Proudly wearing its influences on its sleeve with several references to Steve McQueen, this will greatly appeal to fans of movies like "Bullitt" and "The French Connection." It must be said that the cops here are seriously ethically dubious: they're misogynistic, xenophobic and constantly pushing the limits of legality to get their man, but these aspects are presented matter-of-factly rather than in a purely glamorizing light.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
Nathalie Baye is superb as always as a kind-hearted but guarded sex worker pushed into an informant role, but her character leans too heavily on cliché. More interesting is the smaller role of Galia Salimo, a trans actress who makes a major impression in her scenes as a local wheeler and dealer trading in stolen goods. This is a punchy, well-constructed crime tale that warrants another look.
A small time ex-con (Phillipe Leotard as Dede) and his prostitute girlfriend Nicole (Nathalie Baye) are relentlessly pressured by an aggressive and at time brutal police squad led by Mathias Palouzi (Richard Berry) to inform on the mob. Using any means necessary, playing one off against the other, humiliation, beatings, or threats, the couple is forced to become informants on underworld leader Roger Massina (Maurice Ronet). The love story is at the heart of the film, while the cops and crooks make up opposite ends, though they often employ similar means. Berry seems to flourish in the middle, beating up on Dede while playing a little softer with his girlfriend Nicole. A fast pace takes us whizzing through some great Paris locations, through a stagey looking though fairly impressive shootout on a crowded street, and several seedy dead end alleyways. Many of the underworld characterizations are terrific, and the classy soundtrack (especially the ending) is perfect for the mood.
Wusstest du schon
- WissenswertesThis film is the second French crime movie made by an American director after RIFIFI, back in 1953, and directed by Jules Dassin.
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- How long is La balance?Powered by Alexa
Details
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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