Füge eine Handlung in deiner Sprache hinzuJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husba... Alles lesenJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifi... Alles lesenJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifice victims.
- Professor Sorensen
- (as Anita Sagnotti Laurenzi)
- Maria's Bodyguard
- (as Nazareno Cardinali)
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It has Joan Barnard (Elvire Audray) while in NYC having the same recurring nightmare/ proclamation regarding her ritual and her husband, Arthur Barnard (John Saxon) who happens to be an archeologist. And after a brief call from her husband, from Italy to NYC, he informs her he is bringing back 12 crates, it is there he is killed right on the spot by having his neck twisted. As a result of wanting to know what happened to her husband, she feels more than obligated to take a trip to the same archaeological sites her husband had visit ed. It was at this point we are introduced to many characters from the Contessa Maria Volumna (Marilù Tolo) and her goons as well as the racket Joan's dad, Mark Mulligan (Van Johnson) is involved in which happens to be heroin.
By looking at the big picture, this is supposed to be the horror equivalent of Raiders of the Lost Ark made one year prior to this one. There is not a single nude scene and the lead actress Elvire Audray herself at that particular time could have been mistaken for a Taylor Swift look-a-like. The most boring thing about this movie is the fact there are way too many characters. Viewers are kind of oblivious before have suddenly appear out of nowhere, whether he is related to Joan's husband or part of the group itself. And by the time viewers find out who the killer is, it made even less sense.
The acting is not particularly good. That being said, I've seen much worse before.
Although there are a number of genres mixed in here, the overarching genre is giallo/slasher. What it's really missing is the graphic violence and sexuality that so often punctuate giallo and slasher films. There's no payoff. The ending gimmick was really bad.
This film was apparently cut down from a television series, and I can only assume that they left the worst parts in! There's barely any excitement to speak of whatsoever, and this ensures that the film is very hard to care about. Add in some extremely unenthusiastic performances (unenthusiastic even by Italian horror standards!) and some silly fantasy crap and what we've ended up with here is one of the worst Giallo's ever made! It's a real shame too as this film blends in a few different styles and if Martino could have just pulled it all together better, this could definitely have sat alongside his more esteemed film credits. One of the few saving graces in this film is the music; but once you recognise it from The Beyond, the credibility soon dries up! At least the film manages to limp through with a decent finale; though once you've sat through the first eighty five minutes of the film, it could be the best ending of all time and most people would be unlikely to care. Overall, this is absolutely nothing to recommend this film for and I recommend that everyone skips it!
Cinematography is standard TV-like. You simply don't care about the plot, the actors but you will hate the awful muzak.
The fact Sergio Martino gave up on the anamorphic 2:35 format is, I think, a turning point in his career. He began with this "thing" (I hardly call that a movie)a long serie of disappointing and less radical movies especially aimed at a more US and european market (2019 AFTER THE FALL OF N.Y; ATOMIC CYBORG; AMERICAN RICKSHAW among others) where his visual style (weird camera angles, fast editing...) totally disappeared.
You'd rather avoid this easily forgettable ASSASSINIO AL CIMITERO ETRUSCO and prefer TUTTI I COLORI DEL BUIO or LA CODA DELLO SCORPIONE, his best works to me.
Directed by Sergio Martino (A Man Called Blade) and featuring Elvire Audray (Ironmaster), Paolo Malco (The New York Ripper), Claudio Cassinelli (The Suspicious Death of a Minor), and Marilù Tolo (Marriage Italian Style).
This Italian horror film from the era stands out with its unique blend of giallo and Indiana Jones elements. The solid acting complements a compelling storyline, enhanced by authentic sets and props. The film effectively uses maggots to create a chilling atmosphere, though some scenes might be unsettling for those not fond of them. However, the kills are disappointingly average, accompanied by the use of visibly paint red colored blood. Despite this, the ending manages to evoke a smile.
In summary, A Scorpion with Two Tails is an average addition to the horror genre, that potentially could have been better with improved kill scenes. I would give this a 5/10 and recommend watching it once.
Wusstest du schon
- WissenswertesFinal film of Wandisa Guida.
- PatzerWhen Joan runs through the tunnel into some spider webs, she waves her hands around in them like she's stuck, but they weren't really near enough to have held her back.
- Zitate
The 'aulos' old Player: [stops playing ancient flute, speaks to Joan] Welcome back, Granter of Gifts.
- Crazy CreditsFinal credits roll over a shot in which the World Trade Center towers over.
- VerbindungenReferences Ein Zombie hing am Glockenseil (1980)
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