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Assassinio al cimitero etrusco

  • 1982
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
4,4/10
755
IHRE BEWERTUNG
Assassinio al cimitero etrusco (1982)
Slasher HorrorEntsetzenKriminalitätMysterium

Füge eine Handlung in deiner Sprache hinzuJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husba... Alles lesenJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifi... Alles lesenJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifice victims.

  • Regie
    • Sergio Martino
  • Drehbuch
    • Ernesto Gastaldi
    • Dardano Sacchetti
    • Mara Maryl
  • Hauptbesetzung
    • Elvire Audray
    • Paolo Malco
    • Claudio Cassinelli
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,4/10
    755
    IHRE BEWERTUNG
    • Regie
      • Sergio Martino
    • Drehbuch
      • Ernesto Gastaldi
      • Dardano Sacchetti
      • Mara Maryl
    • Hauptbesetzung
      • Elvire Audray
      • Paolo Malco
      • Claudio Cassinelli
    • 21Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos23

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    Topbesetzung27

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    Elvire Audray
    Elvire Audray
    • Joan Barnard
    Paolo Malco
    Paolo Malco
    • Mike Grant
    Claudio Cassinelli
    Claudio Cassinelli
    • Paolo Domelli
    Marilù Tolo
    Marilù Tolo
    • Contessa Maria Volumna
    Wandisa Guida
    • Heather Hull
    Gianfranco Barra
    Gianfranco Barra
    • The Police Commissioner
    Mario Cecchi
    Franco Garofalo
    Franco Garofalo
    • Gianni Andrucci
    Maurizio Mattioli
    • Masaccio
    Carlo Monni
    Carlo Monni
    • Senaldi
    Anita Laurenzi
    • Professor Sorensen
    • (as Anita Sagnotti Laurenzi)
    Jacques Stany
    • Nick Forte
    Luigi Rossi
    • The 'aulos' old Player
    John Saxon
    John Saxon
    • Arthur Barnard
    Van Johnson
    Van Johnson
    • Mulligan - Joan's father
    Nazzareno Cardinali
    • Maria's Bodyguard
    • (as Nazareno Cardinali)
    Angela Doria
    • Hilda
    Antonio Maimone
    • The Boss in New York
    • Regie
      • Sergio Martino
    • Drehbuch
      • Ernesto Gastaldi
      • Dardano Sacchetti
      • Mara Maryl
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    4,4755
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    3jordondave-28085

    Sergio Martino's lesser equivalent response to 1981 Raiders of the Lost Ark

    (1982) The Scorpion with Two Tails/ Assassinio al cimitero etrusco DUBBED HORROR/ THRILLER

    It has Joan Barnard (Elvire Audray) while in NYC having the same recurring nightmare/ proclamation regarding her ritual and her husband, Arthur Barnard (John Saxon) who happens to be an archeologist. And after a brief call from her husband, from Italy to NYC, he informs her he is bringing back 12 crates, it is there he is killed right on the spot by having his neck twisted. As a result of wanting to know what happened to her husband, she feels more than obligated to take a trip to the same archaeological sites her husband had visit ed. It was at this point we are introduced to many characters from the Contessa Maria Volumna (Marilù Tolo) and her goons as well as the racket Joan's dad, Mark Mulligan (Van Johnson) is involved in which happens to be heroin.

    By looking at the big picture, this is supposed to be the horror equivalent of Raiders of the Lost Ark made one year prior to this one. There is not a single nude scene and the lead actress Elvire Audray herself at that particular time could have been mistaken for a Taylor Swift look-a-like. The most boring thing about this movie is the fact there are way too many characters. Viewers are kind of oblivious before have suddenly appear out of nowhere, whether he is related to Joan's husband or part of the group itself. And by the time viewers find out who the killer is, it made even less sense.
    4dopefishie

    lackluster and unpredictable

    The true strength is its unpredictability. There's like three different plots all woven together (and not particularly well). Some of the locations and coloring/lighting is quite good. It's a pretty film to look at.

    The acting is not particularly good. That being said, I've seen much worse before.

    Although there are a number of genres mixed in here, the overarching genre is giallo/slasher. What it's really missing is the graphic violence and sexuality that so often punctuate giallo and slasher films. There's no payoff. The ending gimmick was really bad.
    6The_Void

    Dull and boring Giallo from former master Sergio Martino

    The Scorpion with Two Tails has all the makings of a great Giallo. Aside from the intriguing title, it's also directed by Sergio Martino; the same man who made some of the best Giallo's of the seventies with films such as The Strange Vice of Mrs Wardh, it's written by Ernesto Gastaldi; whose name will mean a lot to every Giallo fan worth their salt as he has written many of the best films that the genre has to offer, and on top of that - we've even got a performance from cult actor John Saxon. However, Martino clearly didn't have his penchant for directing by 1982, Gastaldi was having an off day and John Saxon's character lasts all of about two minutes! Like the earlier Giallo, The Dead Are Alive, this film focuses on the ancient 'Etruscan' civilisation. Joan Barnard, the wife of Arthur Barnard; a famous archaeologist is having problems. She's suffering from nightmares that focus around ancient tombs. Her woes increase when her husband calls from Italy and ends up getting his neck snapped mid-phone call! She then travels to Italy to investigate.

    This film was apparently cut down from a television series, and I can only assume that they left the worst parts in! There's barely any excitement to speak of whatsoever, and this ensures that the film is very hard to care about. Add in some extremely unenthusiastic performances (unenthusiastic even by Italian horror standards!) and some silly fantasy crap and what we've ended up with here is one of the worst Giallo's ever made! It's a real shame too as this film blends in a few different styles and if Martino could have just pulled it all together better, this could definitely have sat alongside his more esteemed film credits. One of the few saving graces in this film is the music; but once you recognise it from The Beyond, the credibility soon dries up! At least the film manages to limp through with a decent finale; though once you've sat through the first eighty five minutes of the film, it could be the best ending of all time and most people would be unlikely to care. Overall, this is absolutely nothing to recommend this film for and I recommend that everyone skips it!
    3Superwonderscope

    Boring

    Boring and disappoiting work from shlockmeister Sergio Martino. Nothing much happens on the screen... Giallo specialist writer Ernesto GASTALDI was really tired this time. Elvire Audray is pretty but a terrible actress...Nice to see former sexy star of the italian adventure/action movies of the 60's Wandisa GUIDA but unfortunately she isn't doing much.

    Cinematography is standard TV-like. You simply don't care about the plot, the actors but you will hate the awful muzak.

    The fact Sergio Martino gave up on the anamorphic 2:35 format is, I think, a turning point in his career. He began with this "thing" (I hardly call that a movie)a long serie of disappointing and less radical movies especially aimed at a more US and european market (2019 AFTER THE FALL OF N.Y; ATOMIC CYBORG; AMERICAN RICKSHAW among others) where his visual style (weird camera angles, fast editing...) totally disappeared.

    You'd rather avoid this easily forgettable ASSASSINIO AL CIMITERO ETRUSCO and prefer TUTTI I COLORI DEL BUIO or LA CODA DELLO SCORPIONE, his best works to me.
    5kevin_robbins

    A Scorpion with Two Tails is an average addition to the horror genre, that potentially could have been better with improved kill scenes

    I recently viewed the Italian film 🇮🇹 A Scorpion with Two Tails (1982) on Tubi. The plot revolves around a woman in New York whose archaeologist husband passes away while studying artifacts in Italy. Haunted by nightmares of a mysterious cult performing sacrifices where her husband died, she travels to Italy to investigate the locations he frequented, and her dreams start materializing...

    Directed by Sergio Martino (A Man Called Blade) and featuring Elvire Audray (Ironmaster), Paolo Malco (The New York Ripper), Claudio Cassinelli (The Suspicious Death of a Minor), and Marilù Tolo (Marriage Italian Style).

    This Italian horror film from the era stands out with its unique blend of giallo and Indiana Jones elements. The solid acting complements a compelling storyline, enhanced by authentic sets and props. The film effectively uses maggots to create a chilling atmosphere, though some scenes might be unsettling for those not fond of them. However, the kills are disappointingly average, accompanied by the use of visibly paint red colored blood. Despite this, the ending manages to evoke a smile.

    In summary, A Scorpion with Two Tails is an average addition to the horror genre, that potentially could have been better with improved kill scenes. I would give this a 5/10 and recommend watching it once.

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    Handlung

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    • Wissenswertes
      Final film of Wandisa Guida.
    • Patzer
      When Joan runs through the tunnel into some spider webs, she waves her hands around in them like she's stuck, but they weren't really near enough to have held her back.
    • Zitate

      The 'aulos' old Player: [stops playing ancient flute, speaks to Joan] Welcome back, Granter of Gifts.

    • Crazy Credits
      Final credits roll over a shot in which the World Trade Center towers over.
    • Verbindungen
      References Ein Zombie hing am Glockenseil (1980)

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 17. September 1982 (Italien)
    • Herkunftsländer
      • Italien
      • Frankreich
    • Sprache
      • Italienisch
    • Auch bekannt als
      • The Scorpion with Two Tails
    • Drehorte
      • St. Patrick's Cathedral and Saks Fifth Avenue Department Store, Rockefeller Center, Manhattan New York City, New York, USA(Joan crosses Fifth Avenue)
    • Produktionsfirmen
      • Dania Film
      • Medusa Distribuzione
      • Publikampas
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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