Ein hartgesottener Polizist tut sich widerwillig mit einem besserwisserischen Kriminellen zusammen, der vorübergehend aus dem Gefängnis entlassen wurde, um einen Mörder zur Strecke zu bringe... Alles lesenEin hartgesottener Polizist tut sich widerwillig mit einem besserwisserischen Kriminellen zusammen, der vorübergehend aus dem Gefängnis entlassen wurde, um einen Mörder zur Strecke zu bringen.Ein hartgesottener Polizist tut sich widerwillig mit einem besserwisserischen Kriminellen zusammen, der vorübergehend aus dem Gefängnis entlassen wurde, um einen Mörder zur Strecke zu bringen.
- Auszeichnungen
- 3 Gewinne & 2 Nominierungen insgesamt
Olivia Brown
- Candy
- (as Olivia M. Brown)
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It seems that after 48 HRS, buddy cop movies had a simple plot. Catch the bad guys while being as funny and silly as possible. There is alot of bad buddy cop movies, this is one of the best. Considering one is a cop and the other is a convict it shouldn't really be considered a buddy cop movie. I watched this film a couple of days ago because it had been awhile since I watched it a thousand times on cable television as a kid. I was surprised at the amount of racial comments made in this film, I guess as a child I didn't really pay attention to those comments. The movie is still solid, definitely one of Walter Hill's best films. Eddie Murphy is perfecting his onscreen personality in his first film. Beverley Hills Cop wasn't far behind. Nick Nolte feels like a tired detective in this film. Nolte has always seemed like the perfect tired private eye or detective to me. The rough voice, the lined and aged face, he just seems right. The movie is exciting and tight, one of the best action films of the eighties.
I regard 48 Hrs as an action adventure with a comedic debut performance by the then 21 years old, Eddie Murphy.
Hard nosed, hard drinking cop Jack Cates (Nick Nolte) pulls a convicted bank robber Reggie Hammond (Eddie Murphy) from prison on a forged 48 hours pass to help him capture Hammond's old partner, Albert Ganz (James Remar) who killed Cates fellow cop.
Ganz himself escaped from prison with the help of native, Billy Bear and both go on a killing rampage as they look for the half a million dollars that went missing after one of their robberies.
Reggie knows where the money is but wants to stay one step ahead of Cates. Both distrust each other but need to work together to catch Ganz.
Walter Hill made a tough thriller with plenty of violence and cursing but imbued it with the humour of Murphy fresh from Saturday Night Live. Without his presence this would just be a forgotten police action film from the 1980s. He owns that scene when he pretends to be a cop at a country & western dive bar as he shakes down the patron.
Murphy elevates the film with the help of some off beat support by Remar and David Patrick Kelly. Nolte plays off well with the street smart, lean and hungry Murphy as the gruff cop who drinks too much and is too flabby.
In the sequel, Another 48 Hours, eight years later it was Murphy who would be flabby and out of shape going against a leaner, meaner Nolte.
Hard nosed, hard drinking cop Jack Cates (Nick Nolte) pulls a convicted bank robber Reggie Hammond (Eddie Murphy) from prison on a forged 48 hours pass to help him capture Hammond's old partner, Albert Ganz (James Remar) who killed Cates fellow cop.
Ganz himself escaped from prison with the help of native, Billy Bear and both go on a killing rampage as they look for the half a million dollars that went missing after one of their robberies.
Reggie knows where the money is but wants to stay one step ahead of Cates. Both distrust each other but need to work together to catch Ganz.
Walter Hill made a tough thriller with plenty of violence and cursing but imbued it with the humour of Murphy fresh from Saturday Night Live. Without his presence this would just be a forgotten police action film from the 1980s. He owns that scene when he pretends to be a cop at a country & western dive bar as he shakes down the patron.
Murphy elevates the film with the help of some off beat support by Remar and David Patrick Kelly. Nolte plays off well with the street smart, lean and hungry Murphy as the gruff cop who drinks too much and is too flabby.
In the sequel, Another 48 Hours, eight years later it was Murphy who would be flabby and out of shape going against a leaner, meaner Nolte.
Officer Jack Cates is assigned to catch a recently escaped convict. Tragedy ensues as he confronts his prey. Left with guilt and a botched reputation he grabs the desperate measure of seeking the help of jailbird Reggie Hammond. But there's a catch. And on the adventure goes of the two unlikely partners who can barely conceal their disdain for each other but develop a bond and friendship as they come closer to attaining their goal. The chemistry between Nick Nolte and Eddie Murphy is among the most memorable in all of film. Nolte's oafish and catankerous character and Murphy's smooth portrayal clash and make up in some of the funniest scenes and lines in all of filmdom. There's a rawness and awkwardness in some of the dialogues and scenes that give the film a ring of authenticity. One doesn't see these in movies anymore and cinema is all the poorer for it. The nostalgia factor is paramount as one views the fashion and mores bringing back memories of another time. One of the best Cop / Buddy films made, this is one that stays for good.
this is is a pretty good action/comedy movie.it stars Nick Nolte as a hard nosed cop,and Eddie Murphy as a con who he gets paired up with to solve a crime.the movie moves at a great pace,and there are some great action scenes.the dialogue is also very good,especially the interplay between Nolte's no nonsense cop,and Murphy's smart ass ladies man convict.the 2 have great screen chemistry.both also put in great performances in this film.it is a bit more violent then i thought it would be,and there is a lot of coarse language,as well as some nudity.but none of that really effects the quality of the movie.it's a funny,action packed ride.my vote for 48 Hours:7/10
It's the chemistry between Nolte and Murphy that makes this work, plus the fact that both men really attempt to 'get into the skin' of their character, something mostly ignored in other examples of this genre. Director Hill knows he's got a great team in front of the camera, and all that remains is for him to incorporate some spectacular action sequences around them. This he does competently. That one-two punch is what gives the movie its fireworks.
The banter and situations concerning the characters are also gleefully un-PC. It'd be interesting to see what a studio and director would make of the same premise in these 'enlightened' times. Murphy's comic stage persona is less restrained here than it would be in later films, and the results are often shamefully funny.
Don't expect Shakespeare, there's far too much cursing and other unsavoury shenanigans going on for that; do expect a pacy and entertaining early example of the 'buddy thriller'.
The banter and situations concerning the characters are also gleefully un-PC. It'd be interesting to see what a studio and director would make of the same premise in these 'enlightened' times. Murphy's comic stage persona is less restrained here than it would be in later films, and the results are often shamefully funny.
Don't expect Shakespeare, there's far too much cursing and other unsavoury shenanigans going on for that; do expect a pacy and entertaining early example of the 'buddy thriller'.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
From Reggie Hammond in 48 Hrs. to Chris Carver in Candy Cane Lane, take a look back at the iconic career of Eddie Murphy.
Wusstest du schon
- WissenswertesJames Remar often went without any sleep before shooting his scenes in order to give bad-guy Ganz a more washed-out, psychotic look.
- PatzerGanz catches Jack's 6-shooter, and then fires 8 shots without reloading.
- Alternative VersionenT.V. versions has two extra scenes. One featuring a walk with Nick Nolte and Annette O'Toole and a scene that occurs after the shootout at the B.A.R.T. Station between Cates and the Police Chief. The Chief tells him that Internal Affairs is on his back. Other scenes are extended by a few seconds and Denise Crosby is wearing a bra and panties in the T.V. version instead of being naked.
- VerbindungenFeatured in At the Movies: Pryor to Murphy (1983)
- Soundtracks(The Boys Are) Back in Town
Written and Recordings Produced by Brian O'Neal
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- 48 horas
- Drehorte
- Torchy's Bar - 218 1/2 West Fifth Street, Downtown, Los Angeles, Kalifornien, USA(As San Francisco. Redneck bar scene. Since Demolished.)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 78.868.508 $
- Eröffnungswochenende in den USA und in Kanada
- 4.369.868 $
- 12. Dez. 1982
- Weltweiter Bruttoertrag
- 78.868.669 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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