Der Missionar

You don't have to be a fan of Monty Python in general, or Michael Palin in particular, to enjoy "The Missionary". It's gently British humour conceals a razor sharp satirical edge, and there is something new to spot with every fresh viewing.

With Maggie Smith in the lead role, making the whole thing look as effortless as ever, it's easy to miss the outstanding performances from such icons as Michael Hordern and Tim Spall, the latter looking like a parody of himself as a servant of, shall we say, basic stock.

Phoebe Nichols delights and charms as the appalling Deborah and Denholm Elliott oozes charm as an outrageously un-Christian bishop. The characters are classics of comedy yet they still surprise. A satisfying dollop of bad taste completes the mixture. Unmissable.

I won't detail the plot as that's been covered rather extensively in the other comments. If you refrain from expecting a Monty Python movie, you'll find it much easier to enjoy The Missionary. It's not a Python movie. It's not outrageously funny though it does have some very funny moments, some hilarious. Most of the humor however is much more subtle, possibly too much so for many viewers. A great cast.

I've recently finished reading Michael Palin's second set of diaries ("Halfway to Hollywood"), which includes sections covering the real-time writing and filming of this particular film and so was pleased to get the chance to view it.

It's a pleasantly diverting comedy taking gentle pot-shots at snobbery, the English class system, the church and as the title makes clear, the Edwardian outlook on sex, peopled by a top-drawer British cast in very good form.

Palin himself takes the lead part and if lacking a little in the masculine virility I think the part calls for, nonetheless masters as you'd expect the comic delivery for which he's well regarded. To be fair, he is definitely outshone by his co-lead, Maggie Smith, as the repressed wife of a titled benefactor, late of the street herself as Smith herself relates to us in a disarming Cockney accent near the end. Michael Hordern does a hilarious little cameo as a befuddled butler, likewise Denholm Elliott as a "sporty" bishop and Trevor Howard as the frightfully frightfully titled patron-husband of Smith. I also liked Phoebe Nicholl's little turn as Palin's dim and virginal intended bride with a penchant for cataloguing. Some of the characters do, however, seem like leftovers from Palin's wonderful "Ripping Yarns" series and occasionally the film does veer off the track a little too much into farce territory with the ending tapering off somewhat, but with Palin the writer often employing the familiar trick of finishing scenes with amusing jokes, he just about keeps the film on an even keel for its not overlong playing time.

As for the direction, I did find the lighting a little gloomy at times and I suppose lack of budget could have been slightly to blame for not quite delivering a convincing depiction of the squalid streets of London where Palin looks to lift up his fallen women (in the Gladstonian sense of the phrase, naturally).

On the whole though, a likable, at times highly amusing light comedy rather making me sad a little that Michael later got lost on his worldly travels (entertaining as they've been), at the expense of his writing and acting skills.

This is a delightful film. Watch it with two or three of you in the room, because laughter is infectious. As ever with films that Harrison invests in, it's not afraid to mix styles, but also, there is no point that it labours. Too often films are afraid of changing their tone, as if they had to nail their colours to the 'tonal' mast early on and then obey that: a screwball comedy has to be screwball, a period piece has to be charming, engaging, but not dramatic, etc etc etc.

The script, written by Palin himself, is an absolute gem, and for once his silliness is kept well within bounds. As someone else said, this isn't the 'expansio ad absurdum' technique of fine, fine Python, nor the pull-faces-and-use-silly-words-can't-think-of-an-idea of Palin on his off days. Enough, but not enough, has been written about the cast, all of whom provide top-notch performances. Whom to praise most? I note as well, that the "Memorable Quotes" section still misses what may be the funniest exchange in the whole film, the sequence which begins, "You know perfectly well why we got rid of Margetson." The only people who are going to be disappointed by this film are those people who have dogmatic views about what a Palin film should be, or who think a comedy should spare them the trouble of thinking and leave them in a heap of rubble on the floor. Take the film on its own merits and, though you might think of ideas which the film didn't touch, places where it didn't go, you will still find enough in there to remember those ninety minutes fondly. Would I see it again? When's it on next?

A bit like "Ripping Yarns" I think you need an appreciation or at least familiarity with the mores of late Victorian/Edwardian society. This film appears to be a gentle comedy of manners but there is a hint of satire beneath.

I have liked this film since I first saw it years ago. I have had this on tape for some time but recently bought the DVD which has some nice extras.

The cinematography is good. Maggie Smith, Denholm Elliott and Michael Hordern can do no wrong. Trevor Howard blusters in a suitable 'Lord Cardigan' manner and you get an early Timothy Spall role.

I gave it 8/10. Unrepentant. It's a slow burner but still has a charm of its own.