IMDb-BEWERTUNG
7,3/10
2946
IHRE BEWERTUNG
Zwei Männer und zwei Frauen aus Moskau, Paris, Berlin und New York erleben zwischen 1936 und 1980 am eigenen Körper die Höhen und Tiefen eines vom Krieg gezeichneten Künstlerschicksals. Ihre... Alles lesenZwei Männer und zwei Frauen aus Moskau, Paris, Berlin und New York erleben zwischen 1936 und 1980 am eigenen Körper die Höhen und Tiefen eines vom Krieg gezeichneten Künstlerschicksals. Ihre gemeinsame Sprache ist die Musik.Zwei Männer und zwei Frauen aus Moskau, Paris, Berlin und New York erleben zwischen 1936 und 1980 am eigenen Körper die Höhen und Tiefen eines vom Krieg gezeichneten Künstlerschicksals. Ihre gemeinsame Sprache ist die Musik.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Empfohlene Bewertungen
I happened to be in Paris when this film was released. I was able to see it three times in 2 weeks at a theater who did English Subtitles. What an incredible movie. Unfortunately, it was released within months of Blake Edwards "10" which also used "Bolero" as it's main theme and that movie went over big time in the US, so distributors had a problem getting this film out. I wish they would re-release it. The thing I enjoy the most about it is the director's multiple uses of the actors. Many play their characters children and grandchildren. It is also an incredible look at a time when the world was trying to blow each other up and it shows that people everywhere just want the same things. A brilliant film.
Just viewed this movie on a DVD from Netflix. This movie is what a motion picture can be in the hands of an intelligent and talented director.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
The photography was wonderful, the use of color was spectacular, the sound was excellent, and the music and performances were top notch. I especially liked the full symphony orchestra segments and the American big band segments. The Folies-type musical numbers were also done with flair, and Geraldine Chaplin proved herself to be a classy cabaret singer (assuming her voice wasn't dubbed). Michel Legrand I believe was responsible for the music, which was first rate throughout.
All production values were of the highest order.
The final dance sequence, which lasted far longer than anything Hollywood would permit, was phenomenal; the late Jorge Donn was not Nureyev, but spectacular all the same. The robustness and uncompromisingly balletic style of the finale put the ballet sequences in a couple of American movies--American In Paris and Carousel-- in the shade.
Released in the U.S. as Bolero, apparently. Without car chases, explosions, etc., I doubt if it did very well at the box office over here.
10tj-moore
I am a professional musician. This film, in VHS, was presented to me by friends after my comments on the music I listened to on a cassette tape. I do not know how they did it as we were living in Southern Mexico at the time. I thank them profusely. All the music and, that dance at the end, is just simply outstanding. I do not know how any music lover could ever lessen a 10+ rating. I hope to find it on DVD someday. My two VHS tapes are good but what a blast it would be on DVD. The cast includes some great actors who seem to actually perform their musical parts. I get emotional with the story line, particularly the return of James Cahn to his Sarah. I recommend this to all.
I was in Strasbourg, France in 1981 when this film first came out and saw it in a movie theater. It was a compelling film and spoken not only in French, but German, Russian and English, according to the character's language. I loved the story, the music (my favorite rendition of Bolero), the incredible dancing, the acting. I even acquired the soundtrack and a VHS of the movie after seeing it, even though I don't typically acquire copies of movies once I have seen them. This film is and will always be my favorite film of all time. I happened to be studying the subject of international human rights law in Strasbourg at the time, so it seemed fitting to see this movie about WWII and the humanitarian aspects of the finale of the film. Our world has become so interdependent that other directors should take note of this little-known film and its use of multiple languages to great effect.
10ericibe
I may not remember everything, but this film has been on my mind since I saw it 23 years ago. I was in high school in a small town in Iowa. One of our band directors had a large collection of film on tape and laser disc. He would have movie parties for kids he taught. I showed an interest in film and he would screen some films I would have otherwise never have seen. I remember watching Bolero. (I do not think I knew it was known by any other name) I was in absolute awe of this film. The music, the story, the pacing - everything you couldn't get from popular American films.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
I have avoided seeing it again in the intervening time because I did not want my more grown up sensibilities to have a different opinion of the film. After reading some of the comments here I can feel safe to view it again.
Wusstest du schon
- WissenswertesFrancis Lai: The composer appears as the blind accordion player.
- Patzer(at around 1h 21 mins) The soldiers are playing cards on the train and the game they are playing changes between shots.
- Crazy CreditsThe grand majority of the opening credits are spoken by the narrator. The narrator stops after crediting the choreographer. Only the film's production company, title and the name Claude Lelouch appear in writing before the Bolero dance at the opening (when the writing is onscreen, the orchestra is warming up). Also, a quote by Willa Cather appears at the very beginning.
- Alternative VersionenPresented on French television in a 6 hours version quite clearer then the shortened American release. Richard Bohringer and Fanny Ardant's characters, for example, are better developed.
- VerbindungenEdited into Ein jeglicher wird seinen Lohn empfangen... (1981)
- SoundtracksFolies Bergère
Music by Francis Lai
Lyrics by Boris Bergman
Performed by Catherine Russell and Ginette Garcin
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Bolero
- Drehorte
- Garancières, Yvelines, Frankreich(Railway crossing and station scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 3 Std. 4 Min.(184 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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